REVIEW: “Wake Up” (2025)

The savvy directing duo of Anouk Whissell and Yoann-Karl Whissell take a fairly simple idea and turn it into something horror-thriller fans should relish. “Wake Up” pits a group of hapless young people against a sociopathic killer – nothing new there. But it’s the gnarly tone, the razor-sharp execution, and the gutsy all-out ending that makes the movie stand out.

Written for the screen by Alberto Marini, “Wake Up” follows six young activists turned vandals looking to support their cause in a most ill-advised way. The group’s leader, Ethan (Benny O. Arthur), his buddy Tyler (Kyle Scudder), the seasoned Yasmin (Jacqueline Moré), the playful Grace (Alessia-Yoko Fontana), the flirty Emily (Charlotte Stoiber), and the newbie, Karim (Thomas Gould) have set their sights on a home improvement superstore known for its animal-unfriendly history.

The crew enters the store and hide inside until closing time. Once the doors are locked and the lights go out, the invaders come out of hiding, put on what looks like papier-mâché masks, and begin ransacking the place while videoing it for their social media followers. They claim to have spent months putting together their plan. But it doesn’t take for the audience to see the gaping holes all in it.

As the vandals are busy on their crusade, two security guards sit in the back room paying no attention to what’s happening in the store. One is Kevin (Turlough Convery), a burly primal hunting enthusiast whose volatility got him moved to the night shift. The other is his brother Jack (Aidan O’Hare) who has done everything he can to help Kevin keep his job. The pair finally notice the intruders on their monitor. But with Jack half-drunk, they skip calling the home office and attempt to scare away the trespassers.

Unfortunately everything that could go wrong does go wrong. The guards and the activists collide, Jack is accidentally killed, and Kevin’s maniacal side takes over, turning him into a bloodthirsty hunter and making the ill-fated activists his prey. From there the filmmakers have a blast seasoning an old-school slasher with classic survival horror elements, building some solid suspense while throwing in some satisfying (and fittingly bloody) kills along the way.

And then there is the ending I alluded to. While it’s nothing especially groundbreaking, it does give the movie a nasty kick that somewhat goes against what we expect from the genre. That said, “Wake Up” does fall into a few of the usual traps that often accompany these movies. Character choices don’t always make sense, there are a few logic lapses, and there is an overall silliness that’s hard to get away from. But the entertainment value is there, in large part thanks to Whissell and Whissell knowing what kind of movie they’re making and nailing the execution.

VERDICT – 3.5 STARS

REVIEW: “The Luckiest Man in America” (2025)

While it’s true that television game shows are still around, they’re nowhere near the craze they once were. As a kid growing up in the 1980s, game shows by the dozens could be found all across daytime TV. “Card Sharks”, “Scrabble”, “Tic-Tac-Dough”, and “Super Password” are just some of the game shows I would sit and watch most weekdays. But one of my personal favorites was “Press Your Luck” hosted by the late Peter Tomarken.

“Press Your Luck” featured three contestants who amassed spins by answering trivia questions. They then used those spins on a randomized gameboard made up of squares featuring cash, prizes, and extra spins. Their main goal was to win big without hitting a Whammy who would take away all their winnings. “Press Your Luck” grew in popularity, but it gained major media attention in 1984 when a former ice cream truck driver from Ohio named Michael Larson outsmarted the game to the tune of $110,237.

Image Courtesy of IFC Films

In “The Luckiest Man in America”, director Samir Oliveros introduces us to Michael Larson and what became known as the Press Your Luck scandal. Co-written by Oliveros and Maggie Briggs, the film spins the stranger-than-fiction true story into a black comedy of sorts – a move that both helps and hurts the movie. They openly take several wild liberties that manage to add some laughs. But it also takes the story down some roads that never make much sense.

Paul Walter Hauser is terrific as Michael Larson, portrayed as a sheepishly down-on-his-luck ice cream truck driver from Lebanon, Ohio. The film opens up with Michael in Hollywood to audition for his favorite television game show, “Press Your Luck”. He ends up blowing his audition but finds sympathy with the show’s creator and director, Bill Carruthers (David Strathairn). Bill thinks his viewers will love Michael’s story so he books him for the next day’s recording.

Michael spends the last of his money buying a sports jacket at an area thrift store before heading to the studio where the unexpected and improbable happens. After meeting the show’s host, Peter Tomarken (a really good Walton Goggins) and his two fellow contestants (Brian Geraghty and Patti Harrison), Michael settles in to play “Press Your Luck”. And as everyone there soon learns, he has the upper hand.

Basically, Michael had watched the show so much that he had memorized the board’s supposedly random patterns. Before long he’s racking up big winnings which makes Bill Carruthers and his team start to sweat. From there the drama splits time between Michael’s personal chaos, including his underdeveloped situation back home, and the showrunners in the control room who immediately seek to limit the damage.

Image Courtesy of IFC Films

An immensely overqualified supporting cast fill in the gaps starting with Goggins who slides right into his game show host role. Shamier Anderson plays Bill’s moody casting director who is tasked with learning the truth about Michael. Maisie Williams is a sweet addition playing production assistant Sylvia. Johnny Knoxville pops up briefly as a talk show host in the movie’s strangest scene. And a woefully underused Haley Bennett gets little to do as Michael’s wife, Patricia.

While “The Luckiest Man in America” has its version of Michael Larson, it barely cracks the shell of the real man who is well worth reading about. Not of all of the choices work as intended making this open dramatization far less compelling than the true story. But even if you don’t know the history, there’s still enough here to pique your interest. The cast is top-to-bottom strong, and it’s technically impressive from the slyly deceptive sound design by Andrés Velásquez to Lulú Salgado’s transporting production design. So sit back and soak in this crazy tale. But afterwards, slip over to Wikipedia and check out the even crazier true account.

VERDICT – 3 STARS

Movie Poster Spotlight: “I Know What You Did Last Summer” (2025)

Slasher movies had a mainstream resurgence of sorts in the late 1990s starting with Wes Craven’s “Scream” in 1996 followed by Jim Gillespie’s “I know What You Did Last Summer” in 1997. The latter spawned two sequels – a decent one in 1998 and a direct-to-video disaster in 2006. Now the franchise is getting a new installment which is positioned as a direct sequel to the second film while weirdly sharing the same name as the first film. The movie is being released by Sony Pictures Releasing who just dropped the first simple yet effective poster.

DIRECTOR – Jennifer Kaytin Robinson

WRITERS – Jennifer Kaytin Robinson, Sam Lansky

STARRING – Jennifer Love Hewitt, Freddie Prinze Jr., Madelyn Cline, Sarah Pidgeon, Tyriq Withers, Jonah Hauer-King, Chase Sui Wonders, Billy Campbell, Lola Tung, Nicholas Alexander Chavez, Austin Nichols

RELEASE – July 18, 2025

Check out the killer new poster below and let me know what you think.

New On Home Video: “Companion” on 4K Ultra-HD + Digital

Warner Brothers Discovery Home Entertainment is releasing the science-fiction thriller “Companion” on and 4K Ultra high definition. “Companion” is written and directed by Drew Hancock who has a field day mixing romance and horror into a twisted tale with equal measures of satire and gore. The film is anchored by its star, Sophie Thatcher playing a young woman who discovers that neither she or her reality is quite what she thought it was. Though light on extras, this is an edition that’s well worth having if you’re a fan of the film. Read my review of “Companion” HERE.

This new 4K Ultra HD edition of “Companion” comes with a digital copy and will be available to purchase on April 1st. See below for a full synopsis of the film as well as release info including a list of special features.

About the Film:

Year: 2025

Runtime: 97 Minutes

Director: Drew Hancock

Screenwriter: Drew Hancock

Cast: Sophie Thatcher, Jack Quaid, Lukas Gage, Megan Suri, Harvey Guillen, Rupert Friend, Jaboukie Young-White, Matthew J. McCarthy, Marc Menchaca

Rating: R for strong violence, sexual content, and language throughout

New Line Cinema—the studio that brought you “The Notebook”—and the unhinged creators of “Barbarian” cordially invite you to experience a new kind of love story.

Written and directed by Drew Hancock (“My Dead Ex,” “Suburgatory”), “Companion” stars Sophie Thatcher (“Yellowjackets,” “The Boogeyman”), Jack Quaid (“The Boys,” “Spider-Man: Across the Spider-Verse”), Lukas Gage (“Smile 2,” “Dead Boy Detectives”), Megan Suri (“Never Have I Ever,” “It Lives Inside”), Harvey Guillén (“What We Do in the Shadows,” “Blue Beetle”) and Rupert Friend (“High Desert,” “Asteroid City”).

Special Features:

“Companion” Digital, 4K UHD and Blu-ray contain the following special features:  

  • I Feel, Therefore I Am –
    • Could a robot have more humanity than a human? Delve into the complex relationships at the heart of “Companion”with Jack Quaid and Sophie Thatcher.
  • Love, Eli –
    • Harvey Guillén and Lukas Gage explore the fun, lighthearted relationship of Patrick and Eli. Explore their supposed first encounter at a costume party and how that develops into a unique love.
  • AI Horror –
    • Director Drew Hancock breaks down the fusion of slasher and sci-fi elements in “Companion” and how this is the perfect recipe for the wild and unexpected horrors humans can inflict upon AI.

First Glance: “One Battle After Another”

Paul Thomas Anderson is a highly regarded filmmaker who earns attention with every new movie he releases. For me personally, I find his films to be pretty hit-or-miss. But when PTA does hit, he hits BIG. That’s the main reason I’m excited for his latest, “One Battle After Another”. Today the first full trailer dropped and let’s just say my excitement got a boost.

“One Battle After Another” is a black comedy said to be inspired by Thomas Pynchon’s classic 1997 novel “Vineland.” It stars Leonardo DiCaprio as a manic hippie turned anti-government activist who calls on a motley band of revolutionaries to help him take on some white supremacist organization. The film is highlighted by a fun supporting cast that includes Benicio del Toro, Regina Hall, Teyana Taylor, Alana Haim, and Sean Penn. With a budget somewhere in the $100 – $145 million range, it looks like PTA is pouring a lot into this one.

“One Battle After Another” hits theaters September 26th. Check out the trailer below and let me know if you’ll be seeing it or taking a pass. 

RETRO REVIEW: “Duel” (1971)

Before he became the legendary director behind “Jaws”, “Raiders of the Lost Ark”, “Jurassic Park”, “Schindler’s List”, and “Saving Private Ryan”, Steven Spielberg found success in an unexpected place – an ABC television movie of the week. At only 24 years-old, the ambitious and immensely talented Spielberg made “Duel”, a movie that would be the launching pad for one of the great filmmaking careers of our time.

While technically not Spielberg’s first feature-length film (that honor goes to the self-made “Firelight” which has never been made public), “Duel” is considered to be the filmmaker’s first officially released movie. As you watch, the very technique and craftsmanship that would define his extraordinary career is present in its early stages. It results in propulsive action thriller built upon the classic tenets of good old-fashioned suspense.

Image Courtesy of Universal Studios

The script was written by Richard Matheson who was adapting his very own short story that was published in Playboy magazine. The film is light on dialogue, with Spielberg intent on letting the two led vehicles do most of the “talking”. The rest is left to Spielberg’s wizardry that utilizes both visuals and sound to drive this harrowing and high-octane nailbiter.

Spielberg cranks things up with an outstanding opening credits sequence that features a camera mounted on the front of a car as it drives through Los Angeles, out to the freeway, and eventually down a mostly barren two-lane rural road. Behind the wheel is David Mann (played by a pitch-perfect Dennis Weaver), a mild-mannered traveling salesman driving his Plymouth Valiant as an AM radio talk show plays in the background.

A few miles into his trip he encounters the film’s antagonist – a rusty and grime-covered 1951 Peterbilt tanker truck with thick smoke billowing from its stack pipe and license plates mounted on its front bumper like trophies from his past victims. We never see the face of the truck’s driver, only getting a few glimpses of his arm (and later his brown boots). Even scarier, we never get a sense of his motive for the terror he’s about to unleash.

Their encounter starts with David passing the truck only to have the truck pass him less than a mile later. The truck driver then slows down, forcing David to pass him again. As David speeds along the truck bears down on him, riding his bumper and blaring his horn. Quickly what resembles an instance of road rage boils over into a dangerous game of vehicular cat-and-mouse.

Image Courtesy of Universal Studios

As you ride along with “Duel” it’s impossible to miss the Hitchcockian vibe which is felt in everything from the crisp direction to the score (composed by Billy Goldenberg). Spielberg insisted on shooting the film on location and he did so in only thirteen days. It ends up making a significant difference by creating a palpable sense of authenticity. Meanwhile Weaver is a terrific centering point, selling us on his character’s fear by his physical intensity and through internal monologues which emphasize David’s rattled state of mind.

“Duel” first aired on November 13, 1971 and was an instant hit. In fact, it was so popular that Spielberg was brought back to shoot a few more scenes, lengthening its runtime to 88 minutes in preparation for an eventual big screen release in 1983. What’s great is that the movie still holds up well today in large part thanks to its taut and straightforward story and the way it’s told by a savvy young director with an extraordinary vision that would only get better in the years that followed.

VERDICT – 4 STARS