First Glance: “Crawl”

Crawl

Storms are bad. Don’t believe me, just look to Hollywood who over the past couple of years has given us such storm-related terrors as “Geostorm” and “Hurricane Heist”. And one thing these two films proved is that storm-centered movies can be bad for both the characters and the audiences.

Well now there’s a new storm a brewing and it looks like it has stirred up the alligator population in southern Florida. That seems to be the basic premise of “Crawl”, a disaster horror film that I instantly dismissed until I saw Sam Raimi’s name attached. It seems he is serving as a producer for this goofy but potentially fun woman vs. nature thriller. The trailer is out and so far….I’m kinda onboard.

“Crawl” hits theaters on July 12th. Check out the trailer below and let me know if you’ll be seeing it or giving it a pass.

REVIEW: “300: Rise of an Empire”

300poster

I still remember the buzz surrounding Zack Snyder’s “300” when it hit theaters in 2007. The hyper-stylized comic book adaptation gained an enthusiastic following to the tune of almost $500 million at the box office. Seven years later a sequel came along but minus Gerard Butler, Michael Fassbender, and director Zack Snyder. Snyder did stay around to co-write the screenplay, but this time the directing reins were given to Noam Murro.

“300: Rise of an Empire” takes place before, during, and after the events of the first film. This time the main character is a Greek General named Themistocles. He’s played by Sullivan Stapleton, an actor who I really enjoyed in David Michôd’s “Animal Kingdom”. Themistocles kills King Darius of Persia as the king’s son Xerxes looks on. Xerxes (Rodrigo Santoro) follows his father’s dying wish and journeys through the desert to a mystical cave. There he submerges himself in a pool of mysterious waters and eventually emerges as the god-king we see in the first film.

300rise2

Xerxes returns and declares war on Greece. He takes his army and faces Leonidas and his 300 Spartans (as seen in the first movie). At the same time Xerxes’ naval commander Artemisia (Eva Green) takes a fleet and goes up against Themistocles in the Battle of Artemisium. From there the paper-thin plot navigates a series of dull fight scenes, a small bit of political wrangling, and plenty of forgettable exposition. It clearly aspires to be as stylistically hypnotic as its predecessor, but it never comes close.

Under Zack Snyder’s direction “300” had a captivating look. There was something harmonious and almost poetic about his bladed, blood-soaked ballet. Snyder’s camera placements, his use of slow motion, his fight scene choreography – all of it looked amazing despite their being little plot behind it. In “Rise of an Empire” the camera isn’t nearly as inventive. The slow motion is there but sometimes it is used in bewildering ways. The choreography occasionally shines, but it is just as often flat and unimaginative. All of this equals trouble for a movie whose bread and butter is the action.

R4_V10D3_80813_CO3_PULLS_01rl_0045.tif

As you can expect from a “300” movie the plot is fairly plain although I was impressed with how they set up the sequel. There just isn’t much there after the table is set. Also most of the characters lack any charisma. The film really misses Butler, Fassbender, and company. But there is one cast member who actually saves this movie from completely sinking. Eva Green brings such voracity and spectacle to her character and she has a blast doing it. While Stapleton is quite dull as Themistocles, Green steals every scene with her mad, over-the-top performance. She single-handedly keeps this film above water.

Aside from Green “300: Rise of an Empire” doesn’t have a lot to offer. For those looking for blood and brawn, you’ll get it here at least in some degree. The first film wasn’t great but it handled its simple story well, its brutal visual style was impressive, and the characters had charisma. This time the story is dull, the action is dull, and the characters are dull with the one lone exception. In the end, Green can’t make this a good film, but she does make it watchable.

VERDICT – 2 STARS

First Glance: “The Farewell”

FAREWELL

Personally speaking, everything about the new trailer for “The Farewell” screams must-see. The film is written and directed by Lulu Wang and is based on a deeply personal story about her grandmother’s illness. The movie showed at this year’s Sundance Film Festival and the buzz that followed has me pretty exciting.

The film stars Awkwafina who I admit wasn’t my favorite thing about the mega-hit “Crazy Rich Asians”. But just from the trailer we get to see her showcase some real acting chops and a range I genuinely wasn’t expecting. I can’t wait to see how she does in this emotional story of family, grief, and juggling the balance between Eastern versus Western culture.

“The Farewell” hits theaters July 12th. Check out the trailer below and let me know if you’ll be seeing it or giving it a pass.

Great Images from Great Movies #11 – “Once Upon a Time in the West”

great once

Truly great movies can leave indelible marks. It may be through an emotional connection to the story. It may be through a remarkable performance or a signature scene. But it could also be through the brilliant imagery that a film can carve into your mind. That’s what this feature is all about – highlighting great images from great movies. Today we look at a Sergio Leone classic and what I consider to be the greatest western of all-time. 

upon3upon2once6upon1once16once18once17once20once5once1once12once13once4once3once8once19once23once14once24once10once2once21once11once13once22

So what are your thoughts on this Sergio Leone masterpiece? Have you seen it? Which image stands out the most to you.

First Glance: “Ophelia”

OPHELIA

“Vengeance, madness, a kingdom lost”. There is certainly enough there to make for a solid Shakespearean period drama. But the question is can Australian director Claire McCarthy deliver in a satisfying way? I’m anxious to give her new film “Ophelia” a shot.

For me the cast is the main attraction. Daisy Ridley steps away from “Star Wars” to play the title character. We also get Clive Owen, Naomi Watts, and George MacKay as Hamlet taking somewhat of a back seat. The new trailer offers up some striking imagery and hints at a potentially good retelling.

“Ophelia” lands in American theaters on June 28th. Check out the trailer below and let me know if you’ll be seeing it or give it a pass.

REVIEW: “Green Room”

grren poster

Jeremy Saulnier’s mesmerizing 2013 film “Blue Ruin” was (as MTV.com’s Kevin Sullivan astutely put it) a prime example of “what Kickstarter is really capable of when it comes to movies”. Saulnier’s crowdfunded American thriller not only managed to get made, but it was one of the best film’s of that year.

His follow-up came with 2015’s “Green Room” which features a bigger budget (though still modest by today’s standards) and a broader cast of talent. The film is listed as a horror movie yet it plays out like an insanely intense survivalist thriller. It employs a familiar framework found in many horror movies yet it is very much its own crazy unique thing.

greenroom1

In one of his final roles Anton Yelchin stars as a bass player for a punk band who gets by playing hole-in-the-wall clubs around the Pacific Northwest. Flat broke, they agree to take a gig at a neo-Nazi pub deep in the forest near Portland. The setting alone is uncomfortable and a bit frightening. But things really go south after the band witnesses a violent backroom crime. Along with another witness (Imogen Poots), the band find themselves holed up inside the bar while outside the subtly sinister club owner (a brilliant Patrick Stewart) gathers his army of hatemongers to clean up the messy situation.

From there Saulnier throttles up the survival element and a sizzling white-knuckled tension drives every scene for the rest of the way. And you’ll quickly notice (especially if you haven’t seen “Blue Ruin”) that Saulnier can really build and sustain suspense.

GREEN1

Also prepare to be shocked. The movie’s second half is savagely brutal and the violence often hits with a bloody primal jolt. But Saulnier manages to walk an important line and doesn’t allow the violence to become gratuitous despite being incredibly graphic. It feels right – jarring in the best way and in tune with the ugliness of the situation and setting. It won’t be for the squeamish but it’s very effective.

For many “Green Room” seemingly came out of nowhere. But for fans of his previous film it only solidifies Jeremy Saulnier’s status as a formidable filmmaker worth following. It features fine performances throughout (sadly one of the final ones from Yelchin) and a superb turn from Stewart. As a whole the story is pretty simple, even a bit familiar. But once you dig in, you realize this thing has a pulse all its own. And once you’re in its grip it doesn’t let go.

VERDICT – 4 STARS

4-stars