TOP 5 LEADING ACTRESS PERFORMANCES OF 2012

Lead Actress

We’ve had some amazing supporting performances from some incredibly talented men and women. Now we move into the lead performance categories and let me say there were a lot to choose from. As I mulled over my options for the top lead actress performances, I had forgotten how many strong female lead performances there were in 2012. So many of them stood out and stuck with me. That’s one reason it was so difficult to leave some off this list. But that’s the nature of Top 5 lists, right? Ok, enough babbling. Here are the Top 5 Lead Actress Performances (according to me)…

5 – EMILY BLUNT (“Salmon Fishing in the Yemen”)

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I’m on record as being a big, big Emily Blunt fan. Well, this is one example why. Once you get past its goofy title “Salmon Fishing in the Yemen” has a lot to offer. One of the highlights is Blunt’s delightful performance. She plays opposite Ewen McGregor and the two have a very different but enjoyable chemistry. Blunt is charming and witty and she brings her signature playfulness to this character that I love. But Blunt does a lot more than just smile and giggle. She has some really heartfelt scenes that I think give the movie its punch. The Golden Globes surprised people by giving her a nomination for her work. For me it was a very pleasant surprise.

#4 – RACHEL WEISZ – (“The Deep Blue Sea”)

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Rachel Weisz has come a long way since I first saw her in “The Mummy”. Since then she has stretched out her talent to reveal some serious acting chops. She showed it again in this year’s underappreciated “The Deep Blue Sea“. In this layered British drama from Terence Davies, she plays a character trapped by her own poor decision. Her desire for passion muddies her vision of true love and Weisz takes us through all the conflicting emotions and subsequent heartbreak that this fragile woman endures. It’s a powerful and complex role that only works because of Weisz’s brilliance.

#3 – NAOMI WATTS – (“The Impossible”)

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Naomi Watts is another one of those actresses that gets a lot of praise but yet I was never fully convinced of her work. That has changed and I now see she is a tremendous actress. You can see that clearly by her strong work in “The Impossible“. This is one of the most believable and captivating performances of 2012. Her ability to convey a mother’s love for her family is amazing but watching her sell both the physical and emotional pain her character is enduring is acting at its finest. Talk about giving everything to a performance! Watts nails it.

#2 – JESSICA CHASTAIN – (“Zero Dark Thirty”)

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2011 was a fantastic year for Jessica Chastain. She was featured in two of my favorite movies of the year, “The Tree of Life” and “Take Shelter”. But 2012 saw her soar even higher with an incredible lead performance in “Zero Dark Thirty“. She plays a tough and determined CIA operative heading the search for Osama bin Laden. Watching Chastain take her character through the highs and lows of the search is a delight. She gives us a character who is hard-nosed and aggressive yet we also see her emotionally laboring under the burden of her mission. Chastain channels all of this brilliantly while establishing herself as a bonafide superstar.

#1 – QUVENZHANE WALLIS – (“Beasts of the Southern Wild”)

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I just smile when I think of Quvenzhane Wallis and her performance in “Beasts of the Southern Wild“. This amazing newcomer was only 5 years old when she auditioned for the part and 6 years old during filming. That alone is stunning especially after seeing the beautiful work she did. This is a sweet but heartbreaking role and it’s impossible to not be deeply moved by what you see. Wallis navigates through this weighty material with a grounded authenticity and a skill that makes you think she’s a professional. Hats off to the Academy for giving this young star the recognition she deserves.

So where did I get it right and where was I wrong. Share your thoughts as well as your favorite lead actress performances. Tomorrow I wrap it up with the Top 5 Lead Actor Performances of 2012.

REVIEW: “The Impossible”

the impossible poster

Most of us remember the horrific 2004 Indian Ocean tsunami and the catastrophic devastation left in its wake. It was a tragedy on an epic scale and lives around the world were altered forever. “The Impossible” tells the incredible true story of a family who survived this terrible event against truly impossible odds. Going in I was expecting a potentially good disaster flick. But to categorize “The Impossible” as just a disaster movie would be to criminally throw aside the qualities that make this one of the best movies of 2012. You can dismiss it if you like, but I found it to be a devastating yet moving experience unlike anything I’ve ever had with a simple “disaster movie”.

“The Impossible” isn’t a film you enjoy. You endure it while at the same time realizing that you’re seeing something special – an example of skilled filmmaking from a confident and savvy director. You endure it while at the same time soaking up its powerful and committed performances. You endure it while at the same time realizing you’re not being insulted by dumbed down, clichéd material. This is an emotionally heavy movie and I did leave the theater drained. But I was also deeply moved and reminded of that great human spirit found both in the will to live and in the willingness to help others. I love it when a movie does that to me.

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But perhaps where this movie resonated with me the most was in its depiction of a parent’s self-sacrificial love for their children. We see motherly and fatherly instincts to protect their children in the face of danger, instincts that many of us can relate to. But hey, we’ve seen this before in the movies, right? Yes we have but rarely is it depicted with such realistic emotion. Everything coming out of Ewan McGregor and Naomi Watts is authentic and completely believable. There isn’t an ounce of artificiality to these characters or how they react to their situations. It’s that genuineness that grabs us and latches us on to both of them.

For those that don’t know, McGregor and Watts play Henry and Maria Belon. They’ve brought their three sons Lucas, Thomas, and Simon along for a Christmas vacation at an beachfront resort in Thailand. Everything is great until, on a warm sunny day as the family plays by the pool, the tsunami hits. The family is splintered by the force of the waves and the rest of the movie documents their quest for survival and to be reunited. I talked about how good McGregor and Watts are but let me also share a little love for the children. The three child actors are fantastic especially newcomer Tom Holland as the oldest son Lucas. He gets the majority of the work between the three and he’s very good. He brings out a toughness and tenacity from his character while also having plenty of those moments that remind us that he’s just a child. It’s an attention-getting performance.

But again. a lot of credit has to go to director J.A. Bayona. It’s amazing that he has only a handful of credits under his belt. The way he lays out the story both narratively and visually shows a skill and technique usually reserved for more seasoned directors. I’ve talked enough about the story but I have to speak about the presentation. I loved the way Bayona uses sound in the first half of the movie. He has a very specific and strategic way of engaging your sense of hearing. He preps your ears in the pre-tsunami scenes by accentuating the sounds of the beautiful environment. Those sounds dramatically change in the post-tsunami scenes where we hear things like raging waters and far away screams. There is also the tension of every distant sound that may resemble the roar of another wave.

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The special effects are also intricate in drawing us into this disaster along with this family. The tsunami and the furious waters are shown just enough to shake us and then ground us in the situation. It’s never overused in an attempt to get more reaction from the audience. It steers clear of that which is one reason why I feel the scrutiny it’s received is misguided. Some have taken issue with the movie for depicting the catastrophe. But I think this is one of the most thoughtful and respectful treatments of a sensitive subject like this that I’ve seen. There have been movies that have exploited traumatic events but this isn’t one of them.

I loved “The Impossible” for a variety of reasons. It avoids soaking us in conventional sentimentality. Instead it tells an intensely affecting story and allows our senses to take it all in and react in our own way. And trust me, I reacted. I teared up more in this movie than in any other I’ve watched and I never once felt manipulated. This is a movie that will wear you out but then pick you back up. It shows us the resolve that lies in the heart of people and reflects how the best comes out of us during the worst of circumstances. This movie will stick with you and even though its a tough watch its a rewarding one and shouldn’t be missed.

VERDICT – 4 STARS

REVIEW: “Dream House” (2012)

Don’t you hate it when you buy a new house only to find out it was the scene of some grisly murders? Such is the case with Jim Sheridan’s schizophrenic psychological thriller “Dream House” – well, kinda. This is a movie featuring loads of talent and at its core a familiar but fairly interesting story. But it’s also a movie plagued with amateurish writing and an off-the-rails ending that undermines everything the movie tries to do.

The film starts with the standard yet pretty interesting haunted house treatment. Will (Daniel Craig) has quit his job as a successful editor to spend more time with his wife Libby (Rachel Weisz) and his two daughters in their new suburban home. As always things seem lovely at first. But through several discoveries they find out that five years earlier some horrible murders had taking place in their home. Their weird-acting neighbors and the uncooperative Police Department sends Will on an investigation of his own.

It’s here that the movie offers a big twist, and then another twist, and then another twist. Now I’ve always appreciated when a movie tries to shake things up. But here it’s done in a hamfisted and clunky way. The first big reveal does offer promise although it doesn’t necessarily take things in a better direction. From there the story launches into several different directions mimicking everything from “Shutter Island” to “The Shining”. This wouldn’t be a problem except everything feels fractured and manufactured and the constant shifts in tone are jarring. It just keeps throwing things at you right up to its ludicrous and off-the-wall ending. I mean the finale is so poorly conceived, so under developed, and utterly preposterous.

A lot of what does work can be contributed to the committed performances from Craig and Weisz. While the material is all over the place the two do inject some energy and spark into the script and I enjoyed them on screen. On the flip side, the usually good Naomi Watts seems bored playing a neighbor who knows more than she’s letting on. And then you have an equally flat performance from Marton Csokas as her jerk ex-husband. He ends up having a fairly important role in the movie but he’s without a doubt the worst written character in the entire film.

“Dream House” is ambitious and it starts on a pretty good note. But all of its ambition ends up being its undoing. Yet while critics have universally panned it, there are certainly worse thrillers out there. In fact, “Dream House” is a very watchable movie and it’s easy to digest. But it’s also an easy movie to forget and unfortunately it’s plagued with too many faults to forgive. And the biggest bummer is that all of this great talent simply goes to waste.

VERDICT – 2 STARS