Vincent D’Onofrio’s “The Kid” is a fresh venture across some well-traveled cinematic territory. Over the years we’ve seen the legend of Billy the Kid explored through numerous movies and television shows. D’Onofrio doesn’t so much retell William H. Bonney’s story as he does intersect with it. “The Kid” puts its main focus on a young … Continue reading
First Glance: “The Current War”
The upcoming historical drama “The Current War” was one of several projects sidetracked due to the despicable Harvey Weinstein scandal. Originally slated for a December 2017 release, rights to distribute the film were finally worked out and now it looks to be hitting theaters soon. Led by an impressive ensemble, the film follows the electricity … Continue reading
REVIEW: “X-Men: Dark Phoenix”
The X-Men movie franchise under the guidance of 20th Century Fox has been one wild roller-coaster ride. A pretty profitable one but in terms of quality the movies have been all over the map. Twelve films over the span of 18 years (and with one more set for 2020). Their first film, 2000’s “X-Men”, was … Continue reading
REVIEW: “Godzilla: King of the Monsters”
In 2014 director Gareth Edwards brought Godzilla back to the big screen. His monster reboot was the 30th film in the near 70-year-old Godzilla franchise and the first film in Warner Brothers’ interconnected MonsterVerse. I loved the movie and its slow-burning, old-school, creature-feature vibe. Relatively new director Michael Dougherty (“Krampus”) takes the reins of the … Continue reading
First Glance: “The Art of Self-Defense”
I’m a sucker for weird, off-beat comedies and Riley Stearns certainly seems to have one for us with “The Art of Self-Defense”. Stearns writes and directs this darkly funny movie about a mild-mannered accountant who seeks to learn self-defense after being attacked by a bully motorcycle gang. It’s a pretty basic idea on the surface … Continue reading
REVIEW: “The Sisters Brothers”
A western starring Joaquin Phoenix, John C. Reilly, Jake Gyllenhaal, and Riz Ahmed is an automatic attention-getter. It’s impossible to look at that particular cast and expect a traditional genre piece. “The Sisters Brothers” certainly doesn’t shy away from its western roots. At the same time it can hardly be called conventional. Phoenix and Reilly … Continue reading