Jade Halley Bartlett writes and directs “Miller’s Girl”, a wobbly new thriller backed by Seth Rogen’s Point Grey Pictures production company. It’s a film that tries hard to take a nuanced approach to the familiar story of a teacher-student relationship that crowds or crosses the line of appropriateness. But what we get is a movie … Continue reading
Movie Poster Spotlight: “Road House” (2024)
I can honestly say that out of all of the 1980s movies to remake, “Road House” wasn’t among the first to come to mind. Yet here we are, a couple months away from a new “Road House” movie. It’s said to be a remake that tells a similar story but with a modern twist. It … Continue reading
REVIEW: “Dream Scenario” (2023)
I think it’s safe to say that we never know what we’re going to get from Nicolas Cage. And that’s one of the things that makes him such a favorite among moviegoers. Cage is liable to pop up in anything, from gritty crime thrillers to cerebral dramas to bonkers off-the-wall comedies. If you need further … Continue reading
Random Thoughts: The 2024 Oscar Nominations
Early this morning the Academy of Motion Picture Arts and Sciences announced their highly anticipated nominees for this year’s Oscars. As is always the case, the morning had its share of surprises and head-scratching snubs. But in their defense the Academy also got a lot of things right. Either way, I have plenty on my … Continue reading
REVIEW: “Lift” (2024)
Kevin Hart’s lucrative partnership with Netflix seems to be working out pretty well for both the actor/comedian and the streaming service. Their latest collaboration is “Lift”, a heist comedy from director F. Gary Gray. This is Gray’s first film since 2019’s abysmal “Men in Black: International” and the results are certainly better. Yet there are … Continue reading
REVIEW: “Founders Day” (2024)
Director, co-writer, co-producer, co-editor, and co-star Erik Bloomquist is the man behind “Founders Day”, a new feature that can best be described as a political slasher film that plays a little like a whodunit but is at its best as a black comedy. It doesn’t all come together particularly well, but there are some good … Continue reading