Visiting the Locations of “Midnight in Paris”

It was only a little over a month ago that my wife and I made our first visit to Paris, France. Obviously this amazing city has tons of history and culture to offer and its sheer beauty, natural vibrancy, and great food make it a destination that shouldn’t be missed. But as a movie fan, and in this case a huge fan of Woody Allen’s “Midnight in Paris”, I saw our visit as an opportunity to see some of the locations he chose for his film (as well as several other Paris movies). We wandered all over the city from Montmartre to the Latin Quarter, from the upscale 7th arrondissement to Les Marais, and along the way I ran into several of Allen’s spots. So I thought it would be cool to share them here, not just as another way to drool over Paris (something I could easily do), but as a chance to share the great experience I had as a movie fan.

MUSEE RODIN

Early in the film we get our first real glimpse into Paul’s true pseudo-intellectual self absorption as they visit The Rodin Museum. As the four are admiring Rodin’s popular sculpture “The Thinker”, Paul flexes his faux knowledge of Rodin until he is corrected by the guide as well as Gil. Paul will have none of it and goes as far as to argue with the guide. Gil later returns to ask the guide for a favor.

I loved our visit to Musee Rodin. The inside collection was fabulous but for me the true treasures were in the beautiful gardens and wonderfully placed sculptures none better than “The Thinker”. While much smaller in scale than the Louvre or the Orsay, the Rodin Museum still managed to be a favorite spot of mine in all of Paris.

PLACE DAUPHINE

In one of the most romantic scenes in the movie, Gil and Adriana take a nighttime stroll and end up on the terrace at Restaurant Paul’s in Place Dauphine. It’s here that Gil gives her the earrings and then pours his heart out to her before a carriage comes to transport them back even further in time.

The cool thing is that Restaurant Paul isn’t a fictional place. It sits right in the cozy Place Dauphine. Unfortunately due to the time of day the restaurant was closed but we did get a chance to take pictures and admire the cool setting for what was one of my favorite scenes in the film.

SHAKESPEARE AND COMPANY

There’s a brief scene in “Midnight in Paris” that shows Gil walking out of Shakespeare and Company. It’s certainly not a pivotal scene but it shows Gil on one of his strolls admiring the city that he truly loves.

I loved Shakespeare and Company! We stumbled on it after walking around the Latin Quarter. There is such a great feel of history as you approach the cool English bookstore. The narrow aisles inside house an amazing assortment of titles and going upstairs takes you right back to the days of Hemingway, Joyce, and Sylvia Beach. I bought a copy of “The Great Gatsby” and got my Shakespeare and Company stamp on the inside. I left one happy traveler.

QUAI DE BOURBON

After Gil is picked up by the old-time classic car, it takes him back in time to a  lively party on Quai de Bourbon. It’s at this party that Gil notices Cole Porter singing and playing the piano. It’s here that he also meets Zelda and F. Scott Fitzgerald. In the film we see the street as the car drives up and this was Gil’s first taste of the Roaring Twenties.

Quai de Bourbon winds around the tip of Ile Saint-Louis. We crossed over from the Notre Dame cathedral and came across the street by mistake. In fact at the time I didn’t remember the name but I most certainly recognized it from the film. It was a great moment of discovery and I couldn’t help but reflect back on the film as we walked down the street.

QUAI DES ORFEVRES

Quai des Orfevres appears in the movie on two different occasions. One of the scenes has Gil walking along the Seine clearing his mind and soaking up the city. Later in the movie it’s here that Gil and Adriana comes across a distraught Zelda threatening to jump into the Seine.

We came across this lovely location on a number of occasions. It was a gorgeous cobblestone walk along the river lined with trees and featuring some beautiful views of Paris. When you see it, it’s so easy to see why Woody Allen chose to include this particular location in his film.

SQUARE JEAN XXII

After buying an old book written by Adriana at a riverside book seller, Gil convinces the guide from the Rodin Museum the translate it for him. The two sit on a bench at Square Jean XXIII with Notre Dame standing tall in the background. It’s here that Gil finds out that there is a true connection between him and Adriana.

After visiting Notre Dame we spent a little time in the lovely Square Saint Jean. It’s here that you get the best views of Notre Dame’s buttresses and really highlights the Gothic architecture. The park is lined with benches, trees, and play areas for children. They also have bathrooms that you have to pay to use! No thanks.

PONT ALEXANDRE III

While it also appears in Woody Allen’s opening montage, the bridge known as Pont Alexandre III is also in the final scene of the film. Gil has broken up with Inez and is wandering around the city when he bumps into Gabrielle again on Pont Alexandre III. It’s here he tells her he’s staying and Paris. He offers to walk her home just as the rain starts to fall. It’s a wonderful ending.

After leaving Les Invalides we made our way to Pont Alexandre III. The beautiful ornate bridge was a sight. Tourists were snapping photos and brides were having wedding pictures made. We walked under it and over it admiring the River Seine and the wonderful architecture of the bridge itself.

There are so many wonderful locations in the city of Paris and Woody Allen takes advantage of so many. We visited several other places that you can see in the movie and missed out on some as well. Looks like we already have our excuse to head back to what I believe may be the world’s greatest city.

THE SHOWDOWN : “The Avengers” vs “The Dark Knight Rises”

Without a doubt the two biggest movies of the year in terms of box office results and expectations has been Disney/Marvel’s “The Avengers” and Warner Bros./DC Comics’ “The Dark Knight Rises”. Both films were two of the most highly anticipated and heavily promoted pictures leading up to their releases. Now both have hit the theaters, made millions of dollars, and have been talked about by critics, geeks, and movie fans from around the globe. But which is the better movie? I thought it would be fun to put the two side-by-side and see who comes out on top. They’ll face off in several categories and we will see who’s standing in the end.

SPECIAL EFFECTS

When judging the special effects, it’s hard to come up with a fair and conclusive winner. Both movies approach their action sequences in significantly different ways. “The Avengers” uses a lot more CGI and much of director Joss Whedon’s vision is dependant on it. What’s truly amazing is that the movie really pulls it off. The massive CGI set pieces are sights to behold and this is easily the best looking Hulk yet to hit the big screen. Director Christopher Nolan chose a more traditional approach to special effects and they are perfect for the movie he was making. While he did use CGI, he relied much more on intense stunt sequences and traditional set designs. Explosions, flipping cars, and large-scale battles make up the thrust of the action. So judging the two by the same standard is impossible. Therefore I’ll just go by the impressive scope of the vision that’s brought to life on-screen through the effects. WINNER – “The Avengers”

SCORE

Both films have booming, energetic scores but take two very different approaches. I’m a huge fan of Alan Silvestri and he certainly delivers a solid score in “The Avengers”. It works nicely alongside of the action sequences and it’s never overdone or out-of-place. But perhaps the one negative is that I don’t remember one detail about it. Scores that have really resonated with me have also stuck with me. Hans Zimmer’s powerful score in “The Dark Knight Rises” stuck with me on several occasions. His score is ever-present and some have had problems with that. But I found it gives a cinematic pop to so many of the action sequences and in other instances really builds the intensity. His use of familiar tunes from the earlier films are perfectly used and at times had me wanting to pump my fist. Nolan may overuse the score some, but for me it really made an impression. WINNER – “The Dark Knight Rises”

ACTING

One thing both movies were blessed with were remarkable casts. The fantastic collection of actors and actresses give both movies huge dramatic lifts and when combined provide one impressive list of talent. “The Avengers” is led by Robert Downey, Jr.’s razor-sharp, wise-cracking performance that only he could deliver. The movie also introduces Mark Ruffalo who undeniably gives us the best Bruce Banner yet and Jeremy Renner who is wonderful but underused. And then throw in Tom Hiddleston and his Oscar worthy performance as Loki. But while “The Avengers” has a great cast, “The Dark Knight Rises” is a much heavier and more dramatic picture which gives it’s equally phenomenal cast a broader range of material to work with. Christian Bale gives his best performance of the entire series. Gary Oldman is simply perfect as Gordon. Anne Hathaway makes her series debut and really surprises. Tom Hardy is wonderfully brutal. And of course there’s Michael Caine, Morgan Freeman, Marion Cotillard, and Joseph Gordon-Levitt. They’re given much more to do and they each shine. WINNER – “The Dark Knight Rises”

VILLAIN

Both movies have fantastic villains but also very different villains. “The Avengers” finds the heroes up against the mischievious meddler Loki. While he’s not that intimidating in stature, Loki manages all sorts of chaos through manipulation and trickery. But what really makes Loki so impressive is Tom Hiddleston. Without a doubt he is having a blast with the character and he carries over his great work in “Thor”. He makes Loki a viable threat and an incredibly fun villain to watch.

In “The Dark Knight Rises”, Bane is an entirely different creation. Tom Hardy stars as the intelligent but psychotic brute who intimidates more through violence and force than mischief. Bane is a vicious presence and he’s stands out in every scene he’s in. Hardy’s physicality helps give the fight scenes a gritty realism and his swagger shows his fearlessness. From the first scene he’s in, you know that Bane is a villain not to be messed with. So both movies feature villains that are very different yet equally menacing and ultimately engaging. WINNER – DRAW

STORY/WRITING

Both movies feature some outstanding writing. “The Avengers” is faced with the task of taking a handful of earlier films and bringing them and their characters together in a good, cohesive way. It’s a daunting task and Joss Whedon makes it work. He makes “The Avengers” a climax movie that all of the individual superhero pictures were building up to. He also manages his large cast wonderfully. Another strong point with Whedon is the fantastic injection of humor throughout the picture. There are some truly laugh-out-loud moments and Whedon is respectful of the material but never takes it too seriously. It’s really well done.

On the other hand, Christopher Nolan is an incredible storyteller with his own unique visual presentation. His movies are generally more complex and layered and often times he challenges his audience. “The Dark Knight Rises” is no different. The story twists and turns and Nolan injects it with just the right amount of action and intensity. He also does a fine job of connecting it with the previous film as well as wrapping up his trilogy with a near perfect ending. Nolan doesn’t dumb things down and gives us a glorious and rousing ending to what is arguably one of the greatest trilogies in film history. WINNER – “The Dark Knight Rises”

AMBITION

With “The Dark Knight Rises”, Christopher Nolan finishes his spectacular vision of Batman and his universe. It’s most certainly an ambitious film. Nolan introduces new characters, connects us to the previous film, gives us an evil and brutal new villain, tells another deep and satisfying story, and wraps the entire series up, all in one film. It’s quite a vision. For Joss Whedon the task was quite possibly tougher and more ambitious. As mentioned above, Marvel had created several individual superhero franchises and each pointed to the Avengers project. “The Avengers” movie was a culmination of all of those movies and characters and Whedon had to bring it all together – a tricky job. A movie that ambitious had so many things that could have gone wrong but instead we were given one of the best times at the theaters this year. WINNER – “The Avengers”

DIRECTION

Both Joss Whedon and Christopher Nolan had the advantage of directing material that they were instrumental in creating. As writers, they had strong and distinct visions for their movies which carried over into their direction. Whedon wonderfully visualizes his wild superhero world, creates some astonishing action sequences, and nicely utilizes his great cast. Whedon draws everything together with an almost seamless result. Nolan is also a visual storyteller and his style is evident from the opening scene. Again, he is directing much weightier and more layered material and his ability to translate it on-screen so vividly is a testament to his rock solid direction. While “The Avengers” is sharply directed and a huge accomplishment, “The Dark Knight Rises” does go down more challenging roads, features a more hands-on approach to its action, and requires a more complex use of its characters. Nolan’s direction is spot-on. WINNER – “The Dark Knight Rises”

CONCLUSION

Both movies are exceptional examples of why the superhero genre is a legitimate form of cinematic entertainment. These are movies that aren’t just seeking box office numbers and millions of dollars. These are two strong movies with great storytelling, amazing special effects, phenomenal casts, and writers/directors that not only care for their projects, but put a great deal into making them the best movies they can be. But out of the two, “The Dark Knight Rises”…well…rises to the top. The deeper more layered story, the extremely high stakes, the more realistic grounding, and the wonderful way it wraps up Christopher Nolan’s Batman vision give it the edge over Joss Whedon’s fine film. Both films met some really high expectations, but for me “The Dark Knight Rises” was a better film that I will still be talking about for a long time.

THE OVERALL WINNER

MOVIE CONFESSIONS

Well Nostra over at My Filmviews is at it again. The master blogathoner has put together a little thing called “Movie Confessions”. It’s a chance for movie fans to come clean and answer a series of questions that expose some of their cinema shortcomings as well as their past cinema vices. So I thought I should get in on the action. Nostra has asked and here are my answers:

1. Which classic movie don’t you like/can’t enjoy and why?

There are several that could easily be mentioned here – “Easy Rider”, “Toy Story 3”, “Fight Club”. But the main movie that instantly came to mind was Stanly Kubrick’s “A Clockwork Orange”. This is a movie that’s considered monumental for the science fiction genre but I thoroughly detest it, and I’m a huge sci-fi guy! I’ve tried on three different occasions to watch it all the way through and to see what all of the hype was about but I just can’t. Kubrick’s blabbering self-indulgence didn’t work for me at all and I don’t see myself trying to watch it again. I know most consider it a great film and it’s certainly garnered it’s share of accolades, but I promise you, it’ll never make my list of favorite movies.

2. Which ten classic movies haven’t you seen yet?

Sigh. To my shame, I’ve yet to catch “Lawrence”

Gulp! This was the question that I feared the most (Nostra, how could you ask such a question?). Anyway, here it goes:

  1. Singin’ in the Rain” (Sorry, I HATE musicals)
  2. Lawrence of Arabia” (I’ve seen bits but not enough to say I’ve seen it)
  3. My Fair Lady” (Yes, another musical. I’m sorry, ok!)
  4. All the President’s Men” (This just never appealed to me. I know, no excuse.)
  5. West Side Story” (Sense a trend here?)
  6. East of Eden” (Dean’s first major role. Again, I have no excuse.)
  7. The Lion King” (I’m always slow to animated features. It’s to my shame.)
  8. Dr. Zhivago” (Incredibly popular yet I’ve never seen it.)
  9. A Streetcar Named Desire” (Another that I haven’t seen enough of to say I have.)
  10. Any of the “Harry Potter” films (It’s true…yes, it’s true.)

3. Have you ever sneaked into another movie at the cinema?

No. At least not to sit in and watch a full movie. Now I have walked into another room just to see what was happening on the screen. But I’ve never sneaked into a theater or another movie without paying. My hands are clean!

4. Which actor/actress do you think is overrated?

There are several actresses and actors that come to mind. Julia Roberts is certainly one. While she hasn’t been as big lately, she’s still considered a wonderful actress and honestly, I can’t see it. She’s a one-trick pony and so often her roles are just variations of the same performance. Jennifer Aniston is even more overrated. Sure she has the looks but at some point you have to be able to act. I think the roles she’s taking points to her serious lack of acting chops. But ahead of them both would be Angelina Jolie. Talk about someone getting roles for her looks alone (and now even her looks are long gone). She has flirted with decent performances but I’ve yet to see her do anything to warrant the attention she gets.

As far as actors go, Will Ferrell is popular and he seems to be a “love him or hate him” kinda guy. I’ve yet to see anything that earns him the praise he often gets. Worse than Ferrell is Seth Rogan. I know that since I don’t like raunchy comedies he naturally isn’t going to appeal to me, but does he really ever do anything else. Not only is he one-dimensional but I find him extremely annoying. But above all is Ashton Kutcher. Sure, I know he’s mainly reserved for TV these days but he still is a big attention-getter and people really like him. WHY? How does this guy have an acting career. I’ll never understand his popularity.

5. From which big director have you never seen any movie (and why)?

This one was really tough because I have seen films from most of the great directors. But one classic director that I have yet to see a film by is the Italian great Federico Fellini. He’s a highly accomplished and stylish film director and a winner of five Academy Awards. The sad part is that I have no good reason for not seeing any of his films, especially “8 1/2”, a movie that has been in my Netflix queue for months and months. I should have already watched some films made by this influential director.

6. Which movie do you love, but is generally hated?

Yes, I love “The Time Machine”. What of it?

One movie that comes to mind is “The Time Machine”. Now I’m not talking George Pal’s movie from 1960. I’m speaking of the 2002 film directed by Simon Wells and starring Guy Pearce. This adaptation from the H.G. Wells classic was generally panned by critics (its Rotten Tomatoes standing is an abysmal 29%) and by moviegoers alike, but I truly love the film. I whole-heartedly concede that the special effects in the second half of the film aren’t the best. But I still think Pearce was wonderful, the storytelling is strong, and it features a great score. And I still get a warm and almost misty feeling during the wonderful final scene. Yes, I know I’m one of the few, but I loved this version of “The Time Machine”.

7. Have you ever been “one of those annoying people” at the cinema?

I can honestly say no. My mom and dad began taking me to the theater at a very young age. They pretty much taught me early to be quiet, watch the movie, and not ruin it for others. That even stuck with me through my doofus teen years. And still to this day, I can’t stand people talking or being disruptive during a movie. It drives me crazy.

8. Did you ever watch a movie, which you knew in advance would be bad, just because of a specific actor/actress was in it? Which one and why?

Oh yes! I am a HUGE Humphrey Bogart fan. I have the majority of his films in my collection and there were a lot of them. I have even some of his older low-budget pictures and movies where he played only a small part. Some were, to be honest, real stinkers but I not only watched them but added them to my Bogart collection. Yes, I’ve actually watched films such as “Isle of Fury” and “The Return of Doctor X” solely due to Bogart’s participation.

9. Did you ever not watch a specific movie because it had subtitles?

 I’m not going to say I never have, but as a big fan of foreign cinema, subtitles don’t bother me at all. In fact, I would rather there be subtitles that English voice-overs which do more to take away from the film than help it. So for me, subtitles are no problem at all.

10. Are there any movies in your collection that you have had for more than five years and never watched?

Hmmm, yes I have DVDs that I own and haven’t watched but they aren’t movies that I haven’t watched. These are DVDs of movies I have seen before but have never watched my copy. I’ve seen them but may have found them on DVD really cheap or they were given to me. But I don’t think I have a single movie that I haven’t at least seen.

11. Which are the worst movies in your collection and why do you still own them?

Yep, that’s “Van Helsing”!

I mentioned some of the earlier Bogart movies that are pretty terrible but I have them because they are Bogart films. But after briefly looking at my collection there were a handful of others that stood out. Movies like “The 13th Warrior” . I’ve watched it but never again. Then there is the Kevin Sorbo “Kull” movie. I’m not sure why I even bought it. Oh, and how about “Van Helsing” . Kate Beckinsale is in it so there’s the only reason for owning it….maybe.

12. Do you have any confessions about your movie watching setup at home?

I wouldn’t say there is anything I want to confess about it, but it works good for me. I have a 55-inch HD TV, a Playstation 3 for my Blu-Ray and DVD player, and Direct-TV’s HD package. That’s really it. It’s not the greatest setup but it certainly works for me.

13. Any other confessions you want to make?

Well, I’m definitely not the emotional type but good movies have a way of getting to me. If a film packs an emotional punch that’s well done, I’m certainly vulnerable to watery eyes. It may not be the most macho thing to announce, but it’s the truth.

And there it is. My movie confessions. If you’re interested in more information about Nostra’s blogathon, head over to his blog site My Filmviews . There you can find out how to participate and read the confessions of other movie-oholics like me.

Batman & Warner Bros. – What Comes Next?

I still remember anxiously waiting in line at the movie theater during June of 1989. It was the weekend for Tim Burton’s “Batman”, a movie I had been anxiously waiting for. Warner Bros. had done an excellent job building up the film in an era (unlike now) with no easy access to the internet and other modern methods of promotion. The film was a huge success and it ended up raking in over $400 million dollars. After it came “Batman Returns” in 1992 – a movie that had its moments but still fell terribly short of the first film both in quality and in money earned. Joel Schumacher took over the franchise with 1995’s “Batman Forever” and although the box office take went up, the quality went down even more. Schumacher then finished his execution of that Batman series with the hideous “Batman and Robin”, a movie that made considerably less money and remains completely unwatchable.

After a lengthy layoff, Warner Bros. brought Batman back in Christopher Nolan’s Batman trilogy, a series that has already been heavily discussed on this blog. The Warner approach was a good one – place the character in the hands of a capable visual and intellectual storyteller and let him share his own vision of the Dark Knight. It worked wonderfully both in terms of box office revenue and the quality of the films. For my money, the Nolan trilogy features the greatest superhero story ever told on film and it’s a rousing cinematic accomplishment.

But now Nolan is done. “The Dark Knight Rises” has hit the theaters and once again Warner Bros. has no strong chess piece on the superhero movie board. “The Man of Steel” is due out next year but we all know how their last attempt at bringing back Superman went. I was a fan of that picture up until the end where Bryan Singer and company completely blew the entire film. “Green Lantern” was the studio’s most recent attempt at getting another major superhero franchise going. And while I enjoyed parts of the movie, it was a cramped and poorly conceived story that both fanboys and casual moviegoers couldn’t latch on to.

So the question remains, what’s next? Warner Bros. and DC Comics are both desperate to tap into some of the success that Marvel Studios has had through a series of highly successful and genuinely good superhero flicks. And while “The Man of Steel” is on the horizon, questions certainly remain about it. Other DC Comics properties are in the works but let’s face it, now that Batman is gone, Warner Bros. doesn’t have a single heavy-hitting superhero film franchise to call their own. And when it comes down to it, Batman has been shown to be the studio’s anchor in the genre. So when Batman returns (and he most certainly will return), my advice would be to follow in the footsteps of the Dark Knight trilogy not in terms of the story but in how the studio approaches it. Find a creative visionary – someone with a unique but intelligent visual storytelling style – and let them share their vision. But (and this is a huge but) they had better choose wisely.

My New Blog Site – “Paris Through New Eyes”

While “Keith & the Movies” is and will remain my main blog site, I’ve been doing a lot of writing about our recent trip to Paris, France. I’ve received so many kind and wonderful comments about it that I’ve decided to keep on writing. But I felt that if I was going to write about Paris that I needed a blog site dedicated to it . That way the posts wouldn’t interfere with or get mixed up with my new movie content on my main site.

Therefore, I’ve created “Paris Through New Eyes”, a site dedicated to my thoughts and impressions of Paris as a first time visitor. It probably won’t be updated as frequently as my “Keith & the Movies” page but there will be new weekly content for those interested. I have several things up already that many have already read but I also have plenty of new things planned.

You’ll find the direct link to “Paris Through New Eyes” below. I hope you’ll stop by and check it out. If you like it, please click “FOLLOW” on the page for email updates whenever new posts are made. Thanks for checking it out and enjoy!

http://paristhroughneweyes.wordpress.com/

“ANDY GRIFFITH – AN AMERICAN ICON”

Andy Griffith

While Andy Griffith did appear in a few feature films and was an accomplished singer, he will always be remembered for his contributions to television. From 1960 to 1968 Andy Griffith starred in the appropriately titled “The Andy Griffith Show”. The series became a major hit for CBS. In 1986 he returned to TV starring in the popular series “Matlock”. It ran for almost 10 years and once again solidified Griffith’s status as a television icon.

Andy Griffith, a man known in every American household and many around the world, died yesterday at the age of 86.

Over the years “The Andy Griffith Show” became an American cultural phenomenon. While it was immensely popular during its original run, an argument can be made that it was never more popular than when it went into syndication. Generation after generation has watched and laughed at the exploits of Andy, Barney, Opie, Aunt Bee, Gomer, Floyd, Otis, Earnest T., and others in the fictional but beloved town of Mayberry. My grandparents liked the show. My parents love it. I love it. Now my children – aged 8 and 10 – both love it.

“The Andy Griffith Show” is the definition of timeless. After all this time it still stands strong and it’s rare to find someone who really dislikes it. It was wonderfully written and centered around an assortment of fantastic characters. It also still shows that you can create a genuinely funny product without all of the filth and raunch that seems to be the lazy gimmick of choice in the world of modern comedy – television or film. You can actually watch it with your whole family without being on constant guard. And like “Matlock” what really made the show work was Andy Griffith. He was the stabilizing force and even the host of hilarious side characters played off of him.

Andy Griffith was a true entertainment icon and his passing reminds us of his amazing contributions. Many of us will grow old  remembering the exploits of Andy and Barney – talking about show after show while remembering scene after scene in vivid detail – still laughing after all of these years. THAT is a sign of true comedy. Thank you Andy.