REVIEW: “Superintelligence” (2020)

SPERpos

There’s an undeniable sweetness to comedian Melissa McCarthy making movies with her frequent collaborator and real-life husband Ben Falcone. Not to be a wet blanket, but they may need to rethink their filmmaking strategy. Prior to this one, Falcone had directed McCarthy in three previous films: “Tammy”, “The Boss”, and “Life of the Party”. At the risk of sounding sour, they are three pretty dreadful movies that I have no interest in ever seeing again.

“Superintelligence” came out last November on HBO Max after a nixed big screen release. First off, it isn’t as glaringly bad as something like “Tammy”. At the same time, it doesn’t exactly set McCarthy and Falcone team-ups on a fresh and exciting course (just look at their latest “Thunder Force” as evidence). Instead “Superintelligence” languishes somewhere in the middle. I guess you can call it an inoffensive but unimaginative comedy that feels right at home on a streaming platform.

SUPER1

Photo Courtesy of HBO Max

Set in Seattle, Melissa McCarthy plays Carol, an unemployed former tech company executive who left a lucrative job at Yahoo so she could “make a difference in the world“. Now she spends her time as a west coast activist and social worker, scraping by while working for various non-profit organizations. She tries re-entering the work force with the help of her best friend Dennis (Brian Tyree Henry), a computer techie working for Microsoft. It leads to Carol going for an interview with an old college “friend” (Jessica St. Clair) who runs a trashy but popular online dating service. That scene comes in the first few minutes and it’s the film’s funniest. From there the humor dries up pretty quick.

In a nutshell Carol is the most ordinary person on planet Earth (the movie’s description, not mine). That catches the attention of a powerful artificial intelligence who has unlimited access to the world’s entire digital network and speaks in the voice of talk show host James Corden (and is of course voiced by Corden). You’re probably wondering why a super-intelligent A.I. would be interested in someone like Carol. Well, it’s because the A.I. needs someone aggressively average for its weird social experiment. For three days the superintelligence will observe our plain Jane and then determine whether to save, enslave, or destroy humanity. Why? I guess A.I.’s just do that sort of thing.

SUPER2

Photo Courtesy of HBO Max

The majority of the film follows Carol as she is empowered by the A.I. with several million dollars in her bank account, a fancy makeover, a state-of-the-art Tesla, and a swanky downtown penthouse. There’s also a pretty hamfisted reunion with her old flame named George (Bobby Cannavale), a creative writing professor and the proverbial ‘one that got away’. Meanwhile the A.I. sits back and takes notes, inexplicably using all of that stuff as a means of understanding (and ultimately judging) the whole of humanity. So much for A.I.’s being smart.

All of this silliness would work if “Superintelligence” infused it with anything interesting or insightful. But the film is content with just being as average as its protagonist. There’s a touch of sweetness in the reconnection between Carol and George and the 100 minutes zips by fast enough. Also kudos to McCarthy, an actress I’ve always been hesitant to embrace. Here you can see a performer who is much better than her material working hard to make the movie work. Sadly it doesn’t, but it’s not because of her. “Superintelligence” is streaming now on HBO Max.

VERDICT – 2 STARS

2-stars

First Glance: “Awake”

Netflix’s upcoming apocalyptic thriller “Awake” sees Gina Rodriguez playing a mother protecting her two children after society plunges into chaos following a mysterious end-world event. The film is directed by Mark Raso whose last film was the 2017 road-trip drama “Kodachrome”. Along with Rodriguez, “Awake” stars Jennifer Jason Leigh, Barry Pepper, Finn Jones, and Shamier Anderson.

The first trailer dropped earlier today and opens things up quite a bit. It looks like Rodriguez and her kids wake up in a world where all access to technology has been wiped out. To make matters even worse, no one is able to sleep. As scientists frantically look for a cure, humanity quickly begins falling apart. Without question it’s an interesting concept with a lot of potentially fun and fertile ground to cover. At the same time it needs to have some kind of reasonable explanation. Hopefully Raso and company can pull it off.

“Awake” premieres June 9th on Netflix. Check out the trailer below and let me know if you’ll be seeing it or taking a pass.

First Glance: “The Last Letter From Your Lover”

Good news for those movie fans itching for a love story. Yesterday Netflix dropped the first trailer for it’s time-hopping romantic drama “The Last Letter From Your Lover”. The film is based on a 2008 Jojo Moyes romance novel and features two interwoven stories, one set in the 1960’s on the French Riviera and the other in present day London. It’s helmed by Augustine Frizzell and stars Felicity Jones, Shailene Woodley, Callum Turner, and Nabhaan Rizwan.

Jones plays an enthusiastic London journalist who discovers a collection of love letters from 1965. They chronicle an intense forbidden love affair between the wife of a wealthy businessman (Woodley) and a journalist (Turner) assigned to cover her husband. It looks like Frizzell’s movie will bounce back-and-forth between present day and the past as two different romances unfold. The film looks beautiful but it’s hard to get a read on it. Will it be a sweet and heartbreaking or sappy and schmaltzy? I’m anxious to see.

“The Last Letter From Your Lover” premieres on Netflix July 23rd. Check out the trailer below and let me know if you’ll be seeing it or taking a pass.

It’s Star Wars Day!!!!

It’s May 4th which means it’s Star Wars Day. Sadly I dropped the ball this year. Due to the load of movie screeners I STILL need to watch, I wasn’t able to put together a big post celebrating that galaxy far, far away. But that couldn’t stop from at least geeking out a little. After all, that’s what this day is all about and as an unashamed Star Wars geek, I feel it’s my duty.

This year’s highlight is the premiere of a new Disney+ animated show “The Bad Batch”, a spiritual successor of sorts to the acclaimed “The Clone Wars” series. I had the privilege of seeing the first two episodes early and let me just say the series gets off to a stellar start. The 72-minute pilot is available now on Disney’s streaming service and you don’t want to miss it.

So how can I pay tribute to this franchise that has meant so much to me over the years? How about with a simple gallery of some of the greatest, most unique, and utterly unforgettable characters who have populated this incredible universe over the years? Enjoy them, let me know which are your favorites, and share some of your favorite Star Wars memories. Oh, and of course, May the 4th be with you….always.

REVIEW: “The Seventh Day” (2021)

SEVENTHposter

Throughout my many years of covering and reviewing movies I’ve been pretty vocal about my belief that Guy Pearce is (and for a long time has been) one of the most underrated and undervalued actors in the business today. He’s charismatic, incredibly diverse, and easily one of the industry’s busiest workers (he has FOUR films coming out in 2021). Sure, occasionally he will lay an egg and attach himself to a really bad movie (look no further than last year’s “Disturbing the Peace”). But far more often than not, Pearce delivers the goods and he deserves bigger and more prestigious roles.

Unfortunately (and it pains me to say it) his latest film “The Seventh Day” is closer to a rotten egg than a tasty omelette. The supernatural buddy-exorcist flick from writer-director Justin P. Lange teases us with some cool albeit wacky potential. But that’s not where his interests lie. Instead Lange shoots for a more serious horror movie – one that borrows too much from other films and struggles to muster any energy much less genuine chills.

SEVENTH1

Image Courtesy of Vertical Entertainment

Pearce plays Father Peter, a renowned exorcist known for his “unconventional” methods. He’s both scarred and driven by the loss of his mentor (Keith David) who was slain during a harrowing exorcism that also saw a child burn alive in their bed. That was 25 years ago. Now Father Peter is one of the few exorcists remaining after the Vatican stepped away from the ritual following some bad headlines. So he works underground for the New Orleans Arch Bishop (Stephen Lang), training new recruits to help fight the growing number of demonic possessions.

Next under his wing is a young rookie priest named Father Daniel (played by a dry and ever dour Vadhir Derbez). With a pinch of “Training Day” and a tiny dash of “Se7en”, the two head out into the field where the seasoned but offish Peter tosses Daniel headfirst into a demon encounter (‘baptized by fire’ for those itching for a bad pun). Soon they’re investigating a particularly gruesome murder where a young boy named Charlie (Brady Jenness) butchered his parents and sister with an ax. The state says the boy is mentally incompetent to stand trial and belongs in an institution. But Peter suspects something far more sinister at work and sees this as the perfect case for Daniel to cut his teeth on.

SEVENTH2

Image Courtesy of Vertical Entertainment

Pretty simple plot but enough for a reasonably entertaining diversion. The problem is “The Seventh Day” keeps everything on a surface level – no depth to the characters, no depth to the story. It also doesn’t help that the two lead actors are so terribly mismatched on screen. Pearce at least looks comfortable and you can buy him in his role. Although watching him maneuver through the erratic dialogue is pretty funny and his ability to utter lines like “the epitome of darkness” with a straight face is a testament to his commitment. Derbez on the other hand goes through the entire movie with the same stunned, deer-in-the-headlights expression. It’s not entirely his fault, but at times he seems lost and unsure especially when next to Pearce.

Aside from an occasionally unnerving image from DP Nick Remy Matthews or a creepy chord from composer Gavin Brivik, “The Seventh Day” doesn’t do enough to get under our skin. Material like this should be unsettling and make us squirm. But it all comes across as pretty generic despite having an enticing general premise and at least one capable lead. And as for Pearce, this probably won’t be included in his end-of-career highlight reel. “The Seventh Day” is now available to stream on VOD.

VERDICT – 2 STARS

2-stars

First Glance: “Georgetown”

Christoph Waltz makes his feature directorial debut in the acidic crime drama “Georgetown”. The film actually had its world premiere way back in 2019 at the Tribeca Film Festival and is just now set for its release here in the States. It’s based on Franklin Foer’s 2012 New York Times Magazine story “The Worst Marriage in Georgetown”. Waltz not only directs but also stars alongside Vanessa Redgrave, Annette Benning, and Corey Hawkins.  

Waltz plays Ulrich Mott, a man starving for social status who marries a wealthy 90-year-old socialite (Redgrave). When she suddenly winds up dead, attention turns to Mott. Soon a web of previously unnoticed lies and deception reveal that Mott may not be the man he claims to be. This looks like a nasty and toxic crime drama which (if handled well) could be utterly fascinating. It could also go the other way fast. I’ll remain optimistic. I really like the cast and I love the potential bite that this movie could pack.

“Georgetown” is set to release May 14th in select theaters and May 18th on VOD. Check out the trailer below and let me know if you’ll be seeing it or taking a pass.