The sophomore writing and directing effort from Craig Roberts sets up quite the challenge for itself. Simply making a movie about mental illness brings with it a number of thorny obstacles to maneuver. Turning it into an eccentric black comedy about depression and schizophrenia adds even more mines to the proverbial minefield. Yet that’s what … Continue reading
RETRO REVIEW: “Days of Heaven”
Released in 1978, “Days of Heaven” was Terrence Malick’s second film which came some five years after his debut “Badlands”. Much like his first movie, “Days of Heaven” had a lengthy production time full of delays, budget issues, and departures from crew members frustrated with Malick’s idiosyncratic, hands-on approach to filmmaking. After finishing “Days of … Continue reading
REVIEW: “American Murder: The Family Next Door” (2020)
I try not to get too caught up in the highly publicized true crime tragedies that capture our national spotlight and often play out on our television screens. One that did grab me was the 2018 disappearance and murder of pregnant mother Shanann Watts and her two young daughters four-year-old Bella and three-year-old Celeste. The … Continue reading
REVIEW: “A Girl Missing” (2020)
There is so much packed into the new Japanese drama “A Girl Missing” – jealousy, spite, brokenness, and revenge. It looks at elderly care and rabid news media. Guilt by association and the dangers of keeping quiet only scratch the film’s thematic surface. You would think a movie with this many narrative tendrils would have … Continue reading
First Glance: “Minari”
The Sundance hit “Minari” has been among my most anticipated films and yesterday A24 only solidified my excitement by dropping a new trailer. This family drama from writer-director Lee Isaac Chung won the festival’s Grand Jury Prize and its Audience Award earlier this year and many believe it is primed and ready for an awards … Continue reading
REVIEW: “Dick Johnson is Dead” (2020)
It may not sound like it but “Dick Johnson is Dead” may be one of the most unique love letters ever put on screen. This unusual documentary mixes together a near morbid playfulness with genuine heartbreak. Through its off-beat process the film becomes an uncomfortably funny and strangely cathartic mediation on mortality. And it’s examined … Continue reading