Can you believe Oscar season has come and gone? The last big show reflecting on a great 2019 movie year took place last night at the Dolby Theater in Hollywood. This year was one of the better years for nominees which made watching even more fun. Sure there were snubs and oversights but there … Continue reading
REVIEW: “Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)
There wasn’t much good that came out of 2016’s “Suicide Squad”. The lone shining light was Margot Robbie’s Harley Quinn. She was a fun, energetic show-stealer and people instantly wanted more. But as “Suicide Squad” (thankfully) vanished from most of our memories, so did thoughts of a sequel. But apparently Robbie (who co-produces this film … Continue reading
My Guest Appearance on Tavern Talk – Oscar Special
I’ve had the privilege of guest appearing several times on a terrific local movie show called Tavern Talk by Initial Reaction. A few days ago I was invited by the show’s host Phillip to appear on a special Oscar episode where we talked about this year’s nominees and tossed in a few predictions along the … Continue reading
First Glance: “The Roads Not Taken”
Filmmaker Sally Potter’s new film dropped its first trailer a few hours ago and Bleeker Street could have a winner on its hands. Potter’s last film was the biting and witty satire “The Party”. Her latest “The Roads Not Taken” looks to be going in a much different direction and Potter seems to have some … Continue reading
REVIEW: “The Last Black Man in San Francisco”
The opening scene of “The Last Black Man in San Francisco” is a stunning slice of filmmaking. It’s beautiful, elegant, and provocative. It highlights a budding filmmaker already showing off terrific instincts when it comes to harmonizing music with cinema’s visual language. And it sets the table for this clear-eyed love letter to a city … Continue reading
REVIEW: “The Rhythm Section” (2020)
‘Tis the season for January new releases. Known as a veritable wasteland of movie projects which studios have no faith in, a January release is usually a bad sign for the film and the audience. Enter “The Rhythm Section”, a globe-trotting revenge thriller with some interesting names attached. Unfortunately it feels right at home among … Continue reading