French filmmaker Céline Sciamma’s follow-up to her highly acclaimed “Portrait of a Lady on Fire” isn’t the big audacious next film you might expect after a big success. In fact the beautifully intimate “Petite Maman” couldn’t be more different. With its small scope and Sciamma’s delicate touch, this warm and aching fable examines coping with loss and mother/daughter bonds in a voice that should speak viewers to all ages.
The movie opens in a nursing home with an eight-year-old girl named Nelly (Joséphine Sanz) walking from room to room saying goodbye to each of the elderly residents. As she enters her grandmother’s room near the end of the hall she sees her mother (Nina Meurisse) removing pictures from the wall. We learn that Nelly’s grandmother has passed away and they’re there to collect the last of her things.
Sciamma wastes no time earning our empathy as we watch this young girl try to process everything she’s seeing. You can practically see her mind at work as she quietly lays on her grandmother’s bed or as she watches her parents’ sorrow-drenched embrace. And then we get one of the film’s most beautiful scenes as the camera hones in on Marion’s sad face as she’s driving down the road. A little hand from the back seat comes into the frame and feeds her a chip, then another. The hands return with a juice box and finally a warm heartfelt embrace. It’s a sweet child’s effort to comfort her hurting mother.
These small but meaningful touches can be found all through Sciamma’s swift and compact 72 minutes. Her simple yet full-hearted mothers-and-daughters story may have death as a central ingredient, but it blossoms into a beautiful and poignant blend of reality and fantasy. This fully comes into focus when Nelly and her parents travel to her grandmother’s rustic country home for the unenviable task of clearing out her things. After a couple of days it becomes too much for her mother who suddenly heads back to the city. That leaves Nelly and her father (Stéphane Varupenne) to finish things up.
While walking in the nearby woods, Nelly notices a little girl about her age dragging a large tree limb. She asks Nelly for help and two carry the limb to a hut the girl in building. The next day Nelly heads back into the woods where she meets the girl again. They strike up a conversation and we learn the little girl’s name is Marion. That name is significant, but I’ll let you discover why for yourself. Sciamma soaks us in the girls’ budding friendship, offering a number of charming scenes that are sweet and tender on the surface, but that also explore their deeper relationships with their mothers.
It’s hard to say much more without spoiling the film’s low-key yet enchanting twist. The movie itself doesn’t wait long to show its cards, but it’s still better left for you to discover on your own. Me? I was swept away by the genuineness of its emotions which range from heartwarming to heartbreaking. The simplicity of Sciamma’s storytelling and her unfussy presentation may not stand out in a crowd. But they serve this story perfectly and show us a filmmaker with a grounded, true-to-life vision – one that penetrates your soul and sticks with you for days after watching.
This sounds pretty wonderful. I’m still behind on her Portrait of a Lady on Fire. Can’t believe I still haven’t seen it.
It’s really good (1 think its better than “Lady”). Not expecting it to find much of an audience which is a shame. But it’s such a heartfelt movie. You should check it out.
Having seen 2 films by Ciamma plus 2 shorts with Portrait of a Lady on Fire being this immense landmark of a film. This is something I really want to see as I heard it is an absolutely different film where Sciamma decided to take a left turn for something smaller. I like it when a filmmaker chooses to follow up a film that is considered to be a masterpiece to go “nah, I ain’t going to top that. I’ll just do something else and something smaller”. Now that is an artist.
I liked this a lot better that “Portrait”. I think you’ll enjoy it. I like the way you put it. Doing something so different is great to see, especially when it’s done this good.
I feel like I can already guess what the twist is, but I love Celine Sciamma’s movies so much I don’t care. I can’t wait to see this, and I hope I get the opportunity soon.
I hope you do too. These kinds of movies can be frustratingly hard to find. As for the twist, the movie doesn’t waste time getting to it. But it’s sooo well handled.
Fingers xt it streams somewhere.
Absolutely. Hard to tell with movies like this. Really hope it does.
Emma said I’m one of the greatest Wiggly fans 💛
I finally just watched Portrait Of A Lady On Fire. Like the sound of this one too. 😊
Definitely give this one a shot too. Well worth the time and effort.