Author Archives: Keith Garlington

New Character Posters for Paramount’s Big Screen Adaptation of “Street Fighter”

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Paramount Pictures has released SEVENTEEN new character posters ahead of its upcoming live-action feature film adaptation of the classic Capcom arcade game “Street Fighter”. The posters highlight the film’s massive collection of characters which includes nearly every playable character from the franchise’s early days. We get series originals such as Ryu, Ken, Guile, Chun-Li, Zangief, E. Honda, Blanka, Dhalsim, Balrog, Vega, and of course M. Bison, as well as some later additions like Akuma, Cammy, Joe, and Dan.

Of course the film has an equally massive cast that includes Jason Momoa, David Dastmalchian, Joe “Roman Reigns” Anoa’i, Andrew Koji, Noah Centineo, Calina Liang, Curtis “50 Cent” Jackson, Cody Rhodes, Andrew Schulz and more. Kitao Sakurai directs from a screenplay he wrote with T.J. Fixman. Their story takes place in 1993 where rivals Ryu (Koji) and Ken (Centineo) are recruited by Chun-Li (Liang) to compete in the World Warrior Tournament. But they quickly learn there is more at stake than mere bragging rights.

Admittedly, the trailers make the film look overstuffed and messy. At the same time, it’s hard not to admire its open self-awareness. It looks goofy, cheesy, even a little campy. But most of all it has the potential to be fun. Yes, I know “fun” is a word some tend to frown upon these days. But for a movie likes this, it’s exactly what you want. And Sakurai is putting a lot of emphasis on accuracy, from the wild tone to the killer costume designs. So fans should find a lot to enjoy.

“Street Fighter” hits theaters on October 16th. Are you excited for the film? Check out the new character posters and share your thoughts in the comments below.

REVIEW: “Itch!” (2026)

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With a title as straightforward as they come, the horror thriller “Itch!” gives you some idea of what you’re in for. Yet to his credit, writer-director Bari Kang has more on his mind than gripping tension and queasy body horror. He throws in a number of potentially meaningful themes. And while they do provide “Itch!” with some added weight, they don’t all work as intended. That leaves the movie to rely on good old-fashioned scares and suspense.

“Itch!” isn’t much into backstory or world-building. I’m guessing it’s partly due to the film’s limited budget. But it’s also something Kang isn’t especially interested in. Instead he crafts a more character-driven survival horror experience, set (mostly) within a tense single-location setting, and with a mysterious deadly threat that grows more terrifying as more is revealed about it. That’s the backbone of “Itch!”, and the movie works when it stays focused on its genre beats.

Kang also stars as Jay, a widowed single father whose young daughter Olivia (Olivia Kang), hasn’t spoken a word since her mother died. Jay helps run his father’s retail store in downtown New York City which is where the majority of the movie takes place. While his dad (Steven Alonte) stays home caring for his ailing wife, Jay mans the place with their long-time cashier Lisa (Mia Ventura Lucas).

But the tension sets in once we learn about a highly contagious outbreak that is spreading across the city at an alarming rate. Those infected fight an unbearable itch stemming from painful rashes that make their skin feel like it’s burning. We never learn the cause – is it medical, chemical, supernatural? But the setup creates as a harrowing scenario, especially once newscasts report hospitals are overwhelmed by self-inflicted injuries, airports are grounding all flights, and the more seriously infected are turning erratic and violent.

This comes fully into focus after a lady comes to Jay’s store covered in sores and screaming about an unbearable itch. Jay seals his store as more aggressive infected gather outside. With him is Olivia, Lisa, a panicking customer, Henry (Douglas Stirling), and a disgruntled former employee named Miguel (Patrick Michael Valley), along with his pregnant niece Gabriella (Ximena Uribe). Together the six attempt to survive the threats that lie both outside and within. Clashing personalities, fear, and paranoia become as dangerous as the deadly infection that threatens them all.

Unfortunately some of the characters do veer into archetype territory which slightly derails some of the drama. But the bigger hindrances are the various attempts at social commentary that rarely land as intended. The film has a pretty cynical point of view which manifests itself in several glaringly obvious ways. Whether it’s on-the-nose statements about the homeless and refugee communities, or a strangely out-of-the-blue reflection from Henry. There’s certainly nothing wrong with having something to say. But here the ham-fisted attempts mostly ring hollow.

Those few distractions aside, Kang does a terrific job keeping his audience fully engaged. And he impressively shows that you don’t need a big studio budget to do it. The tightening psychological tension itself is enough to keep us locked in. But Kang never forsakes the horror elements, using a cool variety of practical effects in creating some effectively bloody scares. And while not all of its messaging works, the blistering itch is a compelling and unsettling metaphor which gives this solid indie chiller an added jolt. “Itch!” is now available on VOD.

VERDICT – 3 STARS

New on Home Video: “Sleepers” on 4K Ultra HD + Digital

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Warner Bros. Discovery Home Entertainment is celebrating the 30th anniversary of “Sleepers” by bringing the film to 4K Ultra HD for the very first time. This newly remastered version of the 1996 thriller brings back this fittingly dark and expertly structured story that remains disturbingly relevant today. Based on the book of the same name by Lorenzo Carcaterra, “Sleepers” is written and directed by Oscar winner Barry Levinson and features an incredible star-studded cast.

“Sleepers” will be available on 4K Ultra HD and Digital on April 21st. See below for a full synopsis of the film as well as release information including a list of special features.

About the Film:

Year: 1996

Runtime: 148 Minutes

Director: Barry Levinson

Screenwriter: Barry Levinson

Cast: Robert De Niro, Dustin Hoffman, Kevin Bacon, Brad Pitt, Jason Patric, Bruno Kirby, Ron Eldard, Billy Crudup, Minnie Driver, Vittorio Gassman, Terry Kinney, Peter McRobbie, Jeffrey Donovan, Eugene Byrd, Wendell Pierce

Rating: R for language, graphic violence and two scenes of strong sexual content

Four ordinary boys. A harmless prank gone awry. Their childhood innocence forever shattered, they vow to avenge its loss in the haunting drama Sleepers. Sentenced to spend time at a reform school for their reckless behavior, four basically good boys from a bad neighborhood suffer a horrible fate while there. Forced to perform unspeakable acts by the very adults entrusted to watch over them, the young quartet barely survives the ordeal. A decade and a half later, nothing can erase the painful memories. But neighborhood justice, with a little support from a loyal priest, helps even the score. 

Special Features:

Sleepers Digital release and 4K Ultra HD Blu-ray Disc contain the following new special features:

  • The Making of SLEEPERS: A Conversation with Barry Levinson (NEW)Uncover the inner workings of creating the film, from the production design to adopting the novel into a screenplay, with director Barry Levinson. 
  • SLEEPERS: The Art of Casting with Director Barry Levinson (NEW)Director Barry Levinson delves into the intricacies of crafting the roles of this star-studded cast.

REVIEW: “Lee Cronin’s The Mummy” (2026)

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Lest anyone be confused, “Lee Cronin’s The Mummy” isn’t a remake of the 1932 Universal Pictures classic. Nor is it a Brendan Fraser action-adventure. Nor is it connected to the 2017 Tom Cruise led bomb that ended Universal’s Dark Universe before it even got started good. No, the Lee Cronin tag in the title is meant to distant the film from all of those Mummy versions. And for good reason. Cronin’s spin on the decades-old concept is very much its own thing. And it certainly leaves a distinct impression.

Cronin’s unique vision is not for the squeamish or faint of heart. His film is an unabashedly grisly horror spectacle that often shoots for the kind of gross-out gore that will leave some audiences elated and others repulsed. It’s very much in the Evil Dead vein of horror yet with an eerie mystery element attached and a strong family component. But at its core is a genuinely unsettling chiller that burrows under your skin. Even crazier, it makes you squirm one minute and blurt out a laugh the next.

Cronin begins his story in Cairo, Egypt which is where we meet a television journalist named Charlie Cannon (Jack Reynor). He’s on assignment in Cairo with his pregnant wife Larissa (Laia Costa) and their two children, Sebastián and Katie. Their lives are turned upside-down after Katie is kidnapped by a creepy woman (Hayat Kamille) who vanishes into a blinding sandstorm. The terrified family immediately go to the local police but they’re unable to find any leads.

Eight years pass with the family now living in Albuquerque, New Mexico with Larissa’s mother, Carmen (Verónica Falcón). Charlie, Larissa, Sebastián (Shylo Molina) and their youngest daughter Maud (Billie Roy) struggle to remain hopeful that Katie is still alive. Meanwhile in Cairo, the guilt-driven Detective Dalia Zaki (May Calamawy) leads her own police investigation to track down the person responsible for Katie’s abduction.

But to the family’s surprise, they get a call from the United States embassy in Cairo with news that Katie has been found alive in a 3,000 year-old sarcophagus. Now played by a gutsy Natalie Grace, the 17-year-old Katie was discovered in a catatonic state, severally malnourished and with clear signs of severe trauma. After arriving in Cairo, Charlie and Larissa are both shocked and heartbroken at the sight of their daughter’s gnarled hands, jagged nails, dry cracking skin, and blank stare.

The doctor tells Katie’s parents that her vitals are good and she’s physically strong. But it may take the comforts of home to give her the kind of psychological help she needs. So Charlie and Larissa take her back to Albuquerque, hoping a sense of family normalcy may bring their daughter back. Instead it unleashes a sinister supernatural horror on their household which takes the movie down a dark, twisted, and fittingly chilling path.

Once Cronin has his table set, he ratchets down on his distinctly deranged vision. He shows no interest in playing it safe, nor does he cater to certain expectations. Instead he takes threads of inspiration and weaves together his own wicked tapestry that works as both squirm-inducing horror and rousing popcorn entertainment. You’ll wince and gasp as Cronin pushes the horror to an extreme. And at times you’ll laugh, as he has fun with those very same extremes.

Lee Cronin goes for the jugular with this wonderfully warped reimagining that is more than a simple retread of the various other Mummy films. It’s a movie that delights as it disgusts, which will be right up the alley of certain horror audiences. It’s not the most plausible story. But it’s hard to dwell on that when the movie is consciously pushing itself to such bonkers places. The fully committed cast, gnarly makeup and effects, and stellar camerawork and sound design puts an eerie exclamation point on this satisfying genre gem.

VERDICT – 4 STARS

First Glance: “Star Wars: The Mandalorian and Grogu” Final Trailer

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Those of you who aren’t rabid Star Wars fans like me, please indulge me for a moment. We’re only a few weeks away from Star Wars returning to the big screen for the first time since 2019. “The Mandalorian and Grogu” is the duo’s next chapter following three seasons on Disney+. And while we have already been treated to one teaser and one full trailer, it looks as if director Jon Favreau has saved the best look for last. Yesterday we got the film’s final trailer and it is exactly what I was looking for.

The latest trailer gives Star Wars fans plenty of cool things to soak up. We see Din Djarin (Pedro Pascal) and his young Mandalorian apprentice Grogu enlisted by the New Republic to hunt down remnants of the Galactic Empire. But it looks like they get in over their heads with Imperial warlords, gangsters, and fellow bounty hunters. The trailer shows off the franchise’s signature locations, some thrilling action set pieces, and a vast collection of characters who I can’t wait to see on the big screen.

“The Mandalorian and Grogu” soars into theaters on May 22nd. Check out the final trailer below and let me know if you’ll be seeing it or taking a pass.

REVIEW: “Normal” (2026)

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In “Normal”, Bob Odenkirk plays Ulysses, but not the guy who undoubtedly first comes to mind when you hear that name. No, his Ulysses is a recently separated middle-aged man who arrives in the sleepy town of Normal, Minnesota to serve as the interim sheriff following the sudden passing of the previous one. But it doesn’t take long for Ulysses to realize that Normal is anything but what it’s name implies.

Directed by Ben Wheatley, “Normal” is the latest movie in what seems to be a growing wave of genre cocktails. And I’m happy to say it is one of the better ones. “Normal” is full of surprises, from its terrific assemblage of great characters to its free-wheeling gory violence to its insanely wacky sense of humor. It never shortchanges any of the three, making this an interesting, action-packed, and routinely funny 90-minute romp.

Image Courtesy of Magnolia Pictures

Ulysses is an easygoing lawman who fills various sheriff vacancies around the country without rocking the boat. His plans for his eight-week stint in Normal is to hold the fort down until the upcoming special election. While there, he encounters an entertaining assortment of locals, starting with his two chief deputies, the unintentionally goofy Mike (Billy MacLellan) and the overly ambitious Blaine (Ryan Allen). Both help to get Ulysses acquainted with his new constituency.

But his deputies only scratch the surface when it comes to the lively residents of Normal. The town’s smarmy Mayor Kibner (a very funny Henry Winkler), a razor-tongued barmaid named Moira (Lena Headey), and the late sheriff’s rebellious daughter Alex (Jess McLeod) are just a few who make up the film’s colorful and comical collage of characters. Wheatley has a blast with them, especially once his movie takes an especially bonkers and bloody turn.

The snowy Normal itself is not unlike so many other small American towns – vacant buildings, no industry, dwindling population, etc. Still it has its small-town personality which comes from its people. But not everything in Normal is as it seems. In fact, almost nothing is. And this vividly comes to light when a harmless, down-on-their-luck couple attempt to rob the town’s bank. It triggers an avalanche of twists involving a vault full of loot, the Yakuza, and an interim sheriff who has to sort it all out.

Image Courtesy of Magnolia Pictures

“Normal” is penned by Derek Kolstad, the screenwriter of the first three John Wick films and Odenkirk’s two Nobody movies. In “Normal”, Kolstad combines the stylish ultra-violence of “John Wick” with the amusing subversiveness of “Nobody” to tell a story that could easily fly off the rails if not for its hilarious self-awareness. Wheatley handles the rest – serving up a taunt and punchy buffet of B-movie thrills and kills. And Odenkirk is the perfect centerpiece, matching dead-on deadpan with go-for-broke physicality.

And as I said above, “Normal” is full of surprises. Whether it’s the story’s many wild and wacky turns or the deliciously brutal bursts of blood-spraying violence, it routinely hits us with swings we never see coming. Wheatley does a great job holding it all together. He sustains a wildly entertaining pace while finding a nice balance between well-timed comedy and hardcore action. And the aforementioned self-awareness turns out to be an essential ingredient in this proudly preposterous and unabashedly excessive genre feast. “Normal” hits theaters April 16th.

VERDICT – 4 STARS