(CLICK HERE for my review in the Arkansas Democrat-Gazette). Mimi Cave holds nothing back in her gnarly directorial debut “Fresh”, an upcoming thriller written by Lauryn Kahn and produced by Adam McKay. The film just had its premiere at Sundance and has already been snatched up by Searchlight Pictures who plan on streaming the film … Continue reading
Sundance Review: “Watcher” (2022)
A young couple moves into a new apartment in Bucharest, Romania just as news of a serial killer sweeps across the city. That’s the surface level setup for director and co-writer Chloe Okuno’s “Watcher”. But underneath its genre exterior is a clever and shrewdly made exploration of fear, isolation, and a woman’s need to be … Continue reading
Sundance Review: “A Love Song” (2022)
I’ve always had a deep admiration for Wes Studi and what he brings to his movies. Whether it was his role as the brutal yet complex Magua in Michael Mann’s “The Last of the Mohicans”, his often underappreciated portrayal of Geronimo in Walter Hill’s “Geronimo: An American Legend”, or playing a police detective alongside Al … Continue reading
Sundance Film Festival 2022
Today kicks off the 2022 Sundance Film Festival, the largest independent film festival in the United States. The event was founded in 1978 by Sterling Van Wagenen under the name the Utah/US Film Festival. It was originally a festival to showcase and celebrate American cinema. But over the next several years, Sundance grew and evolved … Continue reading
REVIEW: “Delicious” (2021)
The French period drama “Delicious” is (pardon the corniness) a mouthwatering mix of character, country, and cuisine. Written and directed by Éric Besnard and featuring some of the most exquisite cinematography you’ll see, “Delicious” pulls from real history to help tell its largely fictional but utterly compelling story of France’s very first restaurant. At the … Continue reading
Retro Review: “The Getaway” (1972)
Sam Peckinpah’s star-powered crime thriller “The Getaway” sees Steve McQueen and Ali MacGraw on the run along the U.S./Mexico southern border. McQueen was a huge movie star at the time and had a say in most aspects of the film. He fired director Peter Bogdanovich due to creative differences. He disliked the music by Peckinpah’s … Continue reading