As a kid from the 1980s, I have an undeniable soft spot for meathead action movies and buddy comedies. The 80s gave us plenty of them, sometimes in a single film. From more highly regarded features like “Lethal Weapon”, “48 Hours”, and “Midnight Run” to more forgotten flicks like “Tango & Cash”, “Red Heat”, and … Continue reading
First Glance: “Lee Cronin’s The Mummy”
It’s hard to believe we’re getting another Mummy movie. To be clear, this isn’t a part to the Brendan Fraser action-adventure franchise that’s rumored to be getting a sequel. Nor is it connected in any way to the 2017 film that was meant to jump-start Universal’s since cancelled Dark Universe. Instead, 2026’s film is entirely … Continue reading
REVIEW: “Hellfire” (2026)
When not playing a key role in the box office shattering Avatar film series, Stephen Lang is still making a variety of modest independent movies. His latest is “Hellfire”, a small town action thriller that tells a familiar story in a familiar setting about familiar characters facing a familiar dilemma. But Lang makes anything watchable. … Continue reading
New on Home Video: “Ben-Hur” and “All the President’s Men” on 4K Ultra HD + Digital
Warner Bros. Discovery Home Entertainment is bringing two Academy Award winning classics to 4K Ultra HD for the first time. William Wyler’s 1959 religious epic “Ben-Hur” won eleven Academy Awards including Best Picture. Alan J. Pakula’s 1976 biographical political thriller “All the President’s Men” was nominated for eight Academy Awards, winning four. Both beloved films … Continue reading
First Glance: “The Mandalorian and Grogu”
It’s been seven years since a new Star Wars movie has released in theaters. The beloved franchise has steadily grown via animated and live-action streaming series, novels, video games, and so on. But for those of us who love seeing “The Galaxy Far, Far Away” on the big screen, it has been a painful drought. … Continue reading
REVIEW: “Crime 101” (2026)
There’s a throwback quality to writer-director Bart Layton’s “Crime 101” that you start to notice in its earliest moments. It’s hard to avoid comparisons to Michael Mann classics like “Thief” and “Heat” or Willian Friedkin’s “To Live and Die in L.A”. You can even see the DNA of some the great paranoia thrillers of the … Continue reading