REVIEW: “The Sundowners”

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What is a sundowner you may ask? In this film from 1960 one character defines a sundowner as “someone whose home is where the sun goes down.” It was an Australian term used for roamers who traveled across the countryside taking one job at a time. They would pitch their tent wherever they were at the end of the day and that was their home for the night. Richard Zinnemann’s film follows a family of sundowners who move from place to place taking sheep herding jobs. The film bombed in the United States but did well overseas and would go on to earn five Oscar nominations including one for Best Film.

Robert Mitchum plays Paddy Carmody, a nomad at heart who has no desire to settle down in 1920s Australia. He is perfectly content with being constantly on the move and working small jobs here and there. But over time Paddy’s insatiable wanderlust begins to clash with the desires of his wife Ida (Deborah Kerr) and his teenaged son Sean (Michael Anderson). They believe the time is come to consider settling down. They’ve grown tired of constantly being on the go and Sean is at an age where he wants to experience life and set out on his own path. Paddy’s stubbornness and his family’s patience provide the film its central contention.

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Some critics pointed out that there isn’t a lot of plot in “The Sundowners”. That’s essentially true although the film’s intent is to be a sprawling tale of the family’s lives, love, and rugged endurance. We follow them along the Australian backcountry as they drive a large herd of sheep, contend with a sweeping wildfire, and live off what the land provides. This allows for some truly beautiful, sweeping scenes that vividly capture the Australian countryside. The film was originally set to be shot in Arizona, but Zinnemann petitioned hard to spend the extra money and shoot it on location. It was a good decision. The landscapes are anaccurate setting and the story feels perfectly in place. And some scenes, like the aforementioned wildfire are shot with such tenacity and skill. Simply put, the movie looks great.

The family encounters several interesting people along the way. They hire and befriend an Englishman and fellow roamer named Rupert. Peter Ustinov would receive an Oscar nomination for the role. There are also several other interesting faces that pop up when Ida convinces Paddy to take on a stint at a sheep shearing station. She hopes the time in one place will soften him to the idea of settling down here. It’s at this remote station that their family dynamic takes some dramatic turns which sets up the rest of the film.

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As for the performances, Mitchum is rock-solid as always. His Paddy is a tough, salt-of-the-earth fellow, but one whose stubbornness threatens to alienate the family the holds most dear. Mitchum fits right into the character although his Aussie accent is a bit erratic. Kerr is as brilliant as always. Her Isa puts off tough and rugged pioneer vibes but also maintains a distinct femininity. Kerr would earn one of the six Oscar nominations of her career for this role. Amazingly she never won an acting Oscar but the Academy did give her the honorary “Whoops, We Screwed Up” award in 1994. The supporting work was uniformly strong and it too gained critical praise.

“The Sundowners” does run a tad too long and there is an occasional lull or two. The absence of a more defined plot may be an issue for some as well. But the movie does a great job of selling its characters and drawing us to them. I really liked the family and I wanted to see how their story plays out. I also appreciated how grounded the story feels. The film never embraces the sentimentality that many family dramas are consumed by. It just wants us to get to know these people and to experience the life they live. Personally that was enough for me.

VERDICT – 4 STARS

REVIEW: “Edge of Tomorrow”

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Some folks immediately dismissed “Edge of Darkness” once they heard the name Tom Cruise and science-fiction joined together again. Not me. This was one of my most anticipated films of 2014. Unlike many I enjoyed Cruise’s last sci-fi project “Oblivion” although it was a movie with noticeable flaws. Now he’s back playing in a science fiction sandbox filled with a strong script, cool special effects, and a time loop angle that makes this film feel undeniably unique despite it dabbling in familiar territory.

“Edge of Darkness” is based on a Japanese graphic novel entitled “All You Need Is Kill”. At first glance it may come across as a typical, run-of-the-mill alien invasion picture. Times are bad on planet earth and the human race is close to extinction. Our last hope lies in a big beach invasion on the European coast akin to D-Day. But while many aspects of that will sound very familiar, the movie throws us a clever curveball which is not only fresh but very entertaining.

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Cruise takes on a very different role than we are used to seeing him in. He plays Major William Cage. That may sound like a macho military tough guy name but actually he’s a public relations specialist who works to encourage people into service while avoiding it himself. There’s no heroic and attractive golden boy aura. He’s actually an unlikable and cowardly man who soon finds himself tossed onto the frontlines of the big invasion. The battle doesn’t go well and the untrained and combat-ineffective Cage is killed in action. But instantly after death he wakes up at a past point before the invasion took place. Over and over this takes place and Cage must adapt while repeatedly reliving the doomed invasion.

We are also introduced to a character named Rita Vrataski (Emily Blunt). She’s a Special Forces Sergeant who has an almost legendary status following her inspirational fighting in an earlier battle against the aliens. She crosses paths with Cage on the battlefield but their connection may go beyond that. Vrataski is a really cool component and not only does she add a lot to the story, but she gives us a strong and capable female lead. I was immediately drawn to her toughness and resolve.

If you’ve read other reviews you’ve probably heard this film compared to the Harold Ramis comedy “Groundhog Day”. That’s an undeniable comparison. Someone else said it best – “Edge of Tomorrow” is an entertaining mix of “Groundhog Day” and “Starship Troopers”. The trippy time loop element works really well within the sci-fi environment and its definitely more than just a gimmick. Director Doug Liman uses it as a focal point and it could have easily went bad. Instead it’s a ton fun and not only does it make for a great plot device, but it also opens the door for some of the movies genuinely funny moments.

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Tom Cruise does a nice job going against type and reminding us that he is still a quality actor when given good material. I quite liked him here and he showed that he is still an actor with noticeable range. Emily Blunt once again shows that she is an actress who can play almost any role that she takes on. She never flinches in response to the physical demands of her character and you never doubt her authenticity. We also get Bill Paxton having fun playing with Master Sergeant stereotypes and we get Brendan Gleeson who is always good regardless of what he is in.

So far 2014 has been the year of the really good blockbuster. That is rarely the case but we’ve had several this year that have really won me over. Add “Edge of Tomorrow” to that list. Now it would be very easy to nitpick this movie to death and to point to a few plot points that don’t exactly make sense. But I think the movie works extremely well as a complete package. There’s some good science fiction, strategic funny moments, exhilarating action, and a smart and sharp story that never grows dull. I was thoroughly entertained by “Edge of Tomorrow” and that was exactly what I was hoping for.

VERDICT – 4.5 STARS

Know Your Movies – One Image, Three Hints

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It can’t only be reviews, Phenomenal 5 lists, and commentaries, right? Know Your Movies is all about having fun. Here’s how it works: I’ll share a single shot from a movie. It can be extremely serious or completely absurd. After that I’ll provide you with three hints. The rest is up to you. Hop in the comments section and share your guess as well as any thoughts or memories you have on the movie, actor/actress, or the scene itself. It should be a blast.

Today’s image is from a film that is another of my favorites of all time. So here is the shot. Three hints will follow.

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Hint 1: Released in 2007

Hint 2: Most of the film was shot in Las Vegas, New Mexico

Hint 3: Nominated for 8 Oscars winning 4

Now head to the comments and share your guess. It’s a great shot that should make it obvious for some. I would also love to hear your thoughts on the film, the scene, or anything else related to it. Now feel free to guess and discuss this modern movie classic.

REVIEW: “Short Term 12”

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“Short Term 12” opens up with a great scene featuring a supervisor from a group home for troubled teens telling a story involving a past patient to a new employee. We are dropped into this conversation as an observer and we get a brief introduction to the main characters. But without a moment’s notice the scene changes dramatically. A young boy bursts through the door and takes off towards the front gate. He’s screaming, waving his hands, and clearing he is deeply upset. The workers subdue him and the emotionally complex setting of “Short Term 12” is realized.

The movie is written and directed by Destin Daniel Cretton who was inspired by his real-life experiences of working in a group home for teens. He first made this into a 2009 short film, but later developed it into a feature length picture. This was only Cretton’s second feature length movie which makes his accomplishment all the more impressive. You see, “Short Term 12” is a really good movie and much of its strength and potency can by traced back to Cretton’s pen and his raw use of the camera which perfectly captures the tone and intensity of his setting.

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Brie Larson is unquestionably superb as the lead character Grace. She is a supervisor at the teen group home (called Short Term 12). She works alongside her boyfriend Mason (John Gallagher, Jr.) to both mentor and council a group of teens with an assortment of problems. Along the way we are introduced to them and watch as Grace interacts with them on both procedural and personal levels. Larson’s performance blew me away and there is such a natural quality to what she’s doing as an actress and within the character she is portraying. We also get some interesting scenes between Grace and Mason away from the home. At first these moments seem flimsy but they really payoff later on as the story develops.

Grace never lacks control and she is a compassionate professional when it comes to taking care of these kids. But she is especially invested in a new resident, a troubled young girl named Jayden (Kaitlyn Dever). This is where we see a different side and an interesting turn in Grace. There is a stunning and vivid dichotomy within her. She is a strong and determined woman, but she is also scarred and emotionally fragile. This adds an entirely new layer to the character and the film that I really responded to.

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At no point does “Short Term 12” feel fabricated or overly melodramatic. There is a stinging realism that permeates the entire picture. It constantly draws out raw emotion from its characters and the situations and circumstances are believable and often times troubling. There are a couple of characters than dance dangerously close to stereotypes and their stories take some fairly predictable turns. But overall the film sucks you in and exposes you to truths about these teens and the people gifted with the patience and will to help them.

I tip my hat to Destin Daniel Cretton for crafting a movie that doesn’t lose itself in the typical Hollywood contrivances and forced melodrama that we get these days. I also applaud Brie Larson who not only showed she can act, but she gives an incredible performance that is grounded and always feels true. There are waves of emotions that flow throughout the movie and the story keeps you thoroughly invested. “Short Term 12” is another great example of the strength of independent cinema and the impact these films can have on the movie-making landscape.

VERDICT – 4 STARS

5 Phenomenal Movie Sheriffs

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With so much disorderly conduct happening in movies sometimes you need a good sheriff to come in and settle things down. On the other hand, sometimes the sheriffs can be the cause of all of the unrest in the first place. Today’s Phenomenal 5 looks at a wide assortment of movie sheriffs. Whether in westerns or modern day, good movie sheriffs had added a lot to films over the years. Now with so many to consider I wouldn’t call this the definitive list. But there is no doubt in my mind that these five movie sheriffs are nothing short of phenomenal.

#5 – Sheriff Brackett (“Halloween”)

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Sheriff Brackett had a pretty easy gig. Haddonfield was a pretty quite little town in Illinois. With the exception of a horrible murder of a teenaged girl by her 6-year brother fifteen years ago, the town has been quite and peaceful. Boy does that change when Michael Myers (now 21) comes back to town. At first Sheriff Brackett thinks that Michael’s return is a hoax. Afterall it is Halloween. But one murder after another proves the validity of the terror and soon Brackett is in over his head. He scrambles from one crime scene to another trying to understand the gravity of the situation as well as how to control it. He’s a fun ingredient to this horror classic.

#4 – Little Bill Daggett (“Unforgiven”)

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Remember when I said that sometimes the sheriff could be part of the problem? That was definitely the case with Little Bill in Clint Eastwood’s Oscar winning western “Unforgiven”. Little Bill was a former gunfighter so he knows how to sling lead. He has a strict ‘no guns allowed’ policy in his town and if you break that policy you can expect the beatdown of your life. While this may seem like a case of good intentions gone bad, Little Bill later shows that he isn’t the true beacon of law and order that a town really needs. Gene Hackman won an Oscar for his portrayal of Little Bill and you would be hard pressed to find someone who will say he didn’t deserve it.

#3 – Sheriff Bart (“Blazing Saddles”)

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It’s another western but a much different one. The Mel Brooks comedy “Blazing Saddles” would never be made today, but thank goodness we can still look back on it and enjoy all of its great satire and head-on craziness. One of the best parts was Cleavon Little as Sheriff Bart. He was simply a pawn put in as the sheriff of a small town in order to push the buttons of the racist townsfolk. But Sheriff Bart is a lot smarter than some think. In fact, he’s almost always the most intelligent person in the scene. Little plays the role with the perfect measurement of sincerity and sarcasm and he fits perfectly into this great Mel Brooks concoction.

#2 – Sheriff Buford T. Justice (“Smokey and the Bandit”)

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There weren’t a lot of high expectations for “Smokey and the Bandit” when it was first conceived. Then the biggest box office draw at the time (Burt Reynolds) signed on and expectations changed. But I don’t think anyone expected that the supporting character Sheriff Buford T. Justice would drive in and steal the entire movie. The late great Jackie Gleason was given complete creative liberties to invent and add-lib which helped make the character insanely funny. Buford T. Justice was an imbecile, but he was also too arrogant to ever recognize it. That set the table for a number of hilarious encounters as he chases Bandit across a host of Southern states.

#1 – Sheriff Ed Tom Bell (“No Country for Old Men”)

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Tommy Lee Jones has had a number of great movie roles throughout his career. For me this is his best. It is almost like novelist Cormac McCarthy wrote this wonderful character with Jones in mind. The Coen brothers didn’t miss the opportunity to pass up this fine seasoned actor who plays one of my favorite sheriffs. Ed Tom is ready to retire especially in light of the changing landscape of law enforcement and the new waves of violent crime. He constantly ponders the shocking ways of the new violent world while coming face-to-face with it after seeing the aftermath of a drug deal gone wrong. In a movie featuring so many fascinating characters, Sheriff Bell may be the most fascinating. That’s why he tops this list.

So what do you think? These are my top movie sheriffs. Who did I leave off? Who would you include? Please take time to share your thoughts below.