(CLICK HERE to read my full review in the Arkansas Democrat-Gazette)
The path to the big screen hasn’t been an easy one for “Dear Evan Hansen”, a film adaptation of the 2015 stage show by Benj Pasek and Justin Paul. The first trailer for this coming-of-age movie musical dropped back in May, and it only took a viral tweet or two for the film to become a social media punching bag. Much of the criticism centered around the choice to have Ben Platt reprise his Tony-winning role as the titular teen.
Let’s be honest, social media outrage isn’t the most reliable gauge. But in this case, Platt as a 17-year-old is a hard sell and slapping on pasty makeup and a plump crop of curly hair doesn’t help. But the whole age thing isn’t what makes “Dear Evan Hansen” a woefully misguided misfire. Its problems run a lot deeper.
The story kicks off with Platt’s Evan set to begin his senior year of high school. To help with his crippling anxiety, Evan’s therapist recommends that he start each day by writing a motivational letter to himself. “Dear Evan Hansen,” the letters begin. “Today’s going to be an amazing day and here’s why.”
The movie’s portrayal of mental health is hazy at best. Look no further than Evan himself who early on isn’t just socially awkward but almost nonfunctional. His inability to muster a single sentence to anyone other than his jerk of a “family friend” Jared (Nik Dodani ) hints at severe social anxiety. His several prescriptions point to depression. We even see evidence of possible autism. And then there is his childlike body language that comes across as paralyzing insecurity mixed with Platt’s exaggerated attempts to look younger.
The queasier stuff comes after his letter to himself is swiped by a bully and fellow outcast named Connor (Colton Ryan). A few days later Evan is summoned to the principal’s office where Connor’s parents, (Amy Adams and Danny Pino), inform him that their troubled son had committed suicide and they found Evan’s letter with him. They mistakingly take the letter as a sign that Connor actually had a close friend.
Evan tries to correct the grieving couple’s misunderstanding at first. But so hungry for human connection and with a particularly icky crush on Connor’s sister Zoe (a terrific Kaitlyn Dever), Evan turns the misunderstanding into a full-blown lie. Soon it takes on a life of its own as word of his fictional friendship gains him sympathy from his classmates. And after his speech/song at a school memorial service goes viral, Evan becomes a social media sensation.
The more devilish part of Evan’s ruse is in his scenes with the Murphy’s. At first he doesn’t have the heart to tell them the truth about their son. But he relishes their attention, the kind he doesn’t get at home from his hard-working and rarely present single mother (Julianne Moore). So he ingratiates himself with the family through bigger and more elaborate lies. Even worse is Evan’s manipulation of Zoe which makes him look like a creep despite the film’s efforts to paint him otherwise.
Sprinkled in among all the weird and unsavory drama is a mixed bag of pop ballads from Pasek and Paul (the duo behind “La La Land” and ”The Greatest Showman”). None come close to being great, but among the better songs is the peppy opener “Waving Through a Window”, the mournful “Requiem”, and the crowd-pleasing “You Will Be Found”. But most of everything else is both dull and forgettable with a couple of songs even crossing the bounds of good taste.
You don’t have to look hard to see what ”Dear Evan Hansen” wants to be. You also don’t have to look hard to see the many ways it misses its mark. Some of its choices are baffling, such as the film’s willingness to use suicide as a plot device to move Evan’s story forward. Also the questionable ways it attempts to justify Evan’s deceit. And who thought stretching the runtime to 137 minutes was a good idea?
It all might work better if it was actually leading to something meatier. Instead the movie concludes with a toothless reckoning that ends up far tidier than it should. It only adds to the film’s nagging artificiality and makes the already shaky moral center even harder to digest. That’s especially frustrating considering the heavy topics it’s trying to deal with. The intentions are good and everyone’s heart is in the right place. But one too many missteps sink the film before it even gets started good. “Dear Evan Hansen” is out now in theaters.
WTH are Amy Adams and Julianne Moore doing in this rubbish? They run out of dollars or something?
I dunno. The thing is both are really good in it. But the movie as a whole…ehhhh
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Man, you’re being too kind to this film. I haven’t seen it but how in the hell did it win all of them Tonys for a story that is really so awful? Ben Platt is getting his ass handed to him and rightfully so. I guess this chance for a EGOT will never happen anytime soon. At least there’s the Razzies. “How you doing young people?”
This has been a bad period for musicals lately as there’s been some really revolting and repugnant shit coming out in that genre. Cats, Music, and now this.
I’ve read reviews from those who are suffering from mental issues on Letterboxd and they were appalled by this film and man, they tore that film to pieces. I also heard they cut a song from the film where Evan is finally targeted for what he really is as that is a stupid decision. As someone who had been bullied in school, a kid like Evan Hansen will not only be bullied but probably deservedly so for just being a sociopath.
I thought I hit it pretty hard. Didn’t like it much at all. The intentions are good, but how do you make so many glaring missteps? It’s quite ghastly in some regards.
Good review. I just saw this movie yesterday and I have to agree with you about this movie. Yes, Platt is older than what his character should be, but that’s not the main problem. The story is very meaningful, but the movie never examines a lot of his characters and their dilemmas. There’s a lack of substance throughout the movie. They talk about mental health in both Evan and Connor, but never really delve into those mindsets. The songs are written well, but most are forgetful.
100% agree. Over time I’ve found myself frustrated with how little the movie cares about Connor (the movie, not the filmmakers if that makes sense). It uses his death in such a shallow and uninterested way – just to move Evan’s story along. I often felt Connor was an afterthought which I know won’t sit well with a lot of people.
If this ends up on streaming my curiosity might get the better of me but for now…nope!
Good choice. It’s rough and really hard to get behind. So many glaring missteps and miscalculations.
Reviews like this make me wanna spend the next 30 years with The Wiggles 💜
That’s kinda funky
I still dream of performing with them 💛💜❤️💙