With “The Last Bus” Scottish director, writer, and accomplished painter Gillies MacKinnon gives us a warm-hearted road-trip movie that happens to be right up my alley. Driven by an outstanding lead performance from screen vet Timothy Spall, “The Last Bus” tells a simple and straightforward story. But that’s exactly what this tender and bittersweet drama … Continue reading
REVIEW: “Uncharted” (2022)
There’s really no need to rehash the long and painful history of video game movies. For various reasons, video games just haven’t translated well to the big screen. At first, there wasn’t enough to the games to warrant a film version (movies like “Super Mario Bros” and “Street Fighter” are prime examples). These days video … Continue reading
First Glance: “The Contractor”
Chris Pine leads a new action film called “The Contractor”. The film comes from television producer, graffiti artist, journalist, and film director Tarik Saleh. It was actually shot way back in 2019 where it went by the name “Violence of Action” (changing it was a good move). Now it’s set for an official release via … Continue reading
REVIEW: “Texas Chainsaw Massacre” (2022)
(CLICK HERE for my full review in the Arkansas Democrat-Gazette) None of the countless attempts at remaking, rebooting, or following the original “The Texas Chainsaw Massacre” have been able to hold a candle to the original. I say that because I hold Hooper’s ‘74 film in such high regard. It’s a horror movie that I … Continue reading
First Glance: “Elvis”
Baz Luhrmann is a filmmaker with a style all his own. Over the years it’s a style that has earned him as much criticism as praise. Personally, Luhrmann’s handful of films have been a struggle for me which is why I wasn’t sure about him doing a movie on Elvis Presley. Yet here we are … Continue reading
REVIEW: “Munich – The Edge of War” (2022)
(CLICK HERE to read my full review in the Arkansas Democrat-Gazette) Jeremy Irons plays Neville Chamberlain in Netflix’s new wartime feature “Munich – The Edge of War”. The film offers up a reappraisal of the often maligned British Prime Minister, a man that quickly became synonymous with humiliation, weakness, and appeasement. This film (an adaptation … Continue reading