Tag Archives: James McAvoy

REVIEW: “X-Men: Dark Phoenix”

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The X-Men movie franchise under the guidance of 20th Century Fox has been one wild roller-coaster ride. A pretty profitable one but in terms of quality the movies have been all over the map. Twelve films over the span of 18 years (and with one more set for 2020). Their first film, 2000’s “X-Men”, was a groundbreaking movie that could be credited with jump-starting the now lucrative superhero genre. Since then there have been several satisfying hits and just as many terrible misses.

Fox has handed over the reins to Disney but not before dropping one more X-Men focused movie. “Dark Phoenix” isn’t the first time the franchise has told a version of Chris Claremont’s hugely popular comic series “The Dark Phoenix Saga”. It was first put to film in 2006’s horribly frustrating “X-Men: The Last Stand”. This time they do justice to the story, not without a few kinks, but still in a way I found entertaining and satisfying.

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Even before the first trailer dropped, there was no shortage of dismissive opinions about “Dark Phoenix”. So it was no big surprise when it released alongside at least some deeply critical reviews. But the sheer volume of negativity has been surprising and certain to leave people expecting the worst. Thankfully my experience was considerably better than what I had prepped for.

“Dark Phoenix” gets off on the right foot by quickly defining itself as tighter and more intimate than its bombastic predecessor, 2016’s “X-Men: Apocalypse”. Writer-director Simon Kinberg takes the essence of the original Dark Phoenix story and develops a true planetary threat. But his strongest focus is on how it impacts the X-Men. The revelation of past choices, reckoning with the dire consequences, and the fractured relationships that follow is what this final franchise chapter is most interested in.

Set in 1992, the film begins with the X-Men and humanity living in unprecedented harmony. Professor Charles Xavier (James McAvoy) has tirelessly worked to solidify the relationship between mankind and mutant. As a result the X-Men have become cultural pop stars but at the cost of continually putting their lives on the line.

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After a space shuttle is disabled by a massive solar flare, the president calls Xavier who sends his ill-equipped X-Men into space to rescue the crew against the judgement of team leader Raven (Jennifer Lawrence). During the rescue attempt Jean Grey (Sophie Turner) absorbs a massive burst of cosmic energy that heightens her powers, stirs her emotions, and rouses painful memories Xavier has long hidden from her. It proves to be more than Jean can control and her uncontrollable actions not only split the X-Men but also the peace between humans and mutants.

Many other characters return from the previous films, none better than Michael Fassbender as Magneto. He remains the franchise’s best character not named Wolverine. Here the ever-compelling battle between Xavier’s idealism versus Erik/Magneto’s realism is less pronounced but the story provides a good reason for it. Still, the charismatic Fassbender has several great stand-out moments. Nicholas Hoult (Beast), Tye Sheridan (Cyclops), Kodi Smit-McPhee (Nightcrawler) also return.

Not only is the scale of the story dialed back but so is the action. There are several action sequences but they are much more grounded, aiming for a semblance of reality (as much as you can in a movie like this). The one big exception is a spectacular train sequence during the final act. It hits several familiar cues but overall I found it to be electric.

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But Kinberg doesn’t get everything right. There are a couple of story angles that desperately needed more buildup and better treatment. Take humanity’s sudden and complete turn against the mutants after a run-in with Jean. There is practically no discussion, no debate, no measured response. All of the good will is gone in a snap and it all happens off camera.

And then you have a group of alien shape-shifters who come to Earth seeking the cosmic power Jean now possesses. Die-hard comic fans while recognize them as the D’Bari, but the movie does a terrible job defining them or making them the slightest bit compelling. Jessica Chastain plays their leader but it’s hard to give much thought to her character or her motivations. They mostly end up fodder for the X-Men throughout the second half.

Here is where I ultimately land. “Dark Phoenix” is not what I would call a great movie. It’s story and some of its characters could use more attention and with a running time under two hours there was space to do so. But it’s far from ‘bad’ and it deserves much better than an ugly 23% on Rotten Tomatoes. Could it be a reflection of a pretty healthy MCU bias? Could it be that some people wrote this film off and formed opinions before it ever hit the big screen? I can’t say that with any certainly, but I’m glad my experience was as entertaining as it was.

VERDICT – 3.5 STARS

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REVIEW: “Split”

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It’s probably a bit of an understatement to call M. Night Shyamalan’s career one big roller coaster ride. I’m actually far more fascinating by the mass reactions from moviegoers who treat him like a true auteur who has fallen from cinematic grace. I think that’s giving Shyamalan a tad too much credit. “The Sixth Sense” is really good. “Unbreakable” is superb. I’m a big fan of “Signs”. These are three solid movies with a certain cultural standing, but they are hardly great enough to make his subsequent decline so fiercely noteworthy.

Still there is no denying that the quality of Shyamalan’s movies fell like a ton of bricks. And I will freely admit that getting the taste of “Lady in the Water”, “The Last Airbender” and “After Earth” out of your mouth is next to impossible. For many people hope returned with 2015’s “The Visit”, a movie I had a lot of fun with. But for those unwilling to entertain the idea that Shyamalan’s career was back on the upswing, let’s just say “Split”  just might change your mind.

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For the most part the trailer sets up the entire premise. Three teenaged girls are kidnapped while leaving a birthday party. There abductor is Kevin Crumb (James McAvoy), a man suffering from Dissociative Identity Disorder. We learn through his sessions with his psychologist Dr. Karen Fletcher (played by Betty Buckley) that Kevin possesses 23 unique personalities. Collectively they refer to themselves as The Horde.

While held captive the three girls encounter several of Kevin’s identities including the creepy  “Dennis” and the creepier “Patricia”. But they also meet gentler personalities from within Kevin’s mind, a sign of the intense internal conflict going on inside of him. McAvoy dives into his role head-first and shows off how crafty he can be when let off his leash. He is one of the film’s biggest strengths and it’s mind-boggling watching him bring out personality in each of the identities. It may be through accents, mannerisms, or even the slightest facial expression. Incredibly he makes each of them easily recognizable without any blatantly obvious markers.

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Of the three girls, Casey proves to be the more resilient. She’s cool-headed and observant – qualities learned from her deeply troubled past which Shyamalan feeds to us through a smattering of flashbacks. Casey is wonderfully played by Anya Taylor-Joy who gave an equally strong performance in last year’s “The Witch”. Performance-wise her fellow captives don’t fair as well. In their defense Shyamalan hands them some of the movie’s worst dialogue before leaving them locked up and in their underwear for the entire second half of the movie. Aren’t we tired of that yet?

Shyamalan leans heavily on scenes between Dr. Fletcher and one of Kevin’s more amiable personalities “Barry”. There is a psychological cat-and-mouse element to their sessions which is compelling. Shyamalan may lean on them a tad too much, but that’s not to say the scenes are without meaning. Also they allow for some of McAvoy’s best work. Through these scenes (and for that matter the entire film) Shyamalan maintains his sharp instincts for suspense and his skills with the camera are as good as ever.

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Then you have the finale. You’ll find no spoilers here and do yourself a favor – avoid them at all costs. Shyamalan has an impressive knack for causing you to immediately reevaluate his film after seeing its ending. It has never been more true than with “Split”. Shyamalan twists are a signature of his movies but prior to “The Visit” you could say he had become a parody of himself. “Split” proves he can still completely broadside any audience.

Shyamalan once again shows he is still a filmmaker worth paying attention to. “Split” is a movie with a few problems, some of which were easily avoidable. At the same time James McAvoy gives a stand-out performance and Anya Taylor-Joy continues to show she is the real deal. But most importantly Shyamalan sticks his ending with an insanely clever twist I never saw coming and that immediately compelled me to see the film again. Rarely has a conclusion surprised or impressed me quite like this. See it for yourself.

VERDICT – 4 STARS

REVIEW: “X-MEN: Days of Future Past”

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The X-Men franchise (and I’m including the Wolverine films) has been filled with great movies and great disappointments. It was only two years ago that we saw a reboot of sorts and a new direction for these cinematic superhumans. Now they are back in a film that at first sounded risky and potentially disastrous. Instead of continuing with a storyline strictly focused on these rebooted characters, “X-Men: Days of Future Past” mixes them with the characters (and the performers who played them) from the past series. So my first question was is this “X-Men 4″ or X-Men: First Class 2”?

This huge mash up could have went terribly bad. I’m so happy to say that the opposite is true. In fact, after a somewhat disorienting start, the movie turns into what is easily one of the best movies of the entire franchise. Bryan Singer, the architect of the original X-Men films returns to direct this ambitious and large-scale blockbuster which gets its title from the classic comic book storyline from Chris Claremont and John Byrne.

 

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The future world is a dark place especially for mutantkind. Giant robot mutant hunters known as Sentinels have chased mutants to the edge of extinction. The X-Men of the future (played by the original cast members from the first films) have traced the origins of the Sentinels back to 1973 and a man named Bolivar Trask (Peter Dinklage). Led by Professor Xavier (Patrick Stewart) and Magneto (Ian McKellen), they devise a plan to send the never-aging Wolverine (Hugh Jackman) back in time to influence the situations that lead to the Sentinels’ creation. You with me so far?

When arriving in 1973, Wolverine is tasked with enlisting the help of the younger Xavier (James McAvoy) and Magneto (Michael Fassbender). The problem is a lot has changed since the final credits scrolled in “X-Men: First Class”. It’s this landscape, filled with political tensions, shattered relationships, and fragile psyches, that Wolverine must navigate if there is any hope of averting their future extinction. Obviously several major threats are at work both in the past and in the future. The movie hops back-and-forth throughout but the main focus of the film is Wolverine’s mission in 1973.

The movie literally plunges into its bleak future setting with practically no buildup whatsoever. We do get some exposition that sets the table, but it took me a few moments to get my feet planted and, aside from the familiar faces, it took some time to connect this movie to any of the earlier films. But once the story begins to take form it is an exhilarating and captivating experience. In fact, the story is the movie’s greatest strength. “X-Men: DOFP” features one of the smartest and most layered stories that you’ll find in a superhero picture. Even more, the story never becomes convoluted or confusing. I loved how everything unfolded and numerous connections to other X-Men films are sprinkled everywhere.

Another thing I appreciated is how everything had importance and carried weight. Every decision had to be made with careful thought given to their consequences. Convictions had to be questioned and actions had to be scrutinized. There are very few wasted scenes in this movie (there are a couple – for example the Wolverine butt shot? Seriously Bryan Singer?). I also think the way they joined the old with the new was smart, effective, and It avoided all of the traps that it easily could have steppedl in. Narratively this was a huge treat right up to its very satisfying payoff.

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As for the performances, can we just go ahead say without question that Hugh Jackman IS Wolverine? Once again he is very good, but he was not his normal action-fueled centerpiece and I’m fine with that. The real highlights for me were Fassbender and McAvoy. Fassbender is one of our best working actors today and his Magneto is menacing and unpredictable. He’s a man of conviction and unharnessed anger and Fassbender paints him perfectly. But the best performance may be from McAvoy. He’s tasked with conveying a huge range of emotions and I never questioned the authenticity of what he was doing. It truly is brilliant work that sets itself apart in a profound way.

I can’t believe I’m saying this again, but here we have yet another really strong 2014 blockbuster. On an almost unprecedented level, this year’s big budget movies have really taken steps up (minus a couple of disappointments). “X-Men: DOFP” is really good. It’s start is a bit jarring, the future Sentinels look pretty generic, and I could list a few other nitpicks. But in terms of story, storytelling, and sheer entertainment, the movie scores where it counts. Now the big question is where does it go from here? Have we seen the last of the “First Class” X-Men? Will the old timers take back the reins? I don’t know but after seeing this movie I am really intrigued.

VERDICT – 4 STARS