REVIEW: “Ballerina” (2025)

Now here’s a movie with a lot to live up to. “Ballerina” (marketed with the tag “From the World of John Wick”) is a spin-off to one of the most heralded action movie franchises in recent years. That makes for some big shoes to fill. But to director Len Wiseman’s credit, he doesn’t necessarily try to fill them. He and screenwriter Shay Hatten (who helped pen “John Wick: Chapter 3” and “Chapter 4”) put their attention on a new character, and star Ana de Armas does the rest.

Without question Wiseman leans into the visual, visceral, and violent world of John Wick. Even the near mythical ‘Baba Yaga’ himself (Keanu Reeves) makes an appearance. Yet while the film is in harmony with the franchise’s established sense of style, unique world-building, and ferocious fight choreography, “Ballerina” is more than some cheap knockoff. And much like its revenge-fueled protagonist, the movie has enough of its own flavor to stand out within this well-defined world.

Image Courtesy of Lionsgate

De Armas plays Eve Macarro, a lethal assassin set on a path for vengeance. As a child she witnessed her father’s murder at the hands of a mysterious sect. As a result, Eve was taken to the Director (Anjelica Huston), a crime boss and head of the New York branch of the Ruska Roma. The Director raised Eve and over the years taught her how to channel her pain. Eve would eventually be trained as one of the Director’s ‘ballerinas’ who in reality are highly skilled assassins.

While fulfilling a contract, a memory is triggered after Eve encounters a group of killers bearing the same mark as the men who murdered her father. She approaches the Director for information and is sternly ordered to let it go. But Eve is determined and follows a body-littered trail that eventually leads to a mysterious off-the-grid leader known as the Chancellor (Gabriel Byrne). But their world is one of rules. And by breaking them Eve ends up as the hunter and the hunted.

Several new names enter the world including Norman Reedus as an assassin on the run and Byrne who makes for a worthy villain. But none are better than Ana de Armas who holds her own as an action star and John Wick protagonist. Then there are the welcomed familiar faces such as Ian McShane’s Winston, the enigmatic and charming owner of the New York Continental Hotel, Charon (the late Lance Reddick), the Continental’s concierge and a loyal friend to Winston, and of course John Wick himself.

Image Courtesy of Lionsgate

If you’re a fan of the John Wick movies you’ll be thrilled to know “Ballerina” fully embraces the franchise’s rich mythology. We get it all including the dynamic locations, the underworld codes, and the array of colorful characters. And of course you have the kinetic, pulse-pounding action sequences which have become a staple of the franchise. We see de Armas firing bullets, throwing axes, swinging ice skates, spraying fire – essentially using whatever she can grab as a weapon.

Filled with killer characters, callbacks and carnage, “Ballerina” earns its spot amid the ever-growing John Wick canon. And all while highlighting the budding star power of a terrific Ana de Armas. She brings a fitting yet fresh energy to the franchise, committing herself completely and giving us a character who we hope to see again. And I can’t think of a better compliment to give the movie than this – I want more Eve Macarro. “Ballerina” is in theaters now.

VERDICT – 4 STARS

9 thoughts on “REVIEW: “Ballerina” (2025)

  1. I’m likely wait for this on streaming though I am a fan of the franchise and of both Keanu and Ana. I just got back from watching The Phoenician Scheme (awesome film).

  2. Good review. To me, I thought that this movie was pretty good. A bit slow in some parts and it does take similar cues from the John Wick films, but I felt that Armas was a strong enough lead and did fit well into the film’s larger universe.

  3. Pingback: New on Home Video: “Ballerina” on 4K Ultra HD + Blu-ray and Digital | Keith & the Movies

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