REVIEW: “War of the Worlds” (2025)

Prime Video’s “War of the Worlds” from director Rich Lee is a science-fiction thriller that attempts to put a modern spin on the 1898 H.G. Wells novel of the same name. It employs the screenlife style of visual storytelling where nearly everything plays out on the screens of computers, smartphones, tablets, televisions, etc. It’s an interesting approach to the classic story. Unfortunately it utterly crumbles under the weight of its own astonishing clumsiness.

Made during the COVID-19 era, “War of the Worlds” sees Ice Cube playing William Bradford, a Domestic Terrorist Analyst for the Department of Homeland Security. His job description is somewhat of a mystery, but basically he alone has full access to the globe’s digital systems. He sits alone at his computer in his DHS office, watching surveillance feeds, hacking into security cameras, listening in on cell phone conversations, monitoring people’s credit card accounts, and playing a cat-and-mouse game with a mysterious hacker named “Disruptor”.

Image Courtesy of Universal Pictures

When not serving as the government’s intrusive eyes, William uses his high-tech access to spy on his two kids. He constantly chides his son Dave (Henry Hunter Hall) who recently graduated college but spends most of his time at home playing video games rather than finding a job. He’s even more worried about his pregnant daughter Faith (Iman Benson) who is only a few weeks away from having her baby. It’s all part of this underdeveloped family angle that’s shoehorned in during some of the weirdest times.

As the controlling William secretly watches his daughter drink coffee and monitors her heart rate through her iPhone, the earth is shaken as countless meteors rip through the atmosphere and crash to the surface. Out of them crawl massive alien machines dubbed Tripods which immediately wrecking havoc all across the globe. William instantly finds himself caught in between his government duty and protecting his family.

Rather than giving us a thrilling visual depiction of the alien invasion, we watch it with William through a series of grainy low-resolution videos that are broken up by snippets of generic news reports and footage of soldiers running around in full soldier mode. In a sense it’s bold and (if it had been surrounded by good material) it could have been dramatically effective. But when viewed through the film’s lone gimmick, the invasion only feels threatening from a distance.

But the movie’s problems extend much further than that. The story is haphazardly thrown together and it features more cheap shortcuts than meaningful plot turns. Meanwhile watching Ice Cube trying to sell us on him being a tech whiz is unintentional comedy in itself. He does what he can with the script, but seeing how he reaches certain conclusions can be hilarious. And he’s saddled with so much laughably bad dialogue that it is impossibly to take him seriously.

Image Courtesy of Universal Pictures

Ice Cube isn’t the only victim from the cast. No one else gets a fighting chance either. Eva Longoria gets nothing to do playing NASA scientist Sandra Salas. A wasted Clark Gregg plays NSA Director Donald Briggs (Clark Gregg) whose cartoonish villainy barely registers. Neither Hall or Benson get much help either. Both are shuttled around as the script calls for it, and both are caught in ludicrous family drama that always pops up at the worst times.

Despite its efforts, “War of the Worlds” is hampered by enormous plot holes, ridiculous conspiracies, an incredibly goofy second-half twist, and an unhealthy dose of shameless product placement. And it’s all coated in artery-clogging cheese that seals the fate of this bad and baffling misfire. There’s an admirable idea somewhere within it. But it’s barely discernible amid the waves of bad scenes that get more preposterous with each passing one. “War of the Worlds” is streaming exclusively on Prime Video.

VERDICT – 1.5 STARS

New on Home Video: “The Accountant 2” on 4K Ultra HD + Digital

Warner Bros. Home Entertainment is bringing “The Accountant 2”, the surprise sequel to the 2016 action thriller “The Accountant”, to home video. The movie sees star and producer Ben Affleck reteaming with director Gavin O’Connor in a film that improves on its predecessor by taking an almost buddy-comedy approach. Jon Bernthal, Cynthia Addai-Robinson, and J.K. Simmons all reprise their roles from the first film. You can read my full spoiler-free review of the movie [HERE].

This 4K Ultra-HD edition of “The Accountant 2” is light on special features but looks sharp and comes with a digital copy. It will be available to purchase on August 12th. See below for a full synopsis of the film and its release information.

About the Film:

Year: 2025

Runtime: 132 Minutes

Director: Gavin O’Connor

Screenwriter: Bill Dubuque

Cast: Ben Affleck, Jon Bernthal, Cynthia Addai-Robinson, J.K. Simmons, Daniella Pineda, Allison Robertson, Robert Morgan, Grant Harvey, Andrew Howard, Lombardo Boyer, Michael Tourek

Rating: R for strong violence and language throughout

Christian Wolff (Ben Affleck) has a talent for solving complex problems. When an old acquaintance is murdered, leaving behind a cryptic message to “find the accountant,” Wolff is compelled to solve the case. Realizing more extreme measures are necessary, Wolff recruits his estranged and highly lethal brother, Brax (Jon Bernthal), to help. In partnership with U.S. Treasury Deputy Director Marybeth Medina (Cynthia Addai-Robinson), they uncover a deadly conspiracy, becoming targets of a ruthless network of killers who will stop at nothing to keep their secrets buried.

REVIEW: “Weapons” (2025)

Zach Cregger gained quite a following in 2022 with his surprisingly popular horror thriller “Barbarian”. All things considered, it was a shaky exercise, built on a really good idea but hampered by a few too many bad choices (especially in the final act). But it showcased enough vision and craftsmanship to make horror fans curious about what the interesting new filmmaker would do next.

We get our answer with the chilling and atmospheric “Weapons”. Best described as a horror mystery, “Weapons” reintroduces audiences to Cregger’s interest in unique forms of storytelling. This time it’s noticeably more cohesive and savvy. Serving as both writer and director, Cregger is once again working from a compelling original idea. And while his story has a few kinks, he delivers an incredibly well made feature that firmly holds your attention throughout.

Image Courtesy of Warner Bros. Pictures

The story’s terrifying premise is laid out in the first few minutes through a child’s opening narration. One night in the small town of Maybrook, at exactly 2:17 AM, 17 children rose from their beds, ran from their suburban homes, and disappeared into the night. Each were elementary students from teacher Justine Gandy’s class. Strangely, only one child from her class didn’t vanish. The event leaves the shocked community reeling. Meanwhile the police have no leads in the mysterious disappearances.

That was a month ago, according to the young narrator. Now the school is preparing to open back up, but the hurting and understandably frustrated parents are wanting answers. Many, including Archer Graff (Josh Brolin), blame Justine (Julia Garner), believing she knows more about the missing children than she is letting on. But amid the slew of accusations and threats, she vehemently proclaims her innocence.

From there the movie officially kicks off. Cregger uses a fractured narrative, breaking his story into segments, each concentrating on a different key character and their connections to the case. Each segment feeds us slivers of new information, slowly moving us towards its revealing final act. Aside from Justine and Archer, other characters getting chapters include a local cop, Paul (Alden Ehrenreich), the school’s principal, Andrew (Benedict Wong), a homeless drug addict named Anthony (Austin Abrams), and young Alex (Cary Christopher), the only student from Justine’s class who didn’t disappear.

We learn a lot about the characters through Cregger’s careful attention to detail. For example, we see the weight of stress on Justine who has become a pariah in her own town. It drives her to begin her own investigation into the disappearances. We see the heavy toll grief is taking on Archer which leads him to investigate Justine. We also see Alex’s struggles at school and at home which are made more challenging with the arrival of his great aunt Gladys (a deliciously unsettling Amy Madigan).

Image Courtesy of Warner Bros. Pictures

While the style of storytelling keeps things interesting, some character segments are considerably stronger than others. While they all undeniably connect to the overall mystery, a couple spend time on things that never feel especially relevant or even necessary. But that’s a small gripe compared to the film’s biggest issue – it’s abrupt and somewhat deflating ending. It’s not that the main story finishes on a bad note. It’s more Cregger’s choice to quite literally cut the lights with very little emotional payoff.

While it may not deliver the final moment the film rightfully earns, “Weapons” remains an absorbing feature marked by all-around superb acting and striking visual assurance from an ambitious filmmaker who’s not afraid to take big creative swings. Cregger’s small town diorama is vivid and authentic, serving as the perfect setting for his thematically dense and genre rich tale. As for the violence, it’s sparse but hits with gory force. And best of all, Cregger keeps his secrets and keeps us wondering – a rare feat in modern horror. It all equals a strong sophomore effort and a discernible step up for this fresh voice in the ever-growing world of horror. “Weapons” opens in theaters today.

VERDICT – 4 STARS

Warner Bros. Dropped 12 Killer Character Posters for the Upcoming “Mortal Kombat II”

Warner Bros. Pictures has been gearing up for the release of “Mortal Kombat II”, the second film in director Simon McQuoid’s big screen reboot of the popular video game series originally created by Ed Boon and John Tobias. As fans know well, the story revolves around a multi-realm fighting tournament with a special penchant for wild characters and a heaping helping of blood-soaked violence.

Karl Urban, Hiroyuki Sanada, Adeline Rudolph, Josh Lawson, Jessica McNamee, Ludi Lin, Tati Gabrielle, Mehcad Brooks, Lewis Tan, Chin Han, Damon Herriman, Tadanobu Asano, Joe Taslim, and Martyn Ford are some of the sequel’s cast members. The first trailer was released a few weeks back and it was followed by twelve killer character posters highlighting the movie’s long list of fighters, all who have roots in the video game series. Check the posters out below.

“Mortal Kombat II” hits theaters on October 24, 2025.

REVIEW: “Together” (2025)

Cryptic teasers and creepy trailers paved the way for “Together”, A24’s latest twisted foray into the world of body horror. “Together” is the directorial debut for writer-director Michael Shanks and has grabbed a lot of attention since premiering at this year’s Sundance Film Festival. It stars real-life husband and wife Dave Franco and Alison Brie and tells a tale built upon a fairly obvious allegory. At the same time it lacks the psychological edge that could have made it considerably better.

Franco and Brie play codependent couple Tim and Millie. He’s a struggling musician and she is an elementary teacher who was just hired by a small rural school. As a result, the longtime partners buy a house in the country. But before leaving the city, Millie shocks Tim with a marriage proposal while at a going-away party with friends. His hesitation not only embarrasses her, but it’s the first of several hints that reveal the complications in their relationship.

Image Courtesy of NEON

Once settled in their new home and in desperate need of some quality time together, Tim and Millie take a hike in a nearby forest. Both end up falling into a deep hole where they discover the ruins of an old church – broken pews, broken stain glass windows, and an ominous bell embedded in the rock. But more mysterious is the pool of water than Tim decides to get a drink from. The pair eventually escape, but over time Tim begins to change. The formerly aloof Tim suddenly can’t stay away from Millie. And Millie can’t resist the attention. That’s when their story takes a gnarly Brothers Grimm-esque turn.

Shanks hasn’t been secretive about his film’s big twist. The couple’s connection takes a new form. Their new desires to be ‘together’ are more compulsory as if from a force outside of themselves. Again, the metaphor is pretty clear and the dangers of it are visualized through grotesque sequences of their bodies painfully fusing together whenever they make physical contact. Shanks doubles down on these scenes, leaning into the twisted body horror but finding room for some pitch-black humor as well.

To the film’s credit, it smartly presents us with a fairly likeable couple and a central relationship that is rooted enough in truth to earn our empathy. It does a good job exploring their genuine affections but also the buried resentment that has grown over time. Brie and Franco’s real-life chemistry pays dividends as the two are key in developing an organic on-screen partnership that is easy to believe in.

At the same time, you can’t help feeling that “Together” could have taken everything a little bit further – their attraction, their contentions, their anxieties, their grisly consequences, etc. Even more, the movie never comes across as either a fully realized horror feature or relationship drama. Still, Shanks does a good job conveying the weight of codependency even as his blaring metaphor gets more obvious through each gory mutation. “Together” is in theaters now.

VERDICT – 2.5 STARS

REVIEW: “The Naked Gun” (2025)

It seemed like all the right ingredients were in place. You have a film trilogy that I loved. You have a style of absurd comedy that I’ve always been drawn to. And you have a lead actor in Liam Neeson who I’ve always enjoyed watching regardless of what film he’s in. But here’s the thing – you don’t just recreate something as hilariously absurd as 1988’s “The Naked Gun”. And you don’t just step into the Oxfords of a comedy legend like Leslie Nielsen.

Yet that’s the attempt we get in “The Naked Gun”, a 2025 legacy sequel that follows that goofy trend of using the exact same title as a previous series installment. Perhaps it’s my unwavering love for the original three movies. Perhaps it’s my concern from seeing Seth MacFarlane attached. But from its very first trailer, I was resistant to the idea of a sequel, reboot, or remake. The earlier films were built upon such a distinct brand of humor that since has all but disappeared. And the late, great Nielsen had a flawless knack for it.

Image Courtesy of Paramount Pictures

To director Akiva Schaffer’s credit, his sequel certainly makes an effort to honor the original films, at least early on. It’s sets itself up well through some really good gags that feels fairly in-tune with David Zucker’s gems. But “The Naked Gun” 2025 runs out of steam around the midway mark. The laughs become noticeably more scarce. And as much as I like Neeson, he just doesn’t have the imbecilic innocence and irresistible charm that Leslie Nielsen effortlessly brought to the role.

Amid its slew of movie-defining early jokes, the story is initially set up as a classic film noir, complete with a hard-boiled detective, cynical voiceover, moody music, and even a femme fatale. But either intentionally or not (it’s hard to tell), Schaffer tosses it aside for a more conventional structure. Neeson plays Frank Drebin Jr., the son of Nielsen’s Frank Drebin, who has chosen to follow in his father’s footsteps and join LA’s Police Squad.

After stopping a downtown bank robbery, Frank finds himself in hot water with his chief (CCH Pounder) over his use of excessive force. As punishment, he and his partner Ed Hocken, Jr. (a woefully underused Paul Walter Hauser) are moved off the bank case and assigned to investigate a suspicious car accident. Killed in the wreck is a man named Simon Davenport. After interviewing the deceased’s sultry sister Beth (Pamela Anderson), Frank makes a surprising discovery.

It turns out the car wreck and the bank heist are connected. And that connection is Edentech, a big tech corporation ran by the shady Richard Cane (Danny Huston). In truth, the story is pretty preposterous to the point of being mostly inconsequential. Things like coherence, a compelling narrative, character development, etc. are nowhere to be found. There’s nothing about the story to latch onto or to even bother caring about.

Image Courtesy of Paramount Pictures

But frankly, that’s okay in a joke-a-minute movie where the main focus is on quickly shuttling us from one gag to the next. The problems come when the jokes stop landing, and sadly that happens too much in the second half. It takes some late swings that are simply too ridiculous. A few other swings come off as just lazy. Meanwhile some of the running jokes run out of gas yet Schaffer keeps going back to them.

While I’ve made a point to praise Nielsen for his tremendous comic work in the original films, I don’t want to shortchange Neeson’s efforts here. He and Schaffer attempt to recreate Nielsen’s Frank Drebin but the results are noticeably different. But it has more to do with the material than Neeson. The 73-year-old screen veteran fully commits to the cornball humor and is a key reason why the film works as well as it does. Throw in some good callbacks and a keen self-awareness, and you have just enough to keep this wobbly legacy sequel on its feet.

VERDICT – 3 STARS