“Stand By Me” remains one of the definitive coming-of-age dramas from the 1980s. Now Sony Pictures Home Entertainment is releasing this gem on 4K Ultra HD in a new exclusive steelbook. Directed by Rob Reiner and based on a 1982 novella by Stephen King, the story follows a group of four boys who discover a … Continue reading
REVIEW: “Eileen” (2023)
Director William Oldroyd’s “Eileen” is an equally captivating and frustrating psychological thriller based on Ottessa Moshfegh’s 2015 novel of the same name. It features the spellbinding duo of Thomason McKenzie and Ann Hathaway. It’s accented by the brilliant visual work from cinematographer Ari Wegner. And it features an alluring premise that mixes in an array … Continue reading
REVIEW: “Godzilla Minus One” (2023)
Not to be confused with the recent American line of Godzilla movies from production company Legendary Pictures, “Godzilla Minus One” comes from Japan’s celebrated Toho Studios. It’s Toho’s first Godzilla movie since 2016’s “Shin Godzilla”. And it’s their 33rd Godzilla film since first creating the iconic King of the Monsters in 1954. And what better … Continue reading
REVIEW: “When Evil Lurks” (2023)
Two brothers make a startling discovery after hearing gunshots in a patch of woods near their land. That kicks things off in Argentinean writer-director Demián Rugna’s unsettling chiller “When Evil Lurks”. The film blends elements of psychological horror with the supernatural in telling a smart and original story that I guarantee is unlike anything you’ve … Continue reading
Michael Mann’s “Ferrari” Gets Five New Character Posters Courtesy of NEON
Michael Mann’s spectacular snapshot biography “Ferrari” has been one of the biggest surprises of the 2023 movie year. With its December 25th theatrical release fast approaching, NEON has released five new character posters highlighting several members from the film’s terrific ensemble. Included are stars Adam Driver and Penélope Cruz, along with Shailene Woodley, Patrick Dempsey, … Continue reading
REVIEW: “Poor Things” (2023)
For me Yorgos Lanthimos is something like a taste I have yet to acquire. His latest, “Poor Things” won’t do much to change that. If anything it only reinforces my feelings towards a filmmaker with extraordinary talent, but whose cinematic self-obsessions often wring the meaning out of the movies he makes. Never before has that … Continue reading