REVIEW: “Shotgun Stories”

I was a huge fan of the 2011 movie “Take Shelter”. In fact, it was easily one of my top five favorite movies of the year and it featured two of the very best performances of the year. “Take Shelter” was written and directed by Arkansas filmmaker Jeff Nichols and it was only his second feature film. Since I loved the movie so much, I thought it would be worth it to check out Nichols’ first film “Shotgun Stories”. Boy am I glad that I did.  Like “Take Shelter”, “Shotgun Stories” stars Michael Shannon, an actor who is perfect for the type of rural, working class movies that Nichols is drawn to making. It also shows the amazing writing ability of a director who is clearly passionate about his material.

“Shotgun Stories” is set in the small rural town of England, Arkansas. It’s a part of the country that Nichols obviously knows well and that familiarity really shows itself on screen. Michael Shannon plays Son Hayes, a husband, father, and the oldest of three brothers. Son works at a local fish farm with his youngest brother Kid (Barlow Jacobs). Kid has no house or vehicle and lives in a tent in Son’s backyard. Having her fill of Kid’s presence and of Son’s gambling, his wife Annie (wonderfully played by Glenda Pannell) leaves with their young son and moves in with her mother. While she’s gone, Son has his other brother Boy (Douglas Ligon) temporarily move in to give him a break from living in his van. We quickly are introduced to the three brothers and Nichols does a fantastic job of showing us each of their personalities, shortcomings, and quirks.

One day while the brothers are hanging out at Son’s house, their estranged mother shows up to notify them that their estranged father has died. We learn that when they were young their father left them to be raised by a mother who Son described as “hateful”. Their father remarried and started a new family completely leaving Son, Boy, and Kid behind. The boys crash their father’s graveside funeral service which infuriates their half brothers, especially Mark (Travis Smith), the oldest. Mark swears payback and this sets off a series of encounters, some violent, between the two sets of brothers.

“Shotgun Stories” has a pretty drastic change of tone close to half way into the picture. But where many movies have handled it in a clunky and jarring fashion, Jeff Nichols makes a near flawless transition. During the first part of the film there are some genuinely funny, laugh out loud moments. Nichols’ region-specific dialogue is perfectly done with a clever mix of humor that would work for those completely foreign to the rural Arkansas area or to those who are very familiar with the local nuances that Nichols plays with. The movie generates several understated laughs through the brother’s southern banter and peculiar circumstances. I found it to be quite funny at times.

By the tone changes when we see the friction between the two sets of brothers. Nichols shows us a deep-seated resentment that’s been hidden in the hearts of the brothers, especially Son. “Shotgun Stories” really builds a sense of tension and suspense and as you watch you just expect the pot to boil over at any second. The change in tone feels natural and appropriate and I was completely caught up in Nichols’ cleverly structured story which revolves around Michael Shannon’s performance. While some of the supporting performers aren’t all that good, Shannon is nothing short of brilliant and much like in “Take Shelter”, I was blown away by what he was doing on the screen.

With “Shotgun Stories”, Jeff Nichols shows that with the right skills in writing and filmmaking and with a phenomenal lead actor, you can make a strong movie even with a minuscule budget. This may be a movie that many have missed and some may not have even heard of it. But it, combined with “Take Shelter”, solidifies my position as a bonafide fan of Nichols and Shannon. “Shotgun Stories” is wonderfully written, brilliantly conceived, and cleverly crafted. Is that enough overused adjectives to prove that I really liked this film? You should check it out.

VERDICT – 4.5 Stars

TOP 5 BEST LEAD ACTOR PERFORMANCES OF 2011

TOP 5 BEST LEAD ACTOR PERFORMANCES OF 2011

When I look back on 2011, it will be a year where the performances actually outshined the finished films. While several movies became favorites of mine, it was the wide range of high quality acting work that really impressed me. Since we have talked about the ladies, let’s get to my top 5 male leading performances for 2011. Again, it was hard to leave a couple of names off this list, but this is one solid group of actors.

#5 – Owen Wilson (Midnight in Paris)

I’m as surprised at this as anyone else. I’m not the biggest Owen Wilson fan. I’ve often times found him over the top and just too goofy for my taste. But while we get hints of the Owen Wilson we’ve seen in past movies, in “Midnight in Paris” he seems more controlled and tempered while still being genuinely funny. I really liked Gil Pender and appreciated how Wilson brings him to life. Woody Allen’s influence can certainly be seen, but Wilson makes the character his own and sells him beautifully.

#4 – George Clooney (The Descendants)

I wasn’t as crazy about Alexander Payne’s “The Descendants” as most people, but there’s no denying the brilliant work from George Clooney in the lead role. Clooney honestly makes everyone else who shares a scene with him better. He doesn’t dominate the scenes or call unmerited attention to what he’s doing. It’s a very real and organic performance and one that definitely deserves the attention it has received.

#3 – Mel Gibson (The Beaver)

I was a bit surprised to see Mel Gibson shunned this awards season. Hollywood and the Academy are extremely selective in terms of forgiveness regardless of how much hypocrisy their selectivity exposes. I’m not trying to be a Gibson sympathizer, but his performance in “The Beaver” is not only one of the best performances of the year, but some of the best work of his career. Obviously Gibson knows what it means to be a damaged man but to see it played out with such authenticity on screen was truly stirring. More people should give “The Beaver” a chance. If you do, Gibson’s performance can’t help but be appreciated.

#2 – Jean Dujardin (The Artist)

From the first moment you see Jean Dujardin on screen in “The Artist”, you know you’re seeing something special. His precision and detail in bringing a silent movie character to life goes well past nostalgia. He brought more life to his George Valentin character with the handicap of no voice work than nearly every other performance of 2011. He certainly pays homage to a bygone era of filmmaking. But he also conveys the humor and drama from his character in a way that blew my mind. A truly brilliant performance.

#1 – Michael Shannon (Take Shelter)

Even with such great acting as I’ve already mentioned, no one effected me more than Michael Shannon in “Take Shelter”. He undoubtedly delivers one of the most painfully tragic performances I’ve seen in years. His depiction of mental illness is unique in that his character sees what’s coming. He has seen it in his mother and his biggest concern is on how it will effect his own family. It’s a crushing and emotional performance that was head-amd-shoulders above anything else I saw in 2011. It’s such a shame that he has gone overlooked.

Agree or disagree? Please leave a comment or share your top 5 of 2011.