REVIEW: “Moonfall” (2022)

(CLICK HERE to read my full review in the Arkansas Democrat-Gazette)

Roland Emmerich and the phrase “global cinematic destruction” go together like peanut butter and jelly. A quick gander at his Wikipedia page will give you a good idea of the 66-year-old German-born filmmaker’s penchant for blowing up our world. He’s done it with aliens (twice), a giant lizard, extreme weather, and whatever the heck was happening in his 2009 flick “2012”. In fairness, Emmerich has done more than just disaster movies, but they are what clearly whets his appetite.

New to theaters this weekend is “Moonfall”, Emmerich’s latest exercise in computer-generated decimation of our planet. As the film’s title makes glaringly clear, this time it isn’t extraterrestrial armies or the next Ice Age that’s threatening us. Nope, this time it’s our moon which has been knocked out of its orbit and is barreling towards earth. Absurd you say? Well rest assured, “Moonfall” is every bit as ridiculous as it sounds, and that’s part of what makes it such a surprisingly fun ride.

Sometimes movies hit you at just the right time. Such is the case with “Moonfall”. After over two months of cramming awards season features followed by a jam-packed week covering the Sundance Film Festival, I was ready for a light and breezy popcorn flick. “Moonfall” certainly fits the bill. It’s the kind of movie that you go into knowing exactly what you’re going to get. If you’re hoping for more, you’ll probably be disappointed.

Image Courtesy of Lionsgate

In 2011, astronauts and close friends Jocinda “Jo” Fowler (Halle Berry) and Brian Harper (Patrick Wilson) are on a routine satellite repair mission above Earth. While working on a relay and debating the lyrics of Toto’s 1982 pop hit “Africa”, they are suddenly walloped by a mysterious swarm-like force that destroys the satellite and kills the third member of their team. The mysterious entity (later defined as a “technological space anomaly”) heads to our moon and begins boring a hole in its surface.

Jump ahead ten years where Jo and Brian are no longer on speaking terms. A decade earlier he tried to tell the world that the incident was the result of an attack by something never seen before. She stuck with the “officially statement” from NASA, that it was the result of a solar flare. Jo was able to keep her job with the space program. Brian lost everything and now spends his days working on his old sports car and dodging eviction notices.

But then self-described megastructuralist and astronaut wannabe K. C. Houseman (John Bradley) makes an alarming discovery – the moon is out of its orbit and heading towards Earth. NASA won’t return his calls and Brian brushes him off. So he takes it to the media. In the meantime, Jo and her team make the same discovery. They send up a lunar recon mission which ends disastrously after it’s confronted by the same swarm-like entity Brian warned them about.

So for those keeping tabs, you have the moon hurtling towards Earth, an unidentified but clearly aggressive “technological space anomaly”, and roughly three weeks for our leaders to come up with a plan to save humanity. And as you can probably guess, it’ll all come down to our three unlikely heroes: a disgraced astronaut, the former friend/colleague who sold him out, and a conspiracy theorist who a week earlier was working the window at a burger joint. Normally that wouldn’t leave much cause for hope. But in the movies…

Image Courtesy of Lionsgate

Eventually the film boils down to the events unfolding on two fronts. You have what’s happening in space as Brian, Jo, and K.C. launch into orbit to meet the moon head-on. Then you have what’s happening on Earth where Brian’s estranged son, Sonny (Charlie Plummer) and several other underdeveloped side characters try to survive amid the tidal waves, crashing moon debris, and the occasional shotgun-toting rednecks. Both allow Emmerich ample opportunities to shower his audience with eye-popping spectacle.

“Moonfall” almost plays like two genre films wrapped in one. The cornier and less interesting stuff on Earth is your standard-issue disaster material – dazzling large-scale digital destruction and characters in constant peril. The much better space stuff is full-blown science fiction. It’s surprisingly dense and well conceived and is inspired by everything from the Dyson sphere theory to Larry Niven’s “Ringworld”. Better yet, it goes further down the rabbit hole than I was ever expecting (and that’s a compliment).

Of course all of it is undeniably preposterous and there is no shortage of unintentional laughs (My favorite may be our dimwitted government whose plan is to nuke the moon. You heard me right – they literally think nuking our moon is a viable option. Fifth grade science anyone?). But if I’m honest, that kind of nuttiness is half the fun with a movie like this. It may prove too much for some, but for me “Moonfall” hit at just the right time. And I would be lying if I didn’t admit to being entertained. “Moonfall” opens today exclusively in theaters.

VERDICT – 3.5 STARS

7 thoughts on “REVIEW: “Moonfall” (2022)

  1. Pingback: Where does Halle Berry’s Moonfall land on the Banana Meter? | Ripe Banana

  2. Honestly, Moonfall wasn’t bonkers enough. My problem with the movie is that it plays out EXACTLY like every other Roland Emmerich disaster movie. I swear he’s got a playbook that he goes by when he makes one of these. Aside from the method of destruction, there is nothing new to see here. There are some high-level concepts that we see brief glimpses of but aren’t fully used. It’s like Emmerich doesn’t know how to implement those ideas. Moonfall reminds me a lot of Marvel’s Eternals. The ideas are far more interesting than the film itself.

    • That’s interesting. I didn’t think the sci-fi stuff played anything like his past films. I thought it was absolutely bonkers (which I actually liked). The disaster stuff on Earth though…the usual stuff for sure.

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