First Glance: “I’m Your Woman”

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I was huge fan of “Fast Color”, an empowering female-led superhero origin story of sorts. The supernatural drama was directed by Julia Hart from a script she co-wrote with her husband Jordan Horowitz. It was one of my favorite films of 2018. So naturally I’m excited to see the trailer for “I’m Your Woman”, a 70’s era crime thriller that sees Hart and Horowitz working together again.

“I’m Your Woman” comes from Amazon Studios and it stars Rachel Brosnahan. She plays a wife and new mother named Jean who is forced to flee with her young child after her husband double-crosses his literal partners in crime. A mysterious man named Cal (Arinzé Kene) takes Jean into his care while her husband’s ex-associates try and track her down. The look, the vibe, the story potential – this could be REALLY good.

“I’m Your Woman” is set to premiere December 11th on Amazon Prime. Check out the trailer below and let me know if you’ll be seeing it or taking a pass.

First Glance: “The 355”

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Stop me if you’ve heard this one before: A group of the world’s best intelligence specialists join forces to stop a mysterious terrorist organization threatening to start World War III. The new action flick “The 355” brings together superspies from around the globe but with one obvious twist – they’re all women. The first trailer proudly sports an old-school action movie vibe completely with lots of bullets, big set pieces and cheesy one-liners. In other words, exactly what you want from a film like this.

Director and co-writer Simon Kinberg puts together a killer cast of superspies. Jessica Chastain gets the “I’m putting together a team” role. She’s joined by an international flavor of great female talent including Lupita Nyong’o, Penélope Cruz, Diane Kruger, and Fan Bingbing. Sebastian Stan and Edgar Ramirez get supporting roles. I’m thinking “Mission: Impossible” meets “Ocean’s 8”. But ultimately it’s the cast that sells it for me.

The strangely titled “The 355” hits theaters January 15, 2021. Check out the trailer below and let me know if you’ll be seeing it or taking a pass.

REVIEW: “Hubie Halloween” (2020)

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It’s that time of the year again. You know, the time when we get the next film from Adam Sandler’s lucrative contract with Netflix. The two first came together in a four-movie deal in 2014. They extended their partnership in 2017 adding two more films into the mix. So far every movie Sandler has made for Netflix has received (and rightfully earned) the dreaded ‘Rotten‘ tag from review aggregator Rotten Tomatoes. Yet they remain popular with subscribers which is why Netflix once again extended their deal earlier this year – four more movies, $275 million.

“Hubie Halloween” is Sandler’s sixth film for the streaming giant and it brings with it many of the things you’ve come to expect: cheap gags, lowbrow humor, and a cast full of Sandler’s buddies who soak up most of the film’s budget. Within the overloaded cast of characters and cameos you’ll find Ben Stiller, Julie Bowen, Ray Liotta, Steve Buscemi, Michael Chiklis, Kenan Thompson, Dan Patrick, Maya Rudolph, Tim Meadows, Rob Schneider, and Shaquille O’Neal among others. Many of the usual suspects, a few new ones.

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Photo Courtesy of Netflix

What’s frustrating is that “Hubie Halloween” is built on an entertaining premise – a Halloween comedy that’s part spoof and part lighthearted romp. And having a gentle, kind-hearted simpleton as the chief protagonist in a town full of bullies could be something sweet, timely, and funny for the whole family. At times it seems like that’s what “Hubie Halloween” wants to be. But then it (unfortunately) remembers it’s an Adam Sandler movie and in comes the vomit jokes, the fart jokes, the urine jokes, the innuendos and entendres. And the longer it goes the less you see of its once promising charm.

Sandler plays Hubie DuBois, a Halloween loving local from Salem, Massachusetts, “America’s Unofficial Halloween Capitol“. For some reason Sandler (who co-wrote the script with frequent collaborator Tim Herlihy) decides to speak with a weird and annoying voice, his jaw locked and muttering in a way that can at times be hard to understand. Is he trying to give Hubie a speech impediment? Is he somehow trying to equate Hubie’s speech with his IQ? Regardless, Sandler’s Hubie sounds more like a grown man impersonating a 6-year-old than a character speaking naturally. But I digress…

It turns out that benevolence is a rarity in Salem, a town with a bully problem since the 1600’s. It’s a place full of mean-spirited punks including a pestering pack of juveniles who hurl more than insults at Hubie. There are Hubie’s co-workers who scare him every chance they get for their own wicked enjoyment. Two of his old classmates (Meadows and Rudolph) insult him relentlessly. And the town’s bully-in-chief (Ray Liotta) hounds Hubie for no discernible reason whatsoever.

The lone exceptions are Hubie’s mother (June Squibb), a well-meaning old maid with a penchant for crude t-shirts, and Violet (Bowen), an attractive single mother who has been in love with Hubie since they were in first grade (don’t ask, just chalk it up to living in a place where kind men are in short supply). Oh, and there is Mr. Lambert (Buscemi) who just moved in next door. He seems nice other than boarding up all of his windows and telling Hubie “If you ever hear some commotion coming from my house, it’s nothing to be concerned about. So you don’t need to come over and check on me. In fact, it’s important that you don’t.” Sounds normal.

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Photo Courtesy of Netflix

Evening approaches and as the self-anointed ‘Halloween Monitor’ of Salem, Hubie grabs his trusty Swiss Army Thermos (yes, that’s a thing) and begins patrolling the neighborhoods making sure people are following safety protocols and observing proper candy etiquette. From there the story unfolds into a series of forgettable encounters between Hubie and the townsfolk. There are a few decent jokes sprinkled in, but most of the scenes are little more than Sandler goofing around with his pals. Meanwhile a half-baked horror mystery plays out in the background as an uninteresting masked “terror” starts abducting citizens. Whatever.

There’s more that you could break down and analyze but there’s really no point. You’ve seen and heard most of this stuff before. The big positive (if you want to call it that) is that “Hubie Halloween” is easily among the more tolerable films out of Sandler’s Netflix efforts. It’ll find its audience as most of his film’s usually do. But the few moments of amusement and a fun premise isn’t enough for the rest of us. “Hubie Halloween” is now streaming on Netflix.

VERDICT – 2 STARS

2-stars

REVIEW: “On the Rocks” (2020)

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I’m always up for a new Sofia Coppola movie. I’m especially happy to get one in 2020, a year where the vast majority of my most anticipated releases have been pushed back to infinity and beyond. Coppola’s latest “On the Rocks” is a light, easygoing dramedy that still features most of the filmmaker’s hallmarks including her way with dialogue and affection for her characters. It’s also really funny in its own smart and mellow way.

“On the Rocks” is the first film in a multi-year partnership between independent film distributor A24 and Apple. After premiering at the New York Film Festival it received a limited theater release leading up to its streaming debut on Apple TV+ later this month. It stars the sometimes under-appreciated Rashida Jones while reuniting Coppola with the 70-year-old forever young at heart Bill Murray.

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Photo Courtesy of A24 and Apple

Jones plays Laura, a great mom to her two beautiful young daughters and happily married to Dean (a pleasantly subdued Marlon Wayans). He’s the head of his own New York-based company which seems to be taking off. By all accounts Laura is living the life. She’s a talented author working out of their swanky Soho apartment. Her two girls are darling, well-adjusted bundles of joy. Dean is a motivated, good-looking go-getter.

But we begin to see cracks in their sunny domesticity once Laura starts to suspect her husband of having an affair. His chummy relationship with his co-worker Fiona (Jessica Henwick), the long nights at the office, business trips to London, a mysterious toiletry bag in his luggage. Dean remains impervious to his wife’s concerns and is quick with perfectly reasonable (or perhaps convenient) excuses. Still Laura resists the temptations to believe her husband is a cheater, something that becomes increasingly harder to do the more they stay apart.

Enter Bill Murray. He plays Laura’s father Felix, a character so perfectly tuned for the veteran actor/comedian. Felix is a breezy and shamelessly wealthy charmer; a bonafide playboy with gender sensibilities better left in the 1970’s. He’s also a bottomless well of useless information. Some like “The Russians fed the cosmonauts beluga” are silly and utterly pointless. Others are equally absurd yet thrown out seemingly as archaic attempts at justifying his own sins. “Monogamy and marriage are based on the concept of property.”

Once Felix gets a whiff of Laura’s suspicions he immediately begins fueling her paranoia. His flawed primal reasoning leads him to believe Dean is cheating. After all, it’s “natural“. “Dad, not everyone’s like you” she jabs. But Felix casts just enough doubt to get Laura to agree to a little daddy/daughter detective work. This sets up some of the film’s funniest moments with Murray flashing his signature deadpan sincerity and Jones playing the perfect foil.

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Photo Courtesy of A24 and Apple

But don’t think Coppola turns this into some goofy seen-it-before caper built around cheap laughs and lazy characterizations. Instead she turns the table on us, changing the focus of her story while still keeping it intimate and personal. Yes, it’s quite funny with dry wit and dashes of screwball comedy sprinkled throughout. But it’s the authenticity and warmth of the central relationship the drives Coppola’s smart and laid-back script.

“On the Rocks” isn’t deep or challenging. It’s not particularly nuanced or highly original. Instead Sofia Coppola handles her story and its themes with a effectively light touch. What she gives us is a tasty slice of real life experienced through characters who grab our attention and compel us to listen, laugh and feel. Wayans is an unexpected surprise and who wouldn’t want to venture into the enchanting pre-COVID New York City night in a red convertible with Bill Murray? But the film’s heart and soul is Rashida Jones, an immensely talented actress who proves to be the perfect anchor for Coppola’s latest. “On the Rocks” premieres October 23rd on Apple TV+.

VERDICT – 4.5 STARS

4-5-stars

First Glance (x2): “Mank”

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Easily one of my most anticipated movies of 2020, “Mank” marks David Fincher’s long-awaited return to feature filmmaking. It’s his first film since 2014’s “Gone Girl” (has it really been that long?). This is an especially personal project for Fincher as it’s from a script written in the 1990’s by his late father. Not one, but two teaser trailers were dropped today by Netflix and let’s just say it was worth the wait.

“Mank” stars Oscar-winner Gary Oldman who plays screenwriter Herman J. Mankiewicz. The film follows his rush to finish writing the eventual Academy Award-winning script for the Orson Welles classic “Citizen Kane”. This behind-the-scenes biographical drama chronicles Mankiewicz’s personal problems including his alcoholism and explores the well-documented tensions between him and Welles. Not only is “Mank” set in the 1930’s, but it’s made to feel like a 1930’s movie including shooting in glorious black-and-white. And the supporting cast is really compelling: Amanda Seyfried, Lily Collins, Charles Dance, Tom Burke, Tuppence Middleton, Arliss Howard, and many others. I can’t wait!

“Mank” will get a limited theater run in late November before releasing on Netflix December 4th. Check out the two teasers below and let me know if you’ll be seeing it or taking a pass.

First Glance: “Fatman”

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Call me lucky. I wasn’t what you would call the most well behaved youngster. I was never mean, just hyperactive and playfully unruly. Yet come Christmas time I never got the dreaded coal in my stocking. Santa always came through in the clutch even if I didn’t always justify having my name on the “nice” list. That’s definitely not the case in the upcoming action comedy “Fatman”, written and directed by Eshom and Ian Nelms. And in case you’re wondering, this is not your prototypical Christmas movie.

Mel Gibson (of all people) plays Kris Kringle, a disillusioned soul and far from your run-of-the-mill Santa Claus. “I’ve lost my influence” he painfully mutters. When the son of an extremely wealthy family gets coal from Santa he does what any other kid would do. He uses the family resources to hire a hitman (Walter Goggins) to kill Saint Nick. Honestly, this thing looks preposterous but potentially a ton of fun. That’s because everyone involved knows how crazy it is and seem to be really enjoying themselves. I’m in.

“Fatman” hits select theaters November 13th and releases on VOD November 17th. Check out the trailer below and let me know if you’ll be seeing it or taking a pass.