The indomitable and irresistible June Squibb once again shines in “Eleanor the Great”, the directorial debut for Scarlett Johansson. Written by Tory Kamen, this unusual little drama sees the 95-year-old Squibb once against putting her playfulness and charm on full display, Yet while she certainly gets in a few good zingers, the movie is more … Continue reading
REVIEW: “Tin Soldier” (2025)
Scott Eastwood stars, Jamie Foxx baffles, and Robert De Niro cashes a check in “Tin Soldier”, one of the most confounding features to reach a screen this year. While it’s technically an action thriller, finding a fitting category for it is a challenge. That’s because this confection is all over the map, attempting to be … Continue reading
REVIEW: “The Lost Bus” (2025)
It’s hard to believe, but 45 years ago this month my father and three other men suffered serious injuries while fighting a dangerous forest fire. I was really young at the time yet I still remember my upset mother dropping me off with my grandparents before heading to the hospital to meet the ambulances. For … Continue reading
REVIEW: “The Strangers – Chapter 2” (2025)
When the new trilogy from The Strangers film series was announced I was hopeful yet cautious. The three movies were set to be a prequel to the 2008 original film. That movie (written and directed by Bryan Bertino) was a straightforward and genuinely unsettling blending of psychological and home invasion horror. Unfortunately it’s follow-up, 2018’s … Continue reading
REVIEW: “One Battle After Another” (2025)
It feels as if Paul Thomas Anderson’s “One Battle After Another” runs the risk of facing two different knee-jerk responses, each driven by contrasting views of current events. The angry and cynical-minded folks, who look for politics in everything they watch, might see the film as an dire reflection of a dubious America and an … Continue reading
REVIEW: “Highest 2 Lowest” (2025)
Spike Lee‘s latest joint sees him reteaming with one of the greatest actors of our time, Denzel Washington. “Highest 2 Lowest” is the pair’s fifth big screen collaboration and their first since 2006’s “Inside Man”. With their long overdue reunion it’s pretty clear they haven’t missed a beat. Lee’s direction is imbued with what feels … Continue reading