REVIEW: “In the Grey” (2026)

Three very pretty people team up to get back a fortune owed by a ruthless despot in Guy Ritchie’s “In the Grey”. It’s a sleek and straightforward action-thriller laced with big set pieces, snappy dialogue, and a nonsense approach to storytelling. And did I mention three very pretty people? Henry Cavill, Jake Gyllenhaal, and Eiza González form the film’s central trio and clearly have a ball with Ritchie’s signature energy and swagger.

Despite hardly any promotion, “In the Grey” is a consistently fun throwback action film that deserves an audience. Ritchie never hides his intentions. His latest is a kinetically-paced heist movie that slow-builds to a big action payoff. And it openly leans on the charms, good looks, and sharp chemistry of its three leads. It’s a pretty simply formula that Ritchie knows well, and here he mostly gets it right.

The storytelling unfolds with a near procedural precision, directly moving us from point to point with hardly any downtime for such things as character development or relationship building. The movie is nearly as all-business as its characters, finding room for the occasional dry banter until it’s time for its trio to go to work. The simplicity is almost endearing even if it does approach formulaic. As for me, I enjoyed Ritchie’s unapologetic matter-of-fact approach.

Image Courtesy of Black Bear Pictures

The world of “In the Grey” is full of attorneys, bankers, investors, mercenaries, and tyrants. It’s where we meet the cunning and commanding Rachel Wild (a fabulous González), a lawyer who aggressively recovers money from shady borrowers and returns it to the equally shady financial firms who loaned it. Rachel is hired by Bobby Sheen (Rosamund Pike), a reluctant but desperate banking executive trying to avoid her boss’s wrath by retrieving $1 billion owed by a powerful crime boss named Manny Salazar (Carlos Bardem). The problem is Salazar has already killed one of Bobby’s lawyers who dared to try and collect.

Rachel is good at her job because she works within that small grey area between legal and illegal. And it helps that she has two loyal and capable extraction experts by her side, Sid (Cavill) and Bronco (Gyllenhaal). Individually they have unique specialties; together they are a highly efficient and lethal duo aided by their small team of operatives. As for Salazar, he lives lavishly on an island he owns, protected by a private army and a corrupt police department who are on his payroll.

Rachel gets Salazar’s attention by slickly, meticulously, and covertly seizing his assets, freezing his accounts, and ultimately costing him millions of dollars. It earns her an invite to Salazar’s island to hammer out a deal. Sid and Bronco accompany her as protection and are more than capable of keeping her safe. But they’re more concerned about the extraction if things heat up. And as you can guess, things definitely heat up leading to an action-packed second half marked by one unexpected swerve that really raises the stakes.

Image Courtesy of Black Bear Pictures

The film’s three stars have all worked with Ritchie before and they effortlessly slide into the skins of the characters he has created. We can only speculate about the depths of Rachel, Sid, and Bronco’s relationships. That’s because they are consummate professionals with a near robotic focus on the job at hand. They occasionally break their intensity with a bit of humor or a concerned word that may point to closer bonds. But their affections mainly lie with their work, as seen in their extensive planning, detailed coordination, obsessive preparation, and pinpoint execution.

Of course the savvy Ritchie is no stranger to big action. It takes some time getting to it with the surprisingly dense exposition-filled stage-setting. But once it comes, it doesn’t disappoint. It’s a veritable buffet of tense shootouts and thrilling vehicle chases, marked by big explosions and an even bigger body count. Meanwhile the costume design is as eye-popping as the set pieces. As I said, these are very pretty people and Ritchie looks to his favorite designer, Loulou Bontemps to ensure they’re well dressed for the every occasion.

“In the Grey” is a wildly entertaining action caper that mixes a Soderberghian style of storytelling with Guy Ritchie’s visual panache. It hearkens back to older action films yet has an exhilarating verve all its own. With such a laser focus, the film does leave you wishing for more between the three main characters themselves. But Ritchie knows what he’s after, and he locks in and delivers. Gyllenhaal and Cavill are rock-solid fits, but it’s an especially great role for González who ends up stealing the show. And what a fun show it is.

VERDICT – 3.5 STARS

New on Home Video: “Reminders of Him” on Blu-ray + Digital

Universal Pictures Home Entertainment is bringing “Reminders of Him” to home video. Directed by Vanessa Caswill, this moving romantic drama is written for the screen by Colleen Hoover and Lauren Levine. It’s an adaptation of Hoover’s 2022 best-selling novel that examines being a mother, finding forgiveness, and love’s ability to overcome past mistakes. Malika Monroe (“Longlegs”, “Watcher”) and Tyriq Withers (“Him”, “I Know What You Did Last Summer”) star.

“Reminders of Him” will be available to own on Blu-ray with digital copy on May 19th. See below for a synopsis of the film as well as release information along with a list of special features.

About the Film:

Year: 2026

Runtime: 114 Minutes

Director: Vanessa Caswill

Screenwriters: Colleen Hoover, Lauren Levine

Cast: Malika Monroe, Tyriq Withers, Lauren Graham, Bradley Whitford, Rudy Pankow, Zoe Kosovic, Monika Myers

Rating: PG-13 Sexual content, strong language, drug content, some violent content, and brief partial nudity

Desperate to rebuild her life with a daughter she has never known, Kenna (Monroe) finds unexpected compassion in a secret romance with local bar owner Ledger (Withers). As dangers develop for both of them, Kenna hopes to find a second chance amid unbearable heartbreak. Director Vanessa Caswill (Love at First Sight) tells an unexpected love story rooted in passion, heartbreak, and hope for what’s next.

Special Features:

“Reminders of Him” Blu-ray and digital releases contain the following new special features:

  • DELETED SCENES
    • Kenna Meets the Landrys for Dinner
    • Ledger Working on House / T-ball Game
    • Kenna Asks Her Mother for Help
  • THE PATH TO REDEMPTION – Uncover Kenna Rowan’s journey of redemption and the parallel love stories that guide her path out of the darkness.
  • TURNING THE PAGE – From page to screen, Colleen Hoover’s characters are known worldwide.  Hear from cast and crew why it was so important to have this beloved author turned screenwriter on set.
  • OUR ADVENTURE – Get to know the incredible team of filmmakers who brought the film to fruition in this deep-diving making-of.

Happy Birthday George Lucas

On this day in 1944 a young George Walton Lucas Jr. was born in Modesto, California. Like so many of us, he grew up loving comic books and science fiction, having a special affection for the Flash Gordon serials. And while he aspired to be a racecar driver, a near fatal accident changed his mind. Filmmaking became his passion, starting in Junior College and on through his time at the University of Southern California. And of course we all know how his career blossomed from there.

Lucas made his feature film debut in 1971 with his dystopian sci-fi thriller “THX 1138”. He followed it up in 1973 with the coming-of-age classic “American Graffiti”. But it was in 1977 that he took an ambitious swing that would change the cinematic landscape in ways he never expected. “Star Wars” took the world by storm and launched what is arguably the most beloved entertainment franchises of all time. He was also instrumental in creating the iconic Indiana Jones character and he founded LucasFilm, LucasArts, THX, and Industrial Light & Magic. But it’s Star Wars that he will forever be known for.

Frequent readers know how much I love Star Wars. As a kid, I watched the original trilogy on repeat. I played with the toys. I read the storybooks. I wore the pajamas. I carried the lunchbox. If it was Star Wars related, I probably had a part. Later, I would watch his prequel trilogy as many times as I could in the theaters; read the Star Wars comics till the covers came off; dove head-first into “The Clone Wars” animated series; and so on. And it hasn’t stopped. Whether it’s on the big screen, small screen, or page, I’m still invested in this sprawling world.

So needless to say, a huge part of my childhood was influenced by the creative force that is George Lucas. And even today, some of my favorite entertainment involves the franchise that he created nearly 50 years ago and that is now carried on by others. For that reason I had to write a small but heartfelt tribute on his 82nd birthday. George Lucas is a name that many of us have revered since taking our first trip to his galaxy far, far away. Happy Birthday Mr. Lucas.

New on Home Video: “The Bride!” on 4K Ultra HD, Blu-ray, and DVD

Warner Bros. Discovery Home Entertainment is bringing “The Bride!” to home video via a special 4K Ultra HD SteelBook edition and on Blu-ray and DVD. Written, directed, and produced by Maggie Gyllenhaal, “The Bride!” offered up a new spin on the 1935 horror classic “The Bride of Frankenstein”. Though the movie struggled at the box office, it features a top-notch cast and a very particular sense of style. Now it will be available to own physically and digitally.

“The Bride!” will be available to own on 4K Ultra HD, Blu-ray, and DVD on May 19th. See below for a full synopsis of the film as well as release information including a list of special features.

About the Film:

Year: 2026

Runtime: 126 Minutes

Director: Maggie Gyllenhaal

Screenwriter: Maggie Gyllenhaal

Cast: Jessie Buckley, Christian Bale, Peter Sarsgaard, Jake Gyllenhaal, Penélope Cruz, Annette Benning, John Magaro, Matthew Maher, Zlatko Burić, Jeannie Berlin, Julianne Hough, Louis Cancelmi

Rating: R for strong/bloody violent content, sexual content/nudity and language

A lonely “Frank” (Bale) travels to 1930s Chicago to ask groundbreaking scientist Dr. Euphronious (five-time Oscar nominee Annette Bening) to create a companion for him. The two revive a murdered young woman and The Bride (Buckley) is born. What ensues is beyond what either of them imagined: Murder! Possession! A radical cultural movement! And outlaw lovers in a wild and combustible romance!

Special Features:

“The Bride!” Digital release and 4K Ultra HD and Blu-ray contain the following new special features:

  • Stitching Together The Bride! (8:15)Uncover the artistry behind The Bride! with exclusive footage and revealing interviews. From Maggie Gyllenhaal’s daring direction to the cast’s transformative performances, witness how this modern masterpiece was brought to life. 
  • Designing the Look (8:44)From first sketch to final transformation, explore how The Bride!’s unforgettable creatures took shape. With exclusive make-up tests, behind-the-scenes footage, and cast insights, discover the artistry that turned vision into cinematic legend. 
  • The Muse and the Reimagined Monster (8:02)In The Bride!, Jessie Buckley and Christian Bale embody the intertwined forces of creation and consequence. Guided by Maggie Gyllenhaal’s vision, their performances reveal how love, pain, and artistry can reanimate even the darkest myths. 
  • The Bride! Party (6:15)A bride is always the center of attention—especially this one. Annette Bening, Penélope Cruz, Julianne Hough, John Magaro, and Peter Sarsgaard reveal their deepest thoughts on The Bride, Frank, and the unforgettable film they all leapt to be in.

Retro Review: “The Quick and the Dead” (1995)

Sam Raimi takes on the Western genre. That’s all I needed to know in 1995 to get me to buy a ticket for “The Quick and the Dead”. I’ve been a fan of Raimi since he tilted the horror genre on its head with his enduring classic “Evil Dead”. And Westerns have been a part of my cinematic life since I was too young to appreciate them. But I watched them anyway because my father and grandfather always had them on the television. Over time I would grow to admire them myself.

“The Quick and the Dead” features a superb cast beginning with its lead Sharon Stone. Fresh off the enormous success of “Basic Instinct”, Stone was brought on to star and co-produce. She ended up playing a big part in how the film turned out. She threatened to quit if the studio didn’t hire Sam Raimi to direct. She pushed hard for her co-star Russell Crowe, in a role that would put the Australian actor on the Hollywood map. And she even paid a young Leonardo DiCaprio’s salary after the studio hesitated to hire him.

The icing on the cake was casting the effortlessly brilliant Gene Hackman as the film’s vile and utterly chilling villain. Hackman offers a masterclass in calm calculated menace, delivering a character who is as magnetic as he is ruthless. Surrounding the two former and two future A-listers was a terrific supporting cast that included Keith David, Tobin Bell, Lance Henriksen, Gary Sinise, Pat Hingle, Mark Boone, and more.

Image Courtesy of Sony Pictures Releasing

Raimi and screenwriter Simon Moore make their ambitions clear. “The Quick and the Dead” is an unashamed homage to the great spaghetti westerns of Sergio Leone and Sergio Corbucci. Their influence drips from every portion of the movie, from its story to its characters to its gritty violence to the very way it’s shot. But Raimi and Moore add their own spin by offering an interesting gender twist to the usual revenge-driven gunfighter story.

The story kicks off with a mysterious woman named Ellen (Stone) riding into the ironically named town of Redemption. We learn all we need to know about Redemption in the first few minutes. It’s a lawless town where miscreants are allowed to run wild and its busiest man is the coffin maker. And it’s all ran by the tyrannical self-appointed mayor John Herod (Hackman), who plucks half of every dollar made by the good folks who remain. And who punishes anyone who dares to question his iron fist rule.

Ellen keeps her reasons for coming to Redemption to herself. But over the course of the film, a series of flashbacks make it abundantly clear – it’s good old-fashioned revenge. And while no one recognizes her, she has a painful history with the town that she has come to reckon with. And it just so happens she arrives as Herod announces a single elimination quick-draw tournament. Ellen quickly signs up, claiming she’s only interested in the prize money.

Image Courtesy of Sony Pictures Releasing

An assortment of other gunslingers, wannabes, and unsavory types sign up as well. Among them is a young hothead calling himself “The Kid” (DiCaprio), a bragging blowhard named Ace (Henriksen), the cryptic Sgt. Clay Cantrell (David), and of course John Herod himself, who isn’t afraid to bend to rules and change them for his benefit. The wildcard is a man named Cort (Crowe), a former member of Herod’s gang who renounced violence and became a preacher. Seeing it as an act of betrayal, Herod has his henchmen shackle Cort and forces him into the tourney.

As Moore’s script thrives in its straightforward simplicity, Raimi’s dynamic visual style injects the story with so much energy and life. The film features some of the director’s most audacious swings to date. He and cinematographer Dante Spinotti empty their visual bag of tricks – extreme closeups, whip pans, dutch angles, split diopter shots, rapid zooms. Add in the grainy textures and sepia hue and you have the kind of kinetic filmmaking that hearkens back to classic movies while making its own creative statement.

“The Quick and the Dead” surprisingly bombed at the box office. But over time opinions have changed as it has been given the reassessment it deserves. It’s both an artfully nostalgic and a slyly subversive feature that was clearly ahead of its time. It’s true that the story could use more depth. But the aggressively daring style is exhilarating and the cast is top-to-bottom entertaining. Simply watching Hackman is pure joy and you can see the future Best Actor chops in Crowe. We even get the final film role from the great character actor Roberts Blossom. What’s not to love?

VERDICT – 4 STARS

REVIEW: “Pretty Lethal” (2026)

How’s this for a premise – five twenty-ish ballerinas turn their dance moves into a brutal fighting style as they combat violent gangsters intent on killing them. That’s what director Vicky Jewson serves up with the stylish and fun “Pretty Lethal”. Sound silly? Well it certainly is. But Jewson finds a nice balance by not taking things too seriously but yet never winking at the camera. The tone can be a bit erratic. But the film remains entertaining throughout.

Screenwriter Kate Freund tells a girl-power story that avoids many of the traps that movies of its kind often fall into. It does so because Freund and Jewson stick close to their wild genre-bending vision. The story itself is straightforward to a fault, barely putting any time into developing its world or exploring its characters beyond the archetypes they are. But the genre elements surprisingly click, and the impressive cast fully commits to the blood-soaked chaos that unfolds in the film’s brisk 88 minutes.

Image Courtesy of Amazon MGM Studios

“Pretty Lethal” follows a talented yet dysfunctional ballet troupe from Los Angeles who are invited to compete at the prestigious and potentially life-changing Budapest Showcase. Held together by their supportive teacher, Thorna (Lydia Leonard), the five young ladies are prima ballerinas whenever they’re able to put aside their petty differences and work as a troupe. But that’s easier said than done.

The tough outsider Bones (Maddie Ziegler), the pampered rich girl Princess (Lana Condor), the openly religious Grace (Avantika Vandanapu), the sensitive Zoe (Iris Apatow), and her hearing-impaired sister Chloe (Millicent Simmonds) arrive in Hungary with Thorna. But their trip hits a snag after a mixup at the airport forces them to take a clunker of a bus which promptly breaks down on a remote country road.

Realizing they will lose their spot to alternates if they don’t make it to the theater in time, Thorna and her dancers grab their things and set out walking. They eventually arrive at the out-of-the-way Teremok Inn which is ran by its mysterious owner, Devora Kasimer (Uma Thurman). The group gathers in the inn’s restaurant and bar where they make an alarming discovery – in reality, the Teremok is a safe haven for mobsters.

But before they can leave the group has a violent encounter with Pasha (Tamás Szabó Sipos), the psychotic son of a powerful crime boss. Things spiral from there as the five ballerinas are locked inside with a mass of gangsters ordered to kill them before they can escape. Of course our tutu-sporting protagonists learn the hard way that the only way to survive is to work together. So they unleash their own special brand of “ballet-fu”, ferociously using everything from their flexibility to their choreography with delightfully bloody results.

Image Courtesy of Amazon MGM Studios

Jewson doesn’t hold back on the violence or the absurdity. It’s hard not to let out a gasp at the brutality of some of the action. At the same time, it’s hard not to laugh at the lethal pirouettes, as ballerina’s armed with razor blades in the toes of their pointe shoes cut through waves of angry wise guys. Meanwhile Thurman chews the scenery in the best of ways, laying on the sinister villainy that’s both menacing and hilarious. Yet she brings an unexpected empathy that adds more layers to her character than first expected.

“Pretty Lethal” is another genre cocktail that has enough self-awareness to keep our expectations in check. We know what it is going in, and Jewson delivers exactly what she promises. I do wish the characters were given more depth, and it would be nice if the world was better defined. But it’s hard not to enjoy the all-in performances, the amusing interplay, the terrific production design, and the stylishly original action that is equal parts visceral and comical.

VERDICT – 3.5 STARS