REVIEW: “Dara of Jasenovac” (2021)


When I previewed the upcoming film “Dara of Jasenovac” I noted that no faithful movie about the Holocaust is going to be an easy watch. But throughout the years these films have proven to be powerful reminders of humanity’s capacity for incomprehensible evil while also testifying to the indomitable resilience and courage of so many who suffered through the atrocities. And amazingly there are still powerful and moving true stories from the Holocaust yet to be told.

“Dara of Jasenovac” is a Serbian historical drama that tells a unique story from the Holocaust that’s not specifically about the Holocaust. Instead it’s concentrated on the genocide of Serbs in the Independent State of Croatia during the 1940s. Its main focus is on Jasenovac, a chain of the most notorious Croatian concentration camps which have been called by some historians “The Auschwitz of the Balkans”. They were the only concentration/extermination camps in all of Europe ran by non-Germans. Shockingly, their reputation for unspeakable brutally was such that even the Nazis were put off by their savagery.


Image Courtesy of 101 Studios

Not to get too lost in the history, the Croatian death camps including Jasenovac were ran by emissaries of the ultra-fascist Ustase regime, allies to Nazi Germany in ideology but completely autonomous in how they ran their camps. They were not an offshoot of the Nazis doing the bidding of Adolf Hitler. They were conducting their own savage genocide and using the German death camps as their model. And while extinguishing ethnic Serbs was their main objective, the Ustase regime also contributed to the Nazi “Final Solution” by murdering an estimated 40,000 Jews in Jasenovac alone.

Until now there’s never been a feature film about this horrible blight on human history. “Dara of Jasenovac” comes from director Predrag Antonijević and screenwriter Nataša Drakulić and is the Serbian entry for Best International Film at the upcoming Oscars. The movie tells its harrowing story through the eyes of a 10-year-old girl named Dara played by the intensely expressive Biljana Čekić. The film opens with a group of Serbs including Dara, her mother Nada (Anja Stanić Ilić), older brother Jovo and baby brother Budo, being marched to a Ustase-controlled train station. Once they arrive they are quickly herded into boxcars and within minutes the train and its human cargo are on its way to Jasenovac.


Image Courtesy of 101 Studios

Antonijević and Drakulić waste no time unveiling the horrors of Jasenovac and they don’t let the young girl’s perspective soften its edge. In fact there are times when by necessity the story pulls away from Dara to immerse us deeper in the camp’s inhumanity, to reveal the scope of its operation, and to emphasize the sadistic mindsets of those running it. On the surface the violence may seem overly brutish, but its actually rooted in true accounts. For example in the absence of more efficient means of extermination such as gas chambers, the soldiers of Jasenovac often used knives, mallets, and hammers. Antonijević doesn’t shy away from these harsh and uncomfortable realities.

At the same time this isn’t a movie solely absorbed in the darker side of human nature. The story always comes back to Dara and the different people she encounters, mostly women and children. While they all find themselves under the same dark cloud of hatred, bigotry and barbarism, we see glimmers of the human spirit as captives fight to survive while sacrificing everything for the ones they love. Dara is no different, determined to protect young Budo while holding out hope that her father Mile (Zlatan Vidović) may still be alive.


Image Courtesy of 101 Studios

In addition to the story’s emotional resonance, “Dara of Jasenovac” immerses the audience through a richly detailed period setting highlighted by terrific costumes (Ivanka Krstovic) and production design (Goran Joksimovic). Cinematographer Milos Kodemo takes breaks from intimate close-ups and cramped spaces to acquaint us not only with the camp but the surrounding area. A long-time cameraman turned DP, Kodemo shoots with a mostly classical style but tosses in some stylish modern flourishes as well.

I fear it will be tempting for some to let politics sway their perception of “Dara of Jasenovac” considering the decades of tension and violence in the Balkans. But siding-up and treating the film as either justification or propaganda misses out on the stark warnings and profoundly human themes at its core. The movie doesn’t stick a forever label of Croatians nor does it excuse Serbian atrocities that would follow. It tells a potent story of love and hate while opening eyes to an ugly slice of history that (hopefully) we all can come together and condemn. “Dara of Jasenovac” opens February 5th.



12 thoughts on “REVIEW: “Dara of Jasenovac” (2021)

  1. Thanks for opening my eyes to a very important story. In my ignorance I would have assumed there would be cinematic depictions of this particular oppression. I would not have thought it would take until the 2020s to get one out there into the ether. Wow that is sobering in and of itself.

    • Don’t feel bad. I learned a lot from it and in researching to write this. It really is sobering and (thankfully) handled very well in the film. May be a tough one to find once it releases but give it a look if you get a chance.

  2. Holocaust movies are now a genre.

    But not one movie about the Nakba.

    Well, Zionists run the movie industry.

    And no movie about how Jewish Neocons hatched Wars for Israel that murdered countless Arab lives.

    Only Jewish Lives Matter.


  4. Thank you for this honest review., Keith.
    Finally, someone who researched the topic of the film before writing a review.
    Finally, someone who has no doubt that the events and murders in the film really happened. (In reality, the participants in the music chair game were school children).
    Finally, someone who did not doubt that the Croatian Nazis had camps for children.
    Finally, someone who did not mark the presentation of the terrible truth about the genocide against Serbs, Jews, Gypsies and Croatian anti-fascists in Jasenovac and Independent State of Croatia, as Serbian propaganda.
    Unfortunately for the victims in the Jasenovac extermination camp, the Ustashe officers (male and female) shown in the film (Luburić, Filipović, Vrban, Miloš, Šakić, Buždon…) were in fact much more horrible, monstrous and bloodthirsty and they rarely used fire weapon. Their favorite weapons were knives, axes and mallets. They were monsters in human form. Imagine that Michael Myers, Leatherface, or Jason really existed and that they ran a concentration camp in World War II. Such were the Croatian Ustashe.
    Gideon Greif, chief investigator of the Israeli Holocaust Institute, Shem Olam, has documented 57 methods of torture and killing in Jasenovac. Even the German SS was shocked by the methods of the Ustashe. Some of the readers of the shocking testimony of the survivor of the Jasenovac camp Egon Berger, 44 months in Jasenovac (
    commented that they had to take breaks while reading this book because they were physically sick of what they had read.
    I haven’t seen the film yet, but I guess a few of those ways of killing have been shown because such a film would be a splatter horror that could only be watched by fans of the horror genre, so the director had to soften the depiction of those crimes. In the trailer, I see that the Ustashe in the film are mostly killing their victims with firearms.

    • They do indeed show the bladed and blunt weapons used in several killings. It’s utterly appalling. I was really drawn in by the film and it prompted me to learn more about the true events. It really left a mark.

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