First Glance: “The Dirt”

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One thing is for sure, you can’t say the hard-rocking and hard-living band Motley Crüe hasn’t provided ample real-life material for a successful biopic. That’s what we’re getting with “The Dirt”, yet another intriguing Netflix Original film.

There is certainly cause for concern. The film is directed by Jeff Tremaine known most for his work with the Jackass series. That’s not a good thing. We’ll see how it works out very, very soon. “The Dirt” drops TODAY on Netflix.

Check out the trailer below and let me know if you’ll be seeing it or giving it a pass.

Great Images from Great Movies #10 – “The Empire Strikes Back”

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Truly great movies can leave indelible marks. It may be through an emotional connection to the story. It may be through a remarkable performance or a signature scene. But it could also be through the brilliant imagery a film can carve into your mind. That’s what this feature is all about – highlighting great images from great movies. Today we look at one of my all-time favorites and one of the best sequels ever made, “The Empire Strikes Back”.

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I adore “The Empire Strikes Back”. How about you? What are some of your favorite scenes from this sci-fi classic?

First Glance: “The Best of Enemies”

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“The Best of Enemies” is the upcoming feature film debut from Robin Bissell that tells the true story of one of the most unlikely partnerships. In 1971 vociferous civil rights activist Ann Atwater teamed with the C.P. Ellis, leader of a North Carolina branch of the Ku Klux Klan to address school segregation. The two forged a close friendship that went beyond stereotypes and popular sentiment.

The film’s first trailer shows its stars Taraji Henson and Sam Rockwell really sinking their teeth into their roles. If the script is as strong as the cast this could be the kind of movie we need right now. You won’t have to wait long. “The Best of Enemies” hits theaters April 5th.

Check out the trailer below and let me know if you’ll be seeing it or giving it a pass.

REVIEW: “Triple Frontier”

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There has been no shortage of heist films over the past few years and they have pretty much covered all the bases. We’ve seen widows, hillbillies, magicians, even the elderly all set out to for that one big score. The new Netflix Original “Triple Frontier” gives us a different type of heist movie yet one that doesn’t stray too far from its genre roots.

“Triple Frontier” had me at its cast. Oscar Isaac, Ben Affleck, Charlie Hunnam, and Garrett Hedlund are all actors I throughly enjoy. I wasn’t as familiar with Pedro Pascal but he’s a good addition to this group. The five play old special ops buddies who reunite to pull off a seemingly quick and easy heist. Of course it wouldn’t be much of a movie if the job was easy.

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J.C. Chandor directs and co-writes the script along with Mark Boal. They offer up characters who aren’t just out for a quick buck. They are real-world people struggling to make a living after their military service. Tom (Affleck) is a realtor who can’t afford to send his daughter to college. William (Hunnam) does low paying motivational speeches for troubled vets. Ben (Hedlund) makes what money he can in warehouse mixed martial arts fights. Francisco (Pascal) faces an upcoming court date for transporting drugs.

Santiago (Isaac) is only one still semi-working in the field. He’s a private military consultant assisting the Colombian government in their war against the drug gangs. He learns through an informant that a local kingpin is holed up in a remote safe house with millions of dollars in drug money. Santiago travels back to America to recruit his old squadmates to help him take out the kingpin and grab the money for themselves.

At first the band is reluctant to get back together, especially Tom. But Santiago knows the situations of his cash-strapped pals and his sales pitch is good. He convinces the team to get back together for the proverbial ‘one last mission’ but this one isn’t for their government or their country. This one of for them and their future. Or so it seems.

For me these characters are a real strength of the film and the motivations that drive them are compelling. I do wish Chandor and Boal would have spent a little more time on their individual stories, but once the five are together their chemistry is undeniable. So many big names have been attached to the movie – Tom Hanks, Johnny Depp, Tom Hardy, Mahershala Ali, Mark Wahlberg, Will Smith, among others. That’s a lot of talent but I still wouldn’t change a thing. The cast is spot-on top to bottom (keep an eye on Hunnam. I like him more with each performance).

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Another strength is Roman Vasyanov’s cinematography. Hawaii and Columbia provide the beautiful and rugged vistas for him to capture and he shows a keen eye for shooting action sequences. They are tense and thrilling but also shot in a way that reflects conscience. What does that mean? This isn’t a full-throttle 80’s style action picture. There’s no thrill or enjoyment in the gunplay. But there is real conflict and consequence. In fact the violence is never gratuitous and Chandor’s camera often focuses on the shooter’s face instead of the bloody results.

It should be said that “Triple Frontier” doesn’t paint its characters out to be heroes. They’re flawed, damaged, and conflicted men wrestling with their own moral justifications for what they are doing. Some of their actions clearly originate from a deeper personal anguish, something I wish the film delved deeper into. Still, their chemistry is authentic and palpable, the story is full of tension, and just when you think you have it figured out it throws an unexpected but welcomed curveball.

VERDICT – 4 STARS

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REVIEW: “Fighting With My Family”

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Seasoned wrestling fans probably remember the industry-shaking WWE debut of Paige. It was 2014 and the night after the company’s biggest event Wrestlemania. Paige, just 21 at the time, won the Women’s Chapionship (then called the Diva’s title) in her very first match becoming the youngest women’s champion in WWE history.

Paige’s career has since been marked by some enormous highs, unfortunate controversies, and a heartbreaking early retirement due to a severe neck injury. “Fighting With My Family” tells the remarkable underdog story of the young woman from Norwich, England, her eccentric blue-collar family, and her improbable rise to WWE Superstardom.

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Florence Pugh plays Paige whose real name is Saraya-Jade Bevis. She was born and raised in and around wrestling. Her parents (played by Nick Frost and Lena Headey in a crafty bit of casting) ran their own one-horse family wrestling outfit. Paige was closest to her brother Zak (Jack Lowden) and both dreamt of becoming professional wrestlers in the WWE.

While wrestling was the family business it was far from a lucrative one. Yet despite the deck being stacked against them, Paige and Zak push towards their dream with their loving and peculiar parents supporting them along the way. They finally get the call they’ve been waiting for – a chance for brother and sister to try out for the WWE. It leads to Paige being invited to go to the United States to compete for a roster spot. Zak doesn’t make the cut.

Writer-director Stephen Merchant does a good job balancing the wrestling aspect of the story with the family elements. That’s important because, as the title suggests, family is very much a fundamental part of Paige’s life. From having to leave her folks behind in England to the stress on her relationship with her heartbroken and envious brother. Merchant makes it a crucial part of his storytelling which is a steady blend of comedy and drama.

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A lot of credit should go to Pugh as well. She’s one of several young actresses working today who have shown immense talent and an understanding of their craft that goes beyond their age. Pugh effortlessly falls into a world she has admitted to knowing nothing about. You would never know it. We also get a really good Vince Vaughn performance. He plays the fictional character Hutch Morgan, a developmental trainer and talent scout who gives Paige her shot.

“Fighting With My Family” was quite the surprise. It actually packs far more heart and more character depth than I was expecting. It is a little predictable and at times you can see it needlessly stretching itself to be as crass as its PG-13 rating will allow. But it does go to show how well things can come together when you have a strong cast and a good story to tell.

VERDICT – 4 STARS

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REVIEW: “Five Feet Apart”

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While some people push back on these things (and I understand why), movie history has shown there is an audience for teen illness flicks. I find it hard to be dismissive of them. They can serve to enlighten people as well as speak to those who have experienced the diseases or know someone who has. At the same time there is a thin line between informing and exploiting.

“Five Feet Apart” walks that thin line at times leaning precariously towards the exploitative. But thankfully the film never falls over to that side mainly due to a deeply serious approach to cystic fibrosis as well as an authentic and fiercely committed performance from Haley Lu Richardson.

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Richardson plays Stella who is back in the hospital for another series of treatments. She’s sprightly OCD and admits to having control issues, but she remains positive sometimes above what her health seems to allow. She documents her journey with CF through her YouTube blog called “My Daily Breath”. It helps her cope as well as share her experience.

Down the hall is a childhood friend and fellow CF patient Poe (Moises Arias in a tempered down gay sidekick role). Oh, and there’s the new guy, the hunky and brooding Will (Cole Sprouse) who’s channeling as much early Johnny Depp as he can muster. He’s there for an experimental drug trial. While Stella and Will may share the same disease, otherwise they couldn’t be more opposite. Of course that changes and a mutual attraction begins.

From there the movie operates under the same rules as most of these things do – a bittersweet romance, the looming threat of disease-related death, and a bathtub filled to the rim with tears. The tension here is that Stella and Will must remain six feet apart to keep from sharing potentially fatal bacteria. As their relationship intensifies so does the longing to be closer. But their heartbreaking reality is the real antagonist of the film.

In his feature film debut director Justin Baldoni gets several things right. Teen romances can be hard to digest but his is easy to buy into. It forms and grows naturally despite a few missteps by the script. And Baldoni definitely sells the setting. Practically the entire film takes place in a hospital ward and a lot of detail is put into making it as realistic as possible.

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It’s the final 15 minutes that sees the movie nosedive into melodramatic overkill. It’s as if the filmmakers lost faith in both their story and their storytelling and turned to a sappy Nicholas Sparks-ish ending. It still gets to you and your eyes are sure to well up. But unlike earlier in the film, I could feel the tug of manipulation throughout the final leg.

A part of me really appreciates the sheer education value of “Five Feet Apart”. It drops a ton of information and provides an earnest depiction of cystic fibrosis which can be eye-opening for people like me. It’s also great that it offers another opportunity for Haley Lu Richardson to show why she’s one of the best young actresses working today. But that ending. It doesn’t quite kill the good that comes before it, but it comes mighty close.

VERDICT – 3 STARS

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