Arguably the weirdest titled movie of 2018 has debuted on Netflix and with quite a bit of attention. According to the streaming giant “Bird Box” has been watched by 45 million accounts making it the “best first 7 days ever for a Netflix film.” Skeptics notwithstanding, those are pretty impressive numbers especially for a usually tight-lipped company.
“Bird Box” is a genre stew featuring slices of horror, psychological drama, science-fiction, and end-of-the-world thrillers. It’s based on Josh Malerman’s 2014 debut novel of the same name and adapted to screen by Oscar nominated screenwriter Eric Heisserer (“Arrival”). Danish director Susanne Bier is tasked with corralling it all together and she manages it with a satisfying effectiveness.
The film opens with a mother named Malorie (Sandra Bullock) giving strict instructions to two children as they prep for a dangerous trek up a river. The three blindfold themselves before feeling their way to a fiberglass rowboat. After a few more pointed warnings they begin the treacherous journey upstream.
Flashback to five years earlier. A terrifying unknown presence surfaces causing anyone who lays eyes on it to suddenly kill themselves. Malorie, now pregnant and a soon to be single mother, finds herself holed up in a house with an assortment of strangers all trying to make sense of the rampant death and chaos.
“Bird Box” bounces back-and-forth between the present day river scenes and the flashbacks which reveal what led Malorie to that point. Most of that time is spent in the house where survivors battle fear and uncertainty as supplies begin to run out and new survivors show up. A talent-rich supporting cast fill out the group. There’s Tom (Trevante Rhodes), Douglas (John Malkovich), Cheryl (Jackie Weaver), Olympia (Danielle Macdonald), and Charlie (Lil Rey Howery) among others.
Parenting is a central theme and we see it from both literal and metaphorical angles. When it works it’s mostly due to a stellar performance from Bullock who hasn’t lost a step and shows she can still navigate an intense range of emotions. But it’s not always easy to keep the theme in focus especially when the film stumbles into some familiar genre trappings. There is clearly a thematic throughline, but you never lose sight that this is very much a genre(s) movie.
The film’s opening 20 minutes are its best, introducing its terrifying unseen threat that is undeniably menacing yet intentionally undefined. It turns society upside-down much like the killer first scenes of 2013’s “World War Z” yet on a smaller scale. Bier builds plenty of suspense and then carries it over to the film’s more character-focused house segment. Some of the characters work better than others. Rhodes is a standout. Malkovich is very John Malkovich-like. Weaver is sadly lost in the crowd.
“Bird Box” runs the gambit from riveting to predictable to kinda silly. At the same time it’s never boring and the performances are always worth watching. The convergence of survival and motherhood within such a sinister setting is a cool concept and Bullock wonderfully fleshes it out for us. She’s the movie’s backbone and even when the story sputters at times she puts it on her back and carries it to finish line.
VERDICT – 3.5 STARS