
During the later days of the video game arcade era, two wildly popular fighting games found themselves competing against each other for the quarters of players everywhere. Those games were “Street Fighter II” and the considerably more brutal “Mortal Kombat”. Both had legions of passionate fans who would gather around the cabinets and pump in coins for hours. Both ended up leaving a surprising footprint on pop culture, even getting their own mid-1990s movie adaptations.
While a “Street Fighter” reboot hits theaters later this year, “Mortal Kombat” got its own back in 2021. Unfortunately, with the exception of its terrific opening sequence, the movie was serviceable for fans but ultimately a letdown. Director Simon McQuoid went all-in for the R-rating, gifting fans of the video games with all the blood-drenched throwdowns and gory fatalities they could want. But the film didn’t tell a compelling story. Instead, it just expected you to know enough. And if you didn’t, too bad.

McQuoid returns to direct “Mortal Kombat II”, this time working with a different screenwriter, Jeremy Slater. Their film does a lot of the same things. For starters, they once again expect you to know the basics. But if you don’t, they throw in brief yet jarringly on-point exposition drops that only serve that one purpose. They surround these scenes with some incredibly silly and stilted dialogue that aren’t always meant to earn the laughs they get. But to be honest, I’m not sure how many people go to a Mortal Kombat movie for the storytelling.
On the positive side, instead of building the story around an unknown and mostly uninteresting new character like the first film, the sequel leans on franchise favorite Johnny Cage as a co-lead. He’s played by Karl Urban, whose seismic smirk, comical snark, and overall bad attitude puts an interesting spin on the character. Gone is the Cage’s signature narcissism. Instead, here he is a washed-up action star who makes his living signing autographs and selling DVD copies of his old movies at small conventions.
A second story thread follows Princess Kitana (Adeline Rudolph). As a child, she witnessed her father’s death at the hands of the power-mad emperor Shao Kahn (a fittingly ominous Martyn Ford). The two faced off in Mortal Kombat with the fate of their realm on the line. Shao Kahn’s brutal victory gave him control of the realm, and he took Kitana to be his daughter. But as the years go by, Kitana trains and prepares for a moment where she might have her revenge on the oppressive emperor.
The two stories merge after Shao Kahn seeks to take control of Earthrealm. And he does so in the only way one settles such a conflict – through a tournament featuring one-on-one combat to the death. Kitana is chosen to be one of Shao Kahn’s five warriors. But Earthrealm has a problem – they are one fighter short. So Lord Raiden (Tadanobu Asano), the protector of Earthrealm who selects and mentors the warriors who defend it, recruits a down-on-his-luck Johnny Cage to fight for Earth’s survival.

That is the story in a nutshell. There are some vague attempts at dramatic depth in Johnny’s road to redemption and Kitana’s attempt to unseat Shao Kahn and free her people. Both are welcomed, but neither move the needle much. That’s because the movie is much more interested in speeding through to the next fight while dropping in characters from the game for fans to check off. That’s almost enough to keep the movie afloat. The problem is the fights grow more repetitious instead of more exciting.
To its credit, “Mortal Kombat II” delivers some enjoyably gruesome fatalities, especially early on. And Karl Urban does a good job generating some legitimate laughs. But nearly everyone else are trapped in character skins so scantly defined that they barely register. So we’re left with a thinly sketched and overly crass feature that puts more energy into magical portals, ancient amulets, and stolen god powers than characters we want to root for or against. And once the fights start blurring together, there’s not much left for us to cling to.
VERDICT – 2 STARS

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Ah well. Onwards…
Yes indeed…
I really enjoyed the video game in the 1990s on sega. But as for the movies, guess we have to continue waiting.
Oh yes. I remember when it came out on Sega Genesis and Super Nintendo. Sega had the full bloody fatalities which is why we went with it. LOLOL
Exactly, we had Genesis. It was our first game console. And those fatalities were a real game changer. Shockingly Brutal. ‘Finish Him!’ And the whole tone of the fight would get really dark. LOL. but I used Johnny Cage all the time. His ground sweep seemed unstoppable!
slight correction. It was ‘my’ first game console
I loved this movie, if I’m being honest. I think it was made for somebody like me. I’ve been a die-hard fan of the franchise since the original arcade game in 1992. The previous film had its moments, specifically the fights between Scorpion and Sub-Zero, but everything in between was mostly a mixed bag and not very good. I think most of the problems that I had with the last movie have been dealt with here. The fights are better, the pacing’s better, and centering the film around Johnny Cage and Kitana was a smart move. That said, for people who are NOT familiar with the franchise’s lore and backstories, it’s going to be confusing to understand why this is all happening. There’s a surprising amount of stuff that’s being thrown at the audience, and unless they are fans the way I am, they’re going to get lost if they’re looking for any kind of story and character development(outside of Cage and Kitana, there isn’t). Also, Chin Han’s Shang Tsung is a pathetically weak villain like he was in the previous film. Chin Han is NOT Cary-Hiroyuki Tagawa. Yeah, it’s not perfect, but it’s still the best Mortal Kombat film since 1995. I know, I know: That’s not exactly a high bar to beat, but there it is.
I grew up on the games too and poured quarters in the cabinets while growing up. I continued to play the games but found the lore steadily grew more convoluted over time. I still prefer the 95 movie. Even with its oozing cheese and obvious silliness, it had moments that have stuck with me over the years. I don’t see this one having that same impact.