REVIEW: “Devotion” (2022)

Two rising stars, Jonathan Majors and Glen Powell shine in “Devotion”, a war-drama based on the inspiring friendship between fighter pilots Jesse Brown and Tom Hudner. Jesse LeRoy Brown was the first African-American pilot to complete the U.S. Navy’s flight training program. Along with his wingman and devoted friend Tom Hudner, the pair would become two of the Navy’s best pilots during the Korean War, with Brown earning the Distinguished Flying Cross.

Directed by J.D. Dillard and written for the screen by Jake Crane and Jonathan A. Stewart, the film is based on the novel “Devotion: An Epic Story of Heroism, Friendship, and Sacrifice” by Adam Makos. Dillard hones in on a segment of Jesse Brown’s life, starting from the time he met Tom Hudner at Quonset Point Naval Air Station in Rhode Island. He shows their eventual friendship, but even more time is put on Jesse’s struggle as a black man in the desegregated military of 1950.

Image Courtesy of Columbia Pictures

If you’ve seen the trailer you know “Devotion” has some war-time action and air combat scenes (they’re exhilarating and worth seeing on the biggest screen possible). But the meat of the movie is Jesse’s experience and the unexpected friendship forged with his wingman. For that reason, more time is spent building the characters (especially Jesse) and some of the story’s key relationships. And while it may take a little while to get off the ground, this development is crucial and ends up significantly helping things down the line.

When we meet Jesse (played with dignity and quiet resolve by Majors), he’s already an accomplished pilot who is generally respected for his skills yet still looked down on by many due to the color of his skin. New to his squad is Tom Hudner (an utterly convincing Powell) who is immediately assigned to be Jesse’s wingman. On top of earning Jesse’s trust in the air, the naive but genuine Tom also seeks to earn his trust as a man. But it takes some time, especially as we get a better understanding of the adversity Jesse has fought to overcome for his entire life.

While showing Jesse’s military service is a big part of the story, we also get a few touching moments with him at home with his wife Daisy (a really good Christina Jackson) and their young daughter. In many ways she’s his anchor, and the film uses her inclusion to reveal another side of Jesse – one as equally important to the story as his piloting scenes. Then there is the racial tension which comes in all sizes. Sometimes it comes from snide remarks that may seem harmless, especially when Jesse appears unfazed. But the film makes it clears that there’s no such thing as harmless racism, and over time it has taken a toll on Jesse despite his best efforts to hide it.

Image Courtesy of Columbia Pictures

The movie is also helped by the strong chemistry between Majors and Powell which makes what unfolds between their characters feel genuine and true. While the movie could have put a little more time into fleshing out Hudner, his eventual friendship with Jesse doesn’t come across as a made-for-screen concoction. There are actual barriers they must break down and hurdles they’re forced to navigate. It’s an honest and thoughtfully conceived relationship that’s cemented in the final 20 minutes when they’re called into combat as the Korean War intensifies.

The big fighter plane scenes leading up to the finale are a thrilling mix of practical and digital effects that look amazing and thrusts us into the heart of air combat. I’d be lying if I didn’t admit to wanting more of it. But the heart of “Devotion” is with the characters, namely Jesse Brown. Dillard, Crane, and Stewart never lose sight of that which makes this more than your standard-issue war movie. Instead it shares the story of someone we all should know about while highlighting a friendship that we all could learn from. “Devotion” is now showing in theaters.

VERDICT – 4 STARS

Movie Poster Spotlight: “White Noise” (2022)

Noah Baumbach’s new film “White Noise” hits Netflix late next month. I recently had the chance to see it at an awards season press screening (I’ll have a full review coming soon). It’s an odd and fascinating film adaptation of Don DeLillo’s odd and fascinating 1985 novel. So it’s kind of fitting that it also has three odd and fascinating character posters. I absolutely love them, and crack up every time I see them. There’s no need to say much more. I’ll let you check them out yourselves. Let me know what you think.

DIRECTOR – Noah Baumbach

WRITER – Noah Baumbach

STARRING – Adam Driver, Greta Gerwig, Don Cheadle, Raffey Cassidy, Sam Nivola, May Nivola, Jodie Turner-Smith, Lars Eidinger, André Benjamin

RELEASE – December 30, 2022

REVIEW: “Guillermo del Toro’s Pinocchio” (2022)

I’ve always loved the story of Pinocchio. But since becoming a father, it has taken on a much different meaning. These days it resonates with me on a much deeper level than before. Earlier this year, Richard Zemeckis revisited “Pinocchio” through his well-made (and fashionably throttled) live-action remake of Disney’s 1940 animated classic. But leave it to filmmaking visionary Guillermo del Toro to truly energize this beloved story by shaking it up visually, narratively, and in some cases thematically. What we get is something truly special.

“Guillermo del Toro’s Pinocchio” is brimming with heart and features its creator’s signature on nearly every frame. Del Toro, along with his co-director Mark Gustafson and his co-writer Patrick McHale, retell the 1883 Carlo Collodi fairytale with unshakable passion. Nothing about their film feels rehashed or half-hearted. In fact, it has a fresh energy all its own while still maintaining the emotional weight that made Collodi’s tale so impactful. It’s an incredible achievement from its exquisite stop-motion animation to its thoroughly affecting storytelling.

The story is set in 1930’s Italy where fascism was widespread, even reaching the small hillside hometown of a woodcarver name Geppetto (voiced by David Bradley). In a moving flashback we see the love Geppetto had for his beloved son Carlo. But when a passing warplane mistakenly dropped a bomb on their quiet little village, young Carlo was killed. Geppetto was devastated. As years passed, the world moved on but Geppetto did not. Overwhelmed with sorrow, he sank deeper into despair and the bottle.

Image Courtesy of Netflix

During a particular difficult day and in a fit of mournful anger, a drunken Geppetto haphazardly builds a wooden boy out of pine. Being a product of his creator’s grief, the boy looks nothing like the cute, polished, toy-like creation from the Disney films. He has lanky, out of proportion limbs. His gnarly head is highlighted by a sharp spiked nose. He’s held together by jagged nails which protrude from his body. It’s an abrasive sight but a fitting representation of Geppetto’s frame of mind.

You probably know where the story goes next. While Geppetto sleeps it off, a glowing benevolent Wood Sprite (Tilda Swinton) appears. She brings the wooden boy to life and names him Pinocchio (who’s wonderfully voiced by the earnest and lively Gregory Mann). The newly animated lad turns out to be a ball of endless curiosity and rambunctious energy which rattles a stunned, confounded Geppetto.

Pinocchio also catches the attention and sparks the concerns of the once amiable townsfolk who are now quick to criticize and judge their neighbor and his peculiar and very much alive wooden handiwork. Among them is the hypocritical (and slyly funny) local priest (Burn Gorman) and the town magistrate Podestà (Ron Perlman), a Mussolini fascist preparing to ship his son Candlewick (Finn Wolfhard) and other area kids off to military youth camp.

Observing it all is Sebastian J. Cricket, voiced with a near regal sophistication and charm by Ewan McGregor. Sebastian took up residence in a hollow tree trunk where he was preparing to write his memoirs. Unfortunately for him, he chose the very tree the drunken Geppetto chopped down to build his wooden boy. Now Sebastian has been tasked by the Wood Sprite with watching over Pinocchio. If he does so, he will be granted one wish – anything his heart desires. Through McGregor, Sebastian makes for a memorable sidekick, and he has a couple of great running gags that earn laughs every time.

Image Courtesy of Netflix

Adding another dramatic layer is Count Volpe (a slithery Christoph Waltz), an interesting fusion of the classic characters Mangiafuoco, the Fox, and the Cat. Volpe is a down on his luck and shamelessly unscrupulous puppet-master working for a ramshackle traveling carnival. He too gets wind of the wooden boy without strings and sees him as his golden goose. We’re also treated to the voices of John Turturro, Time Blake Nelson, and Cate Blanchett (sorta) along the way.

Regardless of how familiar things may seem, nothing about the movie feels old hat. Del Toro brings something unique to the table at every turn. He adds his own spins to the story, his own twists to the characters, and his own imagination to the world-building. You can’t miss his deep reverence for the source material, yet he never seems shackled to it or handcuffed by expectations.

Guillermo del Toro has called “Pinocchio” his passion project, and after seeing it you can tell. He has poured his heart and soul into this beautiful vibrant experience, sticking firm to his original stop-motion vision despite the rejections of unwilling studios. It’s enchanting and heartfelt but also darkly funny and with a touch of the macabre. It’s voiced to perfection, immaculately scored by Alexandre Desplat, and animated with painstaking detail and incredible artistry. And it all flows from del Toro, who has turned this age-old tale into something undeniably his own. “Guillermo del Toro’s Pinocchio” hits Netflix December 9th.

VERDICT – 4.5 STARS

Happy Thanksgiving!!!

I love Thanksgiving. It’s a great time here in States to celebrate all that we’re thankful for. For many of us it’s a fun-filled day of family, food, and football. So whether you’re celebrating the holiday or not, I want to wish you and yours a very Happy Thanksgiving. Thank you for all the time you’ve spent reading, following, liking, and commenting on this little site. I can’t express how much I appreciate it.

Again, have a wonderful Thanksgiving and a joyful holiday season!

REVIEW: “She Said” (2022)

I have a thing for journalism procedurals, but sadly it’s not the kind of movie that comes around very often. With “She Said”, director Maria Schrader and screenwriter Rebecca Lenkiewicz scratch that itch for fans of the genre like me. Their film is very much a procedural in every sense of the word. It’s no “All the President’s Men” or “Spotlight”, but it features many of the things those films do so well. Among them is highlighting the intrinsic value of investigative journalism, now more than ever.

“She Said” is based on the 2019 nonfiction book of the same name by New York Times journalists Jodi Kantor and Megan Twohey. It chronicles their work to uncover and expose the sexual harassment and sexual abuse of high-profile film producer Harvey Weinstein. Over 80 women would end up coming forward accusing Weinstein of sexual misconduct including rape. His abuse spanned 30 years (at the very least) and was brought to a stop thanks the the reporting of Kantor and Twohey along with the brave victims who came forward to share their story. The 70-year-old Weinstein is currently serving 23 years in prison with more charges pending.

Image Courtesy of Universal Pictures

After what feels like some obligatory back-patting in the shaky and self-regarding opening ten minutes, “She Said” gets on track after New York Times reporter Jodi Kantor (Zoe Kazan) gets wind of a possible sexual assault by high-ranking Hollywood producer Harvey Weinstein. After conversations with actresses Rose McGowen, Ashley Judd, and Gwyneth Paltrow, Kantor realizes she has a much bigger story on her hands. So she recruits fellow Times reporter Megan Twohey (Carey Mulligan) to help root out the truth.

Mulligan and Kazan give strong performances, gelling with Lenkiewicz’s gloss-free yet undeniably polished screenplay to give us credible reporters on the trail of a story that would shake the industry and spark a movement. Both relay their characters’ fervor for the truth while touching on the psychological and emotional toll their investigation had on them and their families. Among the film’s biggest strengths – chronicling the ups and downs that come with investigative reporting. The movie also excels in giving voices to the victims who often remained hidden behind headlines. None are better than Jennifer Ehle and Samantha Morton who deliver the film’s most emotionally impactful moments.

Image Courtesy of Universal Pictures

That said, this is very much a self-celebrating movie, with journalists portrayed in such heavenly light that there’s little room for them to be anything more than journalists. Yes, Twohey is cool and iron-willed while Kantor is timid yet resolute. But those traits don’t really give us an idea of who these two women are. Even their bosses, Rebecca Corbett and Dean Bacquet (very well played by Patricia Clarkson and Andrew Braugher) bask in the same self-celebratory glow. This wouldn’t be a big deal if the movie was revealing things we didn’t already know. Instead everyone are just filling roles that are more or less defined for us from the first moment they appear on screen.

But that’s not to say “She Said” doesn’t have its values. Quite the opposite in fact. The above-mentioned interviews with victims really bring Weinstein’s damage to light (a few others, particularly with Ashley Judd who appears as herself, not so much). And it’s fascinating to watch Kantor and Twohey walk the fine-line between encouraging the victims to come forward as named sources and respecting their apprehension and reluctance. And again, if you’re someone who enjoys by-the-book journalism procedurals, “She Said” has exactly what you’re was looking for. “She Said” is out now in theaters now.

VERDICT – 3.5 STARS

New on Home Video: “Don’t Worry Darling” (2022) 4K UHD

Warner Bros. Home Entertainment has announced the home release of “Don’t Worry Darling”. This 4K UHD combo pack features the film in 4K Ultra HD, Blu-Ray, and Digital. The film stars a magnetic Florence Pugh playing a young wife who begins to suspect that not everything in her seemingly idyllic 1950s-era suburban life is what it seems to be. Beautifully shot and with terrific style, the film pops off the screen in this vibrant 4K edition. See my full review of the film HERE.

This new 4K UHD of Don’t Worry Darling” hits shelves NOVEMBER 29, 2022. See below for a full synopsis and breakdown of the bonus features.

OFFICIAL SYNOPSIS:

Year: 2022

Rating: R

Runtime: 122 Minutes

Director: Olivia Wilde

Starring: Florence Pugh, Harry Styles, Chris Pine, Olivia Wilde, Gemma Chan, KiKi Layne, Nick Kroll, Sydney Chandler, Asif Ali, Kate Berlant, Timothy Simons, Douglas Smith

In “Don’t Worry Darling,” Alice (Florence Pugh) and Jack (Harry Styles) are lucky to be living in the idealized community of Victory, the experimental company town housing the men who work for the top-secret Victory Project and their families. The 1950’s societal optimism espoused by their CEO, Frank (Chris Pine)—equal parts corporate visionary and motivational life coach—anchors every aspect of daily life in the tight-knit desert utopia.

While the husbands spend every day inside the Victory Project Headquarters, working on the “development of progressive materials,” their wives—including Frank’s elegant partner, Shelley (Gemma Chan)—get to spend their time enjoying the beauty, luxury and debauchery of their community. Life is perfect, with every resident’s needs met by the company. All they ask in return is discretion and unquestioning commitment to the Victory cause.

But when cracks in their idyllic life begin to appear, exposing flashes of something much more sinister lurking beneath the attractive façade, Alice can’t help questioning exactly what they’re doing in Victory, and why. Just how much is Alice willing to lose to expose what’s really going on in this paradise?

BONUS FEATURES:

Both the 4K UHD combo pack and Blu-ray and Digital Copy contain the following special features: 

  • The Making of Don’t Worry Darling
  • Alice’s Nightmare Deleted Scene

DVD: DLBY/DGTL

Blu-ray: ATMOS TrueHD

4K: ATMOS TrueHD