REVIEW: “The Laundromat” (2019)

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The secret life of money“, a phrase uttered early into Steven Soderbergh’s new film, would have made a great title for a movie based on the infamous Panama Papers leak of 2016. Instead the indie filmmaking stalwart went with “The Laundromat”, a peculiar title for a rather peculiar movie.

For those who don’t know The Panama Papers refers to the over 11 million documents leaked by an anonymous source who still to this day is only known as “John Doe”. The documents were swiped from the Panamanian law firm of Mossack Fonseca & Co. and contained the shady wheelings and dealings of their extremely wealthy clientele. They revealed that Mossack Fonseca was managing thousands of offshore shell corporations making it easy for millionaires and billionaires from all over the globe to hide money and avoid taxes (among other things).

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To varying degrees of success 2015’s “The Big Short” showed you could make financial mumbo-jumbo entertaining and even kinda funny. Soderbergh taps into that with “The Laundromat” but with a much quirkier and even more playful approach. It may not be as scalding as some bloodthirsty viewers would like, but it pulls no punches throughout its off-beat mixture of reality and absurdity.

Right out of the gate we’re introduced to one of the film’s more outlandish angles. Our guides are none other than Jürgen Mossack (Gary Oldman) and Ramón Fonseca (Antonio Banderas). Dressed to the nines and bouncing from one absurdly luxurious backdrop to another, the garish pair break the fourth wall in walking us through their version of how the system works. Completely ludicrous but really funny.

Our most human connection comes through Ellen Martin (played by Meryl Streep) who loses her husband Joe (James Cromwell) in a tour boat accident in Lake George, New York. The boat company’s owners (David Schwimmer and Robert Patrick) are stunned to find their insurance policy was issued through a string of non-existent companies operated by a crooked Caribbean broker (Jeffrey Wright). Needless to say it means a much smaller insurance settlement than Ellen was initially promised.

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Soderbergh and his writer/frequent collaborator Scott Z. Burns use Ellen’s tragedy as a launching point for their loosely wound black comedy/bio-drama. It jumps wildly from one vignette to the next with Mossack and Fonseca occasionally breaking in to introduce a new segment from their own colorful perspective. One features Matthias Schoenaerts and Rosiland Chao doing some shell company jockeying in China. Another sees Nonso Anozie playing a louse of a father who uses his wealth to scam his wife and daughter.

It may sound like a confusing mess and to be honest it kind of is. But you could say that’s the point. It’s a mirror image of the tangled, corrupt maze of shady unregulated money management. Does that make for good entertainment? I actually had more fun with “The Laundromat” than “The Big Short” (which it is inescapably being compared to). Some will say it’s not angry enough (despite its clever but pummeling ending) and other are sure to find it too spasmodic and scattershot. I was surprised at how much I went for it, but not a bit surprised to hear others have not.

VERDICT – 4 STARS

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Great Images from Great Movies #13 – “Aliens”

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Truly great movies can leave indelible marks. It may be through an emotional connection to the story. It may be through a remarkable performance or a signature scene. But it can also be through the brilliant imagery a film can carve into your mind. That’s what this feature is all about – highlighting great images from great movies. Today we look at a James Cameron’s sci-fi classic and one of the best sequels of all-time.

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So what are your thoughts on “Aliens” and which of these great images sticks with you the most?

First Glance: “Adopt a Highway”

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Full disclosure, I’ll watch just about anything Ethan Hawke does so it’s pretty exciting when he has a new movie surface. He’s without question one of the busiest actors in the business and he always seems to have several new projects in the works. His latest is the oddly titled “Adopt a Highway”.

The film premiered at South by Southwest and is the directorial debut for Logan Marshall-Green (he also wrote the screenplay). The trailer shows Hawke homeless after being released from prison. Seemingly hopeless and depressed he finds an abandoned baby in a dumpster who inspires him to take heart and press on. It’s easy to be skeptical, but with Hawke and a solid first trailer I’m onboard.

“Adopt a Highway” is set to hit theaters November 1st (limited I’m sure). Check out the trailer below and let me know if you’ll be seeing it or taking a pass.

Denzel Day #8 : “The Equalizer 2”

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Talk about a movie sequel that came completely out of nowhere. I’m not sure anyone expected or even craved a sequel to Denzel Washington’s 2014 vigilante thriller “The Equalizer”. Not that it was a bad movie, it’s just not something Denzel does. Washington has never made a sequel of any kind in his near forty years of moviemaking. That’s what makes “The Equalizer 2” so surprising.

This is Denzel’s fourth collaboration with director Antione Fuqua and (obviously) their second film based on the 1980’s CBS television series. Washington picks up with his character, former government agent Robert McCall, living in a tucked away apartment complex just outside of Boston. He’s still low-key, gentlemanly, and completely the off-the-grid to everyone except his closest friend and former colleague Susan Plummer (Melissa Leo).

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Plenty of focus is put on McCall’s day-to-day routines. Whether he’s riding around the city as a Lyft driver listening to stories from a wide variety of passengers or mentoring a troubled young neighbor (Ashton Sanders). You can sense the movie stretching itself to emphasis McCall’s humanity yet these scenes work thanks to Washington being so blasted good. I could watch him do garbage bag commercials for two hours and still be invested.

Oh, there’s also that whole vigilante thing. Like when he helps reunite a local book shop owner with her daughter. Or when he gives a group of preppy sexual predators their comeuppance. Not only do these sequences remind us that this is still very much an action movie, but they also seem in tune with who we believe this guy to be. Sure, it’s a little far-fetched, but it’s still a fun side to this character.

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But then the movie takes a pretty dramatic shift after an assignment goes terribly bad for Susan. Word gets back to McCall and he sets out to uncover what happened to his friend and to enact his own special brand of justice. Fuqua tries to make the transition as seamless as possible but inevitably we do lose some of the intimacy. It’s quite fun watching McCall go into super sleuth mode digging into a digital paper trail and reconnecting with a former partner with the DIA (Pedro Pascal).

This leads to a big and almost unavoidable final act that feels pulled from an entirely different movie. Denzel, an empty island town, a crooked military strike team, and an approaching hurricane. I love big action but this genuinely feels at odds with the rest of the film. Thankfully it isn’t enough to undo all that came before it which is surprisingly satisfying. And ultimately Washington is such a joy to watch. The seasoned star hasn’t lost a bit of his allure and his ability to carry a film is unmatched.

VERDICT – 3.5 STARS

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REVIEW: “It Chapter Two” (2019)

When we last left the not-so-cozy little town of Derry, Maine it was 1989 and the seven friends who make up “The Losers Club” had vanquished the sinister child-chomping clown Pennywise (Bill Skarsgard). Knowing the possibility that he could return in 27 years, the group vows to come back to Derry if Pennywise every resurfaces. If that doesn’t scream sequel nothing does.

To be fair Stephen King’s best-selling novel made a clear that a sequel was all but guaranteed. And it’s not like the filmmakers weren’t saying as much before the first “It” even hit theaters. And I’m sure Warner Bros. didn’t mind making another film considering the first one brought in over $700 million against a modest $35 million budget.

“It Chapter Two” deals with the inevitable return of Pennywise after 27 years in hibernation. A new cast plays the all grown up “Losers” while the original cast returns playing their younger selves in numerous flashbacks. Mike (Isaiah Mustafa) ends up being the only one who stayed in Derry and when he sees signs of the killer clown’s return he contacts the “Losers” to fulfill their oath. Strangely, with the exception of Mike, the group have forgotten key details of their friendship and their time in Derry. Turns out the further you get away from the town the less you remember.

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Bill (James McAvoy), Beverly (Jessica Chastain), Richie (Bill Hader), Ben (Jay Ryan), Eddie (James Ransone), and Stanley (Andy Bean) receive calls from Mike beginning their slow drip of returning memories. It also begins the film’s overly long and cumbersome task of getting these characters from Point A to Point B while checking off a lot of boxes along the way.

Navigating the unwieldy plot is just one of the problems effecting this overstuffed and wildly uneven sequel. The first film proved that these characters were at their best when they were together. “Chapter Two” fails to tap into that by keeping them apart for far too long. Take a long middle segment where each person goes out on their own to find their “artifact” hidden somewhere in Derry. It’s meant to show them facing and overcoming a buried fear from their past, but it plays out like one staged horror set piece after another some. A couple are good including Beverly’s despite it being completely spoiled in the trailers. Some are more interested in the grotesque while others are just ridiculous.

A couple of moments do hit home particularly when the group discovers their old underground clubhouse. The scene blends together sequences of the young and old in a way that makes their friendships seem authentic and tangible. There is also a tender emotional tug from the movie’s final few minutes that you can’t help but be effected by despite the bumpy road to get there.

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A few other things contribute to this disappointing followup. Several aimless story-threads are introduced that literally go nowhere. There is a fizzling love triangle that is all but abandoned. We get several hokey and uninspired appearances by Henry Bowers, the raving lunatic bully from the first film, then he is just dropped. Oh, and then there’s all of the supernatural mumbo-jumbo regarding a Native American tribe and mystical rituals that proves to be a waste of time. With all of this stuffing it’s no wonder the movie clocks in at just under three hours.

But perhaps the biggest frustration is with the handling of Pennywise. It’s as if returning director Andy Muschietti and screenwriter Gary Dauberman forgot what made him such a deliciously wicked part of the first film. With the exception of one lone scene Pennywise is relegated to the background of a series of set pieces. Gone is the creepy psychological terror and menacing presence. And Skarsgard, who was so good in the first movie, isn’t given the space to unsettle us. It’s such a shame.

Inconsistent visual effects that are more interested in shocking us than frightening us. An overly long running time clogged with too much filler and not enough drama. A good cast (particularly Chastain, McAvoy, and Hader) hampered by a scattershot script. These things weigh the movie down and keep it from resonating like the first chapter. Ultimately too much time is squandered in the wrong places. I hate to say it, but I was happy when it finally ended.

VERDICT – 2 STARS

First Glance: “Bloodshot”

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Despite numerous failed attempts at engineering the perfect super soldier, military scientists (and filmmakers) are still trying to make it happen. The latest cinematic attempt comes in the form of “Bloodshot”. For the many who don’t know, Bloodshot is a comic book superhero of sorts from Valiant Comics who first appeared in 1992. And to be honest, I’ve always found him to be a pretty cool character.

Now he’s getting the big screen treatment and a new trailer is giving us our first look. Vin Diesel plays a soldier returning home to his wife after a tour of duty. Something really bad happens and he wakes up with nano-enhanced powers and a slimy scientist (played by the always great Guy Pearce) giving him the low-down. Turns out he has super strength, advanced quick healing, and no memory. You know, the normal stuff. Yes, much of this sounds familiar, but the trailer shows off some cool action spots and I’m interested in seeing Pearce, Eiza González, and Tobey Kebbell.

“Bloodshot” is slated for a February 21, 2020 release. Check out the trailer below and let me know if you’ll be seeing it or taking a pass.