REVIEW: “You Are So Not Invited To My Bat Mitzvah” (2023)

Adam Sandler’s Happy Madison Productions doesn’t have the steadiest record when it comes to quality movies. Especially since starting his lucrative deal with Netflix. But he hits a home run with “You Are So Not Invited To My Bat Mitzvah”, a delightful and heartfelt coming-of-age film based on Fiona Rosenbloom’s 2005 young adult novel of the same name.

Directed by Sammi Cohen and adapted by screenwriter Alison Peck, “You Are So Not Invited To My Bat Mitzvah” is equal part family drama and teen comedy. But don’t let that scare you. The family dynamic is sweet but not at all saccharine. Better yet, it’s refreshingly organic. And as a teen comedy its such a nice departure from the lazier trends. It’s whip-smart and thoughtful humor that doesn’t rely on cheap raunch or annoying toilet gags.

But perhaps most notably is how the film offers a window into the world of the Jewish experience. And among the many things it explores is the Bat Mitzvah, a coming-of-age ritual centered around faith and family. The ceremony has long signified a young person’s membership into the Jewish community. But for many it marks the first step into adulthood, and the massive parties that come afterwards often overshadow the ceremony itself.

Image Courtesy of Netflix

That’s certainly the case for 13-year-old Stacy Friedman (played by Adam Sandler’s youngest daughter, Sunny). She seems to have a great life that includes two loving parents, Danny and Bree (wonderfully played by her real-life dad and Idina Menzel) and a supportive older sister, Ronnie (played by her real-life sibling Sadie Sandler). Then there is her longtime best friend Lydia (a breakout Samantha Lorraine). Inseparable since childhood, Stacy and Lydia have been planning their bat mitzvah parties for years. Afterall, it “determines the rest of my life” Sunny states with an unwavering belief.

Among the film’s biggest strengths is the honesty and accuracy in its portrayal of family and friendship. The Friedman home is a breath of fresh air in that it feels like a real lived-in family space. Their scenes together are genuine, warm, and a lot of fun. But they aren’t the perfect family and we do see the kinks that come with any parent or sibling relationship. The elder Sandler gives its a wonderful supporting performance but its his two daughters who steal the show.

Meanwhile the movie does a superb job of capturing the layers of young friendship and a 7th grader’s social experience. Sunny Sandler and Samantha Lorraine have a sparkling BFF chemistry, but it’s when their characters find themselves at odds that the performances really shine. The movie does tease us with a couple of teen movie caricatures (namely the dreamy guy, and the cool rich girls), yet it looks at them through the undiscerning eyes of a 13-year-old girl. It’s an often funny yet thoroughly truthful perspective, conveying how kids that age see themselves, their friends, their parents, and their world in general.

Image Courtesy of Netflix

The great supporting cast extends even further, playing classmates, parents, teachers, etc. They all fit nicely in this story of two lifelong best friends who see their relationship crumble on the eve of their bat mitzvahs. And all over a boy from their Hebrew school. There’s so much good humor woven into the very fabric of Peck’s lights-out script. But she also shows how cruel young people can be to each other. It all makes for a surprisingly effective in portrayal of adolescence.

It’ll be funny to see how many critics wedge the word “nepotism” into their reviews. Whatever. Adam Sandler’s two daughters, Sunny and Sadie, give cracking performances and are big reasons “You Are So Not Invited To My Bat Mitzvah” works so well. The movie is an all-around entertaining affair that may seem like your prototypical coming-of-age creation. But it’s full of its own flavor and packs its own sweet and sassy punch. It routinely caught me off guard in the best ways possible and quickly won me over with its big heart and indelible charm.

VERDICT – 4 STARS

REVIEW: “Assassin” (2023)

As a long-time fan of Bruce Willis, it grew tough watching his movies go from box office gold to straight to video garb. But when news came out of his declining health (he’s since been diagnosed with frontotemporal dementia), it became clear why he had moved away from big studio productions and to smaller and easier roles. As a result of his condition, last year Willis’ family announced his retirement from acting. Suddenly movies didn’t seem all that important.

Since 2019 he has appeared in 26 straight direct-to-video movies, many of which used him heavy in their promotions. Interestingly, he only had small supporting roles in most of them. The same is true with “Assassin”, a sci-fi thriller from first-time director Jesse Atlas that turns out to be the final film appearance of Willis’ impressive 43-year career.

Unfortunately “Assassin” is yet another VOD dud but it certainly can’t all be put on Willis. There are several significantly bigger problems that end up dragging the movie down. Based on the short film “Let Them Die Like Lovers”, the movie has a premise that is ripe with potential. But it doesn’t have the budget or (more importantly) the creative know-how to pull it off. And it definitely doesn’t do enough for us to look past the uninspired performances, cringy dialogue, and painfully dull action.

Image Courtesy of Saban Films

The story (written for the screen by Atlas and Aaron Wolfe) follows Alexa (Nomzamo Mbatha) who is shocked when her husband and fellow U.S. Army soldier Sebastian (Mustafa Shakir) comes back from his tour in a coma. Desperate to learn more about what happened to him, Alexa begins digging and discovers that Sebastian was actually on a super-secret mission working for a man named Valmora (Willis).

Valmora and his associates Olivia (Fernanda Andrade) and Marko (Barry Jay Minoff) makeup a poorly defined black ops team who possess a technology that enables them to digitally map an agent’s consciousness into another person’s body. They can then use that body to carry out all kinds of missions, most notably assassinations. How it all works is anyone’s guess. The movie certainly doesn’t seem to care. All they need to pull it off is a bathtub, a laptop, and something that looks like an old car part (that’s what the movie tries to pass off as state-of-the-art tech).

When Alexa finds Valmora he informs her that a dangerous fixer and smuggler named Adrian (Dominic Purcell) has stolen a tiny piece of their tech that must be recovered if Sebastian is to ever wake up from his coma (don’t ask). So Valmora recruits Alexa to take over the the minds of strangers and assassinate those close to Adrain leaving him vulnerable. Then she can take him out and steal back the tech that can bring back Sebastian.

Image Courtesy of Saban Films

As you might expect they hit a few snags that by design usually adds tension to a story. That’s not the case here mainly because the movie shows no sense of urgency. There’s no energy or excitement. It toys with thought-provoking ideas and poses some meaty questions especially when digging into the moral queasiness of entering and controlling another’s body. “We kill the bad guys. Someone else takes the fall.” That line alone should provoke some compelling considerations. Unfortunately “Assassin” doesn’t do anything with the boxes it opens up.

And that speaks to the movie’s biggest problem. Yes, “Assassin” is plagued with bad performances throughout and the action never (and I do mean never) gets to room temperature. But it’s the script that turns out to be the biggest liability. The wafer-thin characters fumble through equally shallow (and sometimes astonishingly lame) dialogue. There’s no worthwhile hero or villain. And the story has so many holes it quickly devolves into something impossible to latch onto.

It’s truly heartbreaking to see Willis’ career end on such a sour note. But that doesn’t take away from the years of great characters, great energy, and great personality he has given us. From “Moonlighting” to “Die Hard” to “Pulp Fiction” to “The Sixth Sense” to “Moonrise Kingdom”. What a terrific filmography. And because of that, we will always be grateful. “Assassin” is streaming on Hulu”.

VERDICT – 1.5 STARS

REVIEW: “The Hill” (2023)

Recently we’ve seen several solid biographical sports dramas come down the movie pipeline. The latest is “The Hill” from director Jeff Celentano. It stars Dennis Quaid who is certainly no stranger to said biographical sports dramas. Written by Angelo Pizzo and Scott Marshall Smith, the film seeks to tell the inspiring true story of Rickey Hill who refused to let his physical disability stop his pursuit of a baseball career.

“The Hill” is a heartfelt and well-intended feel-good feature that is more of a melodrama than a full-on sports story. Obviously baseball plays a key part. But it’s much more about a close-knit yet struggling family, particularly the relationship between a stern and overprotective father and his gifted and determined son. There’s plenty of good material there to work with. But the wildly uneven handling of it leaves the movie oscillating between sincerely touching and overly sentimental.

Image Courtesy of Briarcliff Entertainment

Since he was a child Rickey Hill (played by Jesse Berry and later by Colin Ford) had a knack for hitting a baseball. But a degenerative spinal disease put him in leg braces as a child making his dream to play in the Major Leagues seem unreachable. Rickey’s strict but well-meaning father James (Dennis Quaid), a small town Texas pastor, discourages him from pursuing baseball out of fear of serious injury. He’d rather Rickey follow in his footsteps and preach. But over time his hardline orthodoxy does more to push his son towards his dream than discourage him from it.

So “The Hill” follows two paths – Rickey’s and his father’s. To its credit, the movie takes its time developing the family dynamic and showing the hardships they faced in 1970 rural Texas. Rickey’s path is one of trials and challenges, but also of unwavering confidence and resilience. James’ path is one of spiritual conflict and stubbornness. But James is no villain. The film does a good job showing how his actions, though often misguided, are rooted in a genuine love for his son.

Image Courtesy of Briarcliff Entertainment

Several other characters do a good job filling out these two central stories. Gracie (first played by Mila Harris and later by Siena Bjornerud) is Rickey’s self-proclaimed girlfriend who proves to be his biggest encourager. Joelle Carter is really good playing James’ supportive yet frustrated wife Hellen. And it was great seeing Scott Glenn pop up later as the gruff big league scout Red Murff (Scott Glenn). But at the same time the movie is hampered by some really bad performances in smaller yet reoccurring roles. They can be a real distraction.

After a shaky first 30 minutes the movie eventually hits its stride only to be tripped up in a painfully mawkish final 20 minutes that sees Celentano attempt to yank every emotional string, hit every schmaltzy cue, and lean on every baseball movie cliche in the book. There are a couple of surprising cameos in the last 15 minutes including an appearance by the real Rickey Hill. But the movie wraps up on such a false note which ends up being too much for the film’s better moments to overcome. “The Hill” opens in theaters August 25th.

VERDICT – 2.5 STARS

REVIEW: “Retribution” (2023)

Liam Neeson is back with another one of his lean and easy to digest action-thrillers. This one is called “Retribution” and like most it features a very straightforward story with a few late movie twists thrown in to give it a kick. These modestly budgeted creations have become a Neeson staple. You could almost designate them as a genre all their own and they usually find themselves a pretty accepting audience.

“Retribution” won’t go down as one of the better ones but it does hold your attention for its brisk 90 minutes. It’s based on the 2015 Spanish film “El Desconocido” and is adapted by director Nimród Antal and screenwriter Christopher Salmanpour. Unlike the more physically demanding movies in Neeson’s action-thriller catalog, “Retribution” doesn’t ask much of its 71-year-old star. The vast majority of his time is spent behind the wheel of a car. But there’s actually some good tension. Just not not enough of it to cover the more noticeable issues.

Image Courtesy of Roadside Attractions

Neeson plays Matt Turner, a financier living in Berlin with his wife Heather (Embeth Davidtz) and their two children, Zach (Jack Champion) and Emily (Lilly Aspell). Matt, along with his best friend and boss Anders (Matthew Modine) have made a lot of money managing hedge funds. But they’ve hit a bit of a skid lately and Anders has Matt working overtime to persuade investors to stay onboard.

Meanwhile at home, Matt’s preoccupation with work has made him a neglectful husband and father. He’s impervious to how it’s impacting his marriage and his lack of investment has hurt his relationship with his kids, especially the rebellious Zach. In an effort to help out (more out of obligation than conviction), Matt agrees to drive the kids to school. Boy did he pick a bad day to try to be a father!

While driving along in his classy black Mercedes SUV, Matt and the kids hear a strange ringtone from a phone they track to the vehicle’s console. The distorted voice on the other end warns him of a bomb under his seat that is pressure activated. If he attempts to get out of the car the bomb will detonate. Suddenly he finds himself at the mercy of a mad bomber who seems driven by his or her own mysterious motivations.

As expected the hazy picture quickly comes into focus, especially after revelations arise of slush funds, emergency collateral, and off-shore accounts. There also seems to be an attempt made to show Matt reconciling with his children and finally being the father he’s supposed to be as things unfold. Unfortunately the movie clumsily tips its hand and the ‘big twist’ turns out to be both predictable and silly.

Image Courtesy of Roadside Attractions

As for the family stuff, it turns out to be woefully underserved and never feels organic. Even worse is the inclusion of an upright police detective admirably played by Noma Dumezweni. She tries to be as convincing as possible, but the material paints her (and the police in general) as strikingly inept and laughably slow at getting anything done. It’s a thankless task for Dumezweni.

Neeson has a knack for making even the most middling of these action-thrillers at least somewhat entertaining. He does it again with “Retribution”, a movie with too many unmissable flaws to qualify as good, but with just enough of that tried-and-true Neeson formula to keep you involved. At least for one viewing. “Retribution” opens in theaters tomorrow (August 24th).

VERDICT – 2.5 STARS

New on Home Video: “The Flash” 4K UHD

Warner Bros. Home Entertainment is set to release “The Flash” on 4K UHD in a brand-new edition that will also include a digital copy of the film. The 2023 superhero feature from DC Studios faced an uphill battle due to COVID-19 delays, various post-production setbacks, and the film’s controversial star. Yet the movie delivered big action, good humor, and some terrific fan moments. Its self-referential style and open-armed embrace of nostalgia was icing on the cake. Read my full review of the film HERE.

This feature-filled 4K UHD version of “The Flash” will release on August 29th. See below for a full synopsis and release information.

Official Synopsis

Year: 2023

Runtime: 144 Minutes

Director: Andy Muschietti

Screenwriter: Christina Hodson

Cast: Ezra Miller, Sasha Calle, Michael Shannon, Ron Livingston, Maribel Verdú, Kiersey Clemons, Antje Traue, Michael Keaton, Jeremy Irons, Saoirse-Monica Jackson, Rudy Mancuso, Sanjeev Bhaskar

Rating: PG-13 for partial nudity, action sequences of Violence, some strong language

From the Studio:

Worlds collide in “The Flash” when Barry uses his superpowers to travel back in time in order to change the events of the past. But when his attempt to save his family inadvertently alters the future, Barry becomes trapped in a reality in which General Zod has returned, threatening annihilation, and there are no Super Heroes to turn to. That is, unless Barry can coax a very different Batman out of retirement and rescue an imprisoned Kryptonian… albeit not the one he’s looking for. Ultimately, to save the world that he is in and return to the future that he knows, Barry’s only hope is to race for his life. But will making the ultimate sacrifice be enough to reset the universe?

“The Flash” ensemble also includes rising star Sasha Calle, Michael Shannon, Ron Livingston, Maribel Verdú, Kiersey Clemons, Antje Traue and Michael Keaton. “The Flash” is produced by Barbara Muschietti and Michael Disco. The screenplay is by Christina Hodson, with a screen story by John Francis Daley & Jonathan Goldstein and Joby Harold, based on characters from DC. The executive producers are Toby Emmerich, Walter Hamada, Galen Vaisman and Marianne Jenkins.

Bonus Features  

  • “The Flash: Escape the Midnight Circus” podcast – Six-part original scripted audio series featuring Max Greenfield as The Flash
  • The Flash: Escape the Midnight Circus Behind the Scenes
  • Deleted Scenes
  • Saving Supergirl – featurette
  • The Bat Chase – featurette
  • Battling Zod – featurette
  • Fighting Dark Flash – featurette
  • The Flash: The Saga of the Scarlett Speedster – featurette
  • Making the Flash: Worlds Collide – featurette
  • Let’s Get Nuts: Batman Returns, Again – featurette
  • Supergirl: Last Daughter of Krypton – featurette
  • Flashpoint: Introducing the Multiverse – featurette

First Glance: “Rebel Moon”

Fans of Zack Snyder have been waiting for a good glimpse at the filmmaker’s upcoming sci-fi action epic “Rebel Moon”. Netflix has granted their wishes with their brand-new teaser trailer. Of course Snyder has his social media detractors, many of them as feral (if not more so) than his most ardent supporters. Whatever. I’m really intrigued by this fresh original sandbox that Snyder creates, defines, and gets to play in.

Scheduled as the first film in an epic-sized two-parter, “Rebel Moon Part One: A Child of Fire” takes place in a universe under the rule of an oppressive government known as the Mother World and its power-mad leader, Regent Balisarius (Fra Fee). But when a peaceful colony on the moon of Veldt is threatened by Balisarius and his armies, an unexpected hero named Kora (Sofia Boutella) begins uniting the people to stand up against the Mother World. And she assembles a ragtag band of warriors to lead the charge.

The film features an electric cast that also includes Djimon Hounsou, Charlie Hunnam, Ray Fisher, Anthony Hopkins, Ed Skrein, Michiel Huisman, Doona Bae, Cary Elwes, Corey Stoll, Jena Malone, Staz Nair, E. Duffy, Charlotte Maggi, Cleopatra Coleman, and Sky Yang among others. The trailer shows off a truly incredible and fantastical world. The scope looks enormous with thrilling action, strange and imaginative creatures, and Snyder’s distinct visual style which is icing on the cake. I can’t wait.

“Rebel Moon Part One: A Child of Fire” premieres December 22nd on Netflix. Check out the trailer below and let me know if you’ll be seeing it or taking a pass.