REVIEW: “The Adjustment Bureau” (2011)

I think it would be fair to say that “The Adjustment Bureau” was a fairly big disappointment for me. The trailers and TV spots for the movie really sold it as something it’s not so I found myself expecting a little more than I actually got. I also felt the movie was going for an almost Hitchcockian feel. I mean look at the above movie poster that was released for it. Even it looks fresh out of Alfred Hitchcock’s creative mind. Unfortunately nothing in the film feels as creative as the poster and ultimately it’s a letdown.

In “The Adjustment Bureau” Matt Damon plays David Norris, a young hotshot Democratic candidate for the U.S. Senate, who loses his bid for office due to his questionable maturity and impulsive behavior. While rehearsing his concession speech he bumps into and immediately is attracted to the mysterious but beautiful Elise (Emily Blunt). The problem is they aren’t meant to be together, at least according to “the plan”. Enter The Adjustment Bureau, a group of stiff, ominous men in hats who intervene to make sure this sprouting relationship never takes place and that “The Chairman’s” plan stays on course.

“The Adjustment Bureau” could be called a romantic sci-fi thriller. Sadly the film’s romance has no believable foundation. While Damon and Blunt have good on-screen chemistry, it was hard for me to believe in their romance. Director George Nolfi never allows the relationship to grow, instead choosing to springboard their undying love out of a few short hours together. I also felt the sci-fi element was pretty underwhelming.  There’s nothing that stands out about it. Instead we get doors that transport you from one part of the city to another (which is cool the first 10 times they are used) and magical hats that serve as keys (yes, I just actually said magical hats that serve as keys). The film also lacks any real sense of urgency that’s found in better thrillers. I never felt any intensity nor did I ever feel that there was a steady or consistent buildup.

Most of these problems are the results of a slow, lumbering script. The film spends too much time in the first act examining David’s political ambitions instead of developing the romance which is the supposed centerpiece of the entire picture. Then we get numerous scenes of tedious dialogue between David and Bureau members, meant to inform the audience but instead ends up deflating any momentum the film may gain. As more is revealed the sillier things get and by the time we get to the rather flat and uneventful ending, I wasn’t that interested.

As I mentioned, Damon and Blunt have good chemistry and both give earnest performances and could have pulled this film off with better material. I enjoyed seeing Anthony Mackie in a bigger role but he seems out-of-place in this picture. “Mad Men’s” John Slattery and  the great Terence Stamp also appear but neither are given the chance to do much that’s memorable, again a result of the sub-par material.

If you watched the trailer for “The Adjustment Bureau” you would be expecting an action-packed, intellectual thriller. Instead you get nothing close to that. This is supposed to be a film that promotes thoughts of free will versus fate but honestly, I was never engaged enough to be moved intellectually. The film is well made, uses some great Brooklyn locations, and has some nice performances especially from it’s two leads. But the inconsistent script, lackluster ending, and flat-out silliness brings down what could have been a fun movie.

VERDICT – 2 STARS

“SALMON FISHING IN THE YEMEN” – 4 STARS

It may have the strangest title of any movie you will see in theaters this year. “Salmon Fishing in the Yemen” is a British romantic comedy that doesn’t shy away from the absurdity of its title. It’s a story about faith and believing you can accomplish something regardless of how preposterous it may sound. But this isn’t another run-of-the-mill, paper-thin rom-com that we seem to get bombarded with each year. Instead, “Salmon Fishing in the Yemen” has charm, a lot of heart, and some really good laughs.

“Salmon” is based on a novel by British author Paul Torday. It centers around the idea of a wealthy Sheikh Muhammed (Amr Waked) to bring salmon fishing to his homeland of Yemen. He’s a visionary who sees the project as something that would bring his people happiness while a small opposition group of hardliners see it as an attempt to westernize their country. Nonetheless he sends his representative Harriet (Emily Blunt) to meet with Britain’s foremost expert on fisheries, Fred Jones (Ewen McGregor) to test the feasibility of the project. From the start, Fred writes it off as a ludicrous idea noting everything from Yemen’s lack of water to its temperature as reasons why it won’t work. Harriet, on the other hand, is armed with answers and provides several reasons why it could work.

Still Fred wants nothing to do with the project but is soon forced to by Bridget Maxwell (Kristin Scott Thomas), the British Prime Minister’s cold-hearted press secretary. She’s taking some heat over how the country is being perceived by middle eastern countries particularly due to their military presence in Afghanistan. She sees helping the salmon fishing in Yemen project as a way to manipulate headlines and make the country look good. Maxwell is a mean and abrasive character but she also provides several of the film’s bigger laughs. While she is funny, there were times where the script overplays her baseness. Fred goes to Yemen to oversee the project and is soon won over by the Sheik’s vision and passion. He also discovers a growing attracted to Harriet which complicates both of their lives even further.

For me a romantic comedy will never work without good characters. “Salmon” has good characters. Fred is basically a fishing nerd. He’s a by-the-books fellow who feels uncomfortable if he’s even close to being outside his comfort zone. His marriage to Mary (Rachael Stirling) is on it’s last leg and he has no sense of direction for his life. He’s also not your typical rom-com male lead. He’s not suave, powerful, or your standard movie beau hunk. He’s just a guy and he’s easy to sympathize with and maybe even relate to in some ways. McGregor is perfectly cast and he has no problem capturing the qualities of Fred. Even Harriet isn’t your typical character. While she is beautiful, she’s also intelligent and witty yet equally unsure of her future. She recently became involved with a soldier but their relationship is put on hold when he is deployed to Afghanistan. Both main characters feel real. They’re not over-the-top or unrelatable nor are they cardboard cutouts. I liked them both.

“Salmon” does a lot of things right. The performances are really strong throughout and the chemistry between McGregor and Blunt doesn’t have to be manipulated. The movie also doesn’t force the relationship on the main characters. I don’t want to ruin anything but lets just say you’ll know what I mean after you’ve seen the film. I also really liked the sequences that take place in Yemen. They were actually filmed in Morocco and offer their own unique beauty. Also, I found the story of faith to be very effective. The sheik is a man of faith but Fred is not. As the story progresses we see that start to change. The salmon project becomes a time of reflection and self-discovery for Fred and in some ways also for Harriet. There’s one particular scene where Fred is walking with a heavy crowd of people. The overhead shot shows him stopping, turning around, then going back against the steady flow of pedestrians. It perfectly represents the change of direction in his life, the going against the grain if you will. As a whole, the story is well done and as mentioned it features some truly funny moments. Perhaps the only issue with the story is that I did feel some of the plot directions seemed too clean-cut. A few things happen along the way that just felt a little too convenient. But that’s not a big gripe.

I love a good romantic comedy or drama but they seem so rare these days. The genre has been watered down with films that follow the same broken formulas. But “Salmon” is unique in that it actually has funny moments, it is intelligent, and it’s two main characters are easy to care about and believe in. Again, some things in the story are a little too on the nose, but they’re easy to overlook when you have so much else to like. The film looks good and the performances are superb, especially from Blunt. It’s just a solid romantic comedy and so many of the other films in this genre should take notes.

“THE MUPPETS” – 3 1/2 STARS

The Muppets have been missing in action for years now making them complete unknowns to a new generation of children. Now they are back in a feature film simply titled “The Muppets” and in many ways, it’s a fun and nostalgic step back in time. It’s based off “The Muppet Show”, a parody-driven variety program which ran from 1976 to 1981 and branched out into several full length movies. The whole cast is back and the result is a family-friendly experience that will bring back some fond memories for parents while introducing these wonderful characters to a new younger audience. And while the movie certainly retains that Muppet magic in places, it’s not without it’s problems.

Jason Segal wrote and stars as Gary, a human and brother to Walter who is a puppet. The two are incredibly close and as adults still live together. Throughout the years, Walter has become a huge Muppets fan. He watches all of their old shows, has a Kermit watch, and has a bedroom wall plastered with Muppet posters and stickers. Gary and his girlfriend Mary (Amy Adams) plan a romantic vacation to Los Angeles to celebrate their 10th anniversary. Walter ends up coming along and gets an opportunity to visit the old Muppet Theater. There he overhears the plot of an evil oil tycoon, appropriately named Tex Richman (Chris Cooper), to tear down the theater and drill for oil in it’s place. Walter makes it his mission to save the theater by convincing the Muppets, who have long since parted ways, to get back together for one last show to save the theater.

Both Gary and Mary are simple and sometimes cheesy characters and for the most part that’s ok. Segal and Adams make them both likeable even though their cluelessness is sometimes overplayed. Chris Cooper is a lot of fun as the stereotypical cold-hearted businessman and he hams it up without short-changing the character. But the Muppets are the real stars and while there are a few different voices, they all pretty much have the same personalities I remember from the show. They’re all here and I was surprised to see how much I remembered about them. Being this is a fairly concentrated movie, I was disappointed that some didn’t get as much screen time as I wanted but there’s not a lot you can do about that.

The story, while straightforward and predictable, does offer some pretty good laughs. There are several musical numbers throughout the film some of which are quite fun. Cooper’s bad guy rap is hilarious and works so well due to it’s absolute absurdity while others fall pretty flat and add little to the movie. But often times jokes are made at the song’s expense and they’re actually quite funny. “The Muppets” features several scenes that are like nostalgic flashbacks but it also has a few dull moments. The story drags in places and doesn’t maintain a steady pace. These lulls certainly don’t kill the picture but keep it from being as good as it could have been.

“The Muppets” may not be a great movie but it did leave me feeling like I had stepped back in time. I really enjoyed seeing these characters that I loved as a child back together again and there were several instances where I gave a hearty laugh at the genuinely funny jokes. There are also some fun cameo appearances by James Carville, Emily Blunt, Mickey Rooney, Selina Gomez and several more. While the movie hits a few speed bumps along the way, overall I did have fun and I guess that’s all that counts.