When the new trilogy from The Strangers film series was announced I was hopeful yet cautious. The three movies were set to be a prequel to the 2008 original film. That movie (written and directed by Bryan Bertino) was a straightforward and genuinely unsettling blending of psychological and home invasion horror. Unfortunately it’s follow-up, 2018’s “The Strangers: Prey at Night” was a considerable downgrade which (as I’ve said in an earlier review) is better left forgotten.

That brings us to the new trilogy, all consecutively shot under the direction of Renny Harlin. Chapter 1 didn’t kick things off on the best note as it stretched about 30 minutes worth of story into a 90-minute feature. To be perfectly honest, the same could be said for “The Strangers – Chapter 2”. But there is one notable and unexpectedly effective difference. Chapter 2 moves away from the home invasion angle and is essentially one extended chase, with the previous film’s formidable final girl on the run from three masked psychopaths.

Madelaine Petsch returns as Maya Lucas, the young woman who barely survived her petrifying encounter with three masked strangers while staying overnight at a secluded Airbnb. Her fiancé Ryan (Froy Gutierrez) was brutally murdered by the strangers and Maya was left for dead. But she was saved by first responders and rushed to the Venus County Hospital. That’s a serviceable summary of “Chapter 1” which immediately sets up its follow-up.

“Chapter 2” begins with Maya recovering in the hospital while mourning the loss Ryan. With the killers still on the loose, she’s understandably fearful for he safety. But the creepy and cryptic Sheriff Rotter (the always beguiling Richard Brake) isn’t much help. Meanwhile her family is still on their way, leaving Maya alone in her hospital room for the night. Enter the three strangers, known in the credits as Scarecrow, Dollface, and Pin-Up Girl, who return to finish what they started.

From there the chase begins with Harlin patiently moving us from one location to the next as Maya tries to avoid being butchered by the ax-wielding Scarecrow and his two followers. It starts throughout what has to be the emptiest hospital you’ll ever see. From there we follow Maya out into the rainy darkness where she soon stumbles upon a horse ranch. And it goes on from there. At each stop she encounters eccentric locals and just knowing who to trust is a terrifying challenge.

As Maya’s fight for survival progresses, co-writers Alan R. Cohen and Alan Freedland sprinkle in brief flashbacks that hint at the origins of the three strangers. It’s more eerie than insightful, and it’s hard to know if it will eventually amount to much in a series about the utterly random nature of some violence. But it looks like the plan is to show how a bond formed between this deranged trio. How effectively it will play out is anyone’s guess.

While storytelling isn’t a strength, “Chapter 2” has some genuinely good scenes. There’s a nerve-racking sequence in the hospital’s morgue. And later on there is a terrifically edited scene inside an SUV as a frightened Maya tries to gauge the intent of the four twentysomethings inside with her. Other moments don’t fair as well, such as Maya’s encounter with a glaringly obvious computer generated wild boar. It’s well staged, but the CGI is distracting. Or a scene where she goes full John Rambo and sews up her own stomach wound.

Even with its blemishes, “The Strangers – Chapter 2” is a surprising step up from its predecessor. The movie is essentially three murderous maniacs endlessly pursuing a young woman through a rural backwoods community. Nothing about that sounds remotely original, and it’s hard to make the case that “Chapter 2” has anything new to offer. Yet I can’t deny its entertainment value which is mostly the result of Harlin’s craftsmanship. It’s still hard to figure out what the trilogy is going for. But “Chapter 2” earns enough goodwill to bring me back for “Chapter 3”.

VERDICT – 2.5 STARS