Tilda Swinton is haunted by a mysterious sound in the otherwise quiet and meditative “Memoria”, the evocative new drama from director, writer, and producer Apichatpong Weerasethakul. This is Weerasethakul’s first movie made outside his native Thailand, but those familiar with his work will almost instantly notice his distinct style of storytelling. I was fortunate enough … Continue reading
REVIEW: “The First Wave” (2021)
A wave of COVID-19 related documentaries were all but inevitable. It’s understandable. There wasn’t a country left unscathed by the global pandemic that’s presence is still being felt. And you can bet there are powerful, heartbreaking, and even inspiring stories from all across the planet waiting to be told. In the United States, New York … Continue reading
REVIEW: “The 355” (2022)
While its title may be lacking, there’s certainly no shortage of star wattage in the upcoming action spy thriller “The 355”. Jessica Chastain, Lupita Nyong’o, Diane Kruger, Penélope Cruz, Fan Bingbing, Sebastian Stan and Édgar Ramírez front-load this straightforward female-led romp that finds itself in the dismal movie wasteland known as January. That’s when studios … Continue reading
First Glance: “Blacklight”
It’s that time of the year again. February is the usual landing ground for new Liam Neeson PG-13 action thrillers. This year the 69-year-old Irishman is giving us “Blacklight”, a shoot-em-up that looks to check every box Neeson fans will be expecting. This is the third film he has made with director Mark Williams, and … Continue reading
K&M Commentary: Movies, Musicals and Marvel
(CLICK HERE to read my full article/essay in the Arkansas Democrat-Gazette) I’m not sure the movie business has ever been in a weirder place than it is right now. Watching movies has never been easier than it is today. Streaming services have literally put entire catalogs of feature films right at our finger tips. We … Continue reading
REVIEW: “The Lost Daughter” (2021)
(CLICK HERE to read my full review in the Arkansas Democrat-Gazette) Maggie Gyllenhaal makes her directorial debut in “The Lost Daughter”, an assured and daring first feature that’s full of surprises both narratively and technically. It’s a worthwhile adaptation of the novella “My Brilliant Friend” by Italian author Elena Ferrante. The book is the first … Continue reading