Back in 2026 the slasher sub-genre got a jolt of fresh energy in the form of Wes Craven’s “Scream”. Horror fans immediately responded to the movie’s overt meta treatment that embraced the long-standing slasher clichés both within the film and in the filmmaking. In many ways it revitalized the genre and inspired a new wave … Continue reading
EDFF 2026 RUNDOWN: Short Film Block #1
One of the El Dorado Film Festival’s highlights is its strong support of short films from around the world. And this year’s lineup may be their best yet. Short Film Block #1 offered festivalgoers a curated collection of eight short films that spanned different genres and showcased several fresh and exciting voices. It made for … Continue reading
EDFF 2026 RUNDOWN: Louisiana Film Prize Top 5
This year the El Dorado Film Festival once again showcased the Top 5 finalists from last Fall’s Louisiana Film Prize. The ever impressive Louisiana Film Prize is a Shreveport-based short film competition and festival that was founded in 2012. As it routinely does, this year’s block included an exciting array of voices belonging to some … Continue reading
REVIEW: “The Dreadful” (2026)
Writer-director Natasha Kermani delves into the dark depths of gothic horror with “The Dreadful”, a slow-burning semi-supernatural chiller covered in medieval blood and grime. The story is set in the 15th century as a battle for control of the English throne rages during the Wars of the Roses. It’s a fittingly grim setting for Kermani … Continue reading
First Glance: “Pressure” (2026)
One of this year’s surprise early releases (at least for me) is “Pressure”, a historical war film from director Anthony Maras that recently dropped its first trailer. The feature is based on playwright David Haig’s 2014 stage production that was inspired by the true events leading up to the D-Day invasion. An intriguing cast led … Continue reading
REVIEW: “Kill Bill: The Whole Bloody Affair” (2025)
Quentin Tarantino originally conceived, wrote, and produced Kill Bill as one single film. But marketing an over four-hour movie concerned his producers. So Tarantino and Miramax compromised, deciding to divide the film into two feature-length volumes to be released six months apart. The acclaimed director wouldn’t have to cut major scenes and the producers could … Continue reading