Netflix had a tremendous year last, specifically when it comes to original movies. They delivered the best movie of 2025 with “Train Dreams”. But right behind it were several other outstanding features including three that also made my Top 10, “Nouvelle Vague”, “Frankenstein”, and “Jay Kelly”. Not to mention Kathryn Bigelow’s “A House of Dynamite” … Continue reading
REVIEW: “Killer Whale” (2026)
In “Killer Whale”, director Jo-Anne Brechin attempts to add a slightly new spin to the sharksploitation genre by making an orca the chief antagonist. Unfortunately that’s not enough to save the movie from the sea of well-worn tropes and its obvious budget constraints. The latter issue grows especially burdensome, specifically in the second half where … Continue reading
REVIEW: “The Rip” (2026)
It has been nearly thirty years since childhood friends Matt Damon and Ben Affleck collaborated to write the screenplay for “Good Will Hunting”. The film would go on to be a box office smash, grossing over $225 million. Even more, the two buddies from Cambridge, Massachusetts would win an Academy Award for Best Original Screenplay. … Continue reading
REVIEW: “28 Years Later: The Bone Temple” (2026)
Last year’s “28 Years Later” was Danny Boyle’s return to the bleak and harrowing zombie hellscape he first introduced with 2002’s “28 Days Later”. That world was further explored in 2007’s “28 Weeks Later” and then again in 2025. In the third film, Boyle and screenwriter Alex Garland picked things up 28 years after the … Continue reading
REVIEW: “Dead Man’s Wire” (2026)
Gus Van Sant returns with “Dead Man’s Wire”, the director’s first feature film in nearly eight years. His latest is a crime thriller that’s inspired by the real-life Indianapolis hostage crisis involving Tony Kiritsis. On February 8, 1977, a desperate and deranged Kiritsis entered Meridian Mortgage Company after falling behind on his real estate mortgage … Continue reading
REVIEW: “Night Patrol” (2026)
“Night Patrol” shouldn’t be confused with the 1984 comedy of the same name that could be called a “Police Academy” knockoff if the two films hadn’t released mere months apart. No, this is a much different animal – a movie that defies categories. It’s as if you threw multiple genres and sub-genres into a blender … Continue reading