What is it with ex-wrestlers turned movie stars starring alongside super-cute kids in corny action-comedies? Hulk Hogan did it years ago with “Mr. Nanny”. Dwayne “The Rock” Johnson made “Tooth Fairy” and “The Game Plan”. Paul “Triple H” Levesque starred in “The Chaperone”. And just last year John Cena made “Playing with Fire”. Not to … Continue reading
First Glance: “Sputnik”
Science-fiction, horror, suspense all rolled into one terrific looking movie. That’s my first impression of the new Russian thriller “Sputnik” from director Egor Abramenko. It was originally slated to debut at the 2020 Tribeca Film Festival before joining the slew of other films pushed back due to the coronavirus. But thanks to IFC Midnight “Sputnik” … Continue reading
REVIEW: “Fisherman’s Friends” (2020)
You almost always know what you’re going to get with movies like “Fisherman’s Friends”. They’re pretty reliable when it comes to sticking to formula and rarely will you find a surprise moment or unexpected twist. Most of the time they either sink or swim based on their heart, charm, and ability to make you care … Continue reading
REVIEW: “Blow the Man Down” (2020)
Bridget Savage Cole and Danielle Krudy’s black comedy/thriller “Blow the Man Down” debuted a year ago at the Tribeca Film Festival. It took a while but this slyly biting and ever so slightly offbeat neo-noir has finally received its proper debut (thanks to Amazon Studios). It’s a movie full of surprises and made by a … Continue reading
First Glance: “Project Power”
Streaming giant Netflix is taking a pinch of action, a dash of science-fiction, and a sprinkle of superhero flavoring and mixing it all together in their new Original film “Project Power”. It comes from the directing duo of Ariel Schulman and Henry Joost and stars the interesting pair of Jamie Foxx and Joseph Gordon-Levitt. Perhaps … Continue reading
REVIEW: “The Rental” (2020)
Dave Franco makes his directorial debut with “The Rental”, a surprisingly nimble horror-thriller that leads you in several different directions before fully revealing itself to be something I wasn’t expecting. The story (co-written by Franco and Joe Swanberg) makes some things a little too obvious, but the high-energy final 15 minutes comes out of nowhere … Continue reading