Writer-director Charlotte Wells makes her feature film debut with the alluring yet frustratingly elusive new drama “Aftersun”. Not far off its highly acclaimed premiere at this year’s Cannes Film Festival, “Aftersun” comes to us courtesy of A24 and is an unquestionably personal film from Wells. And it’s anchored by two thoughtful and true performances that … Continue reading
REVIEW: “Black Adam” (2022)
While the Marvel Cinematic Universe veers off in countless strange and indulgent directions, the DC Extended Universe sits suffering from a glaring identity crisis. What exactly is the DCEU? Who’s running the DC ship? Is there a roadmap? Which movies and what characters are a part of it? There was a time when I could … Continue reading
REVIEW: “Ticket to Paradise” (2022)
Aside from its half-fun and half-cringey trailer, “Ticket to Paradise” advertised a potentially fun throwback romantic comedy built on the backs of two Hollywood A-listers. For some of us, it’s hard not to be drawn to the prospect of George Clooney and Julia Roberts hamming it up again on the big screen. And considering both … Continue reading
REVIEW: “The Good Nurse” (2022)
Tobias Lindholm is the screenwriter behind two of my very favorite movies of the last ten years, 2012’s “The Hunt” and 2020’s “Another Round”. He steps back behind the camera for the first times since 2015 to direct his English language debut, “The Good Nurse”. Though known most for his writing, Lindholm gives way to … Continue reading
First Glance: “A Man Called Otto”
I loved the 2015 Swedish dramedy “A Man Called Ove”, and I remember thinking then that an American remake was all but guaranteed. It actually took longer than I expected to get here, but now we have “A Man Called Otto” from director Marc Forster. And playing the titular curmudgeon is none other than Tom … Continue reading
REVIEW: “Triangle of Sadness” (2022)
The rich and pampered have become a favorite punching bag of filmmakers and studios (it’s hard to miss the baked-in irony of that statement). It makes sense considering the snobbish upper crust elites routinely give us new things to scrutinize and satirize. So you could call them an easy but deserving target. The latest film … Continue reading