REVIEW: “Pet Sematary: Bloodlines” (2023)

I’m not sure how, but the “Pet Sematary” franchise keeps rising from the dead (cheap and obvious pun intended). The latest installment is “Pet Sematary: Bloodlines”, a Paramount+ original movie directed and co-written by Lindsey Anderson Beer. Ever so loosely based on Stephen King’s 1983 novel, “Bloodlines” serves as a prequel to the underwhelming 2019 series reboot. But much like its predecessor, this mostly lifeless effort fails to justify its existence.

For those unfamiliar with the premise, deep in the forest near the small town of Ludlow, Maine there exists ancient tribal burial grounds with a very malevolent power. It can bring the dead and buried back to life although not in the same state as they were before death. With “Bloodlines” Beer and her co-writer Jeff Buhler step back in time to tell a story set in 1969 where members from the founding families of Ludlow have managed to keep the existence of the sinister burial grounds secret.

Image Courtesy of Paramount+

Fresh out of high school, Jud Crandall (Jackson White) and his girlfriend Norma (Natalie Alyn Lind) are ready to leave behind their hometown of Ludlow and head to Michigan where they plan to join the Peace Corps. Now astute Pet Sematary fans (assuming passionate Pet Sematary fans exist) will remember Fred Gwynne playing an older Jud in the original 1989 movie while John Lithgow played him in the remake three decades later. It’s a cool idea for a story but it never really goes beyond that.

Meanwhile a Ludlow local Bill Baterman (David Duchovny) gets the tragic news that his son Timmy (Jack Mulhern) has been killed fighting in Vietnam. In one of the movie’s many wild moves, Timmy’s body is transported back to Ludlow where his heartbroken father secretly buries him in the demonic patch of earth, somehow without the townsfolk knowing. Needless to say Timmy is resurrected but with a uncontrollable appetite for human blood. And just like that the curse of the not-so-sleepy New England town is once again unleashed.

Jud notices something different about his old friend Timmy since he “returned” from the war (that’s the story his father is telling). But as the truth is revealed through one violent and extremely gory attack after another, Jud and his classmate Manny (Forrest Goodluck) are forced to face off against a reanimated and seemingly possessed Timmy. Along the way they learn of the founding families and the curse they’ve tried to keep hidden for generations.

Image Courtesy of Paramount+

In addition to Duchovny, the film also stars Henry Thomas (“E.T.”) as Jud’s cryptic father Dan. And it features and subsequently wastes the great Pam Grier. All three would have made for more compelling protagonists than their younger counterparts yet all get back-burnered, especially Grier who barely gets any screen time. I don’t know, maybe it’s for the better. Even the more prominent characters ring hollow and fail to register dramatically or emotionally.

At this juncture in Pet Sematary history the similarities with King’s original work seem only surface level. Beer does muster a few unexpectedly gory moments which horror fans should enjoy. And the film deserves credit for at least attempting to do something new with the franchise’s mythology. But it’s hard to get onboard when everything else in “Bloodlines” feels so shallow and pointless. And despite its efforts, nothing in this latest entry adds the kind of new energy this franchise desperately needs. “Pet Sematary: Bloodlines” is now streaming on Paramount+.

VERDICT – 2 STARS

First Glance: “Madame Web”

Figuring out the categories of Marvel movies has become an arduous undertaking. Of course we all know about the burdensome Marvel Cinematic Universe and all of its feature films and streaming television shows. But there is also Sony’s Spider-Man Universe which has given us two “Venom” movies, “Morbius”, and next year’s “Kraven the Hunter” (connections exist to the MCU and the “Spider-Verse” movies but enough of that). Now the SSU is preparing us for “Madame Web” by releasing the first trailer of the Dakota Johnson led superhero flick.

Since being announced “Madame Web” has been a hard movie to figure out and the strangely interesting but silly trailer only adds to the confusion (or suspense, depending on how optimistic you are). S.J. Clarkson directs this odd looking story of Cassandra Webb (Johnson), a paramedic who suddenly gains the ability to see the immediate future. She plays mother hen to three other empowered young women (played by Sydney Sweeney, Celeste O’Conner, and Isabela Merced). Meanwhile Tahar Rahim plays the film’s villain and may be the most interesting thing out of the trailer. I don’t know about this one….

“Madame Web” hits theaters in early 2024. Check out the trailer below and let me know if you’ll be seeing it or taking a pass.

New on Home Video: “The Fugitive” on 4K Ultra HD Blu-ray and Digital

Next week Warner Brothers Home Video is releasing the classic 1993 action thriller “The Fugitive” in 4K resolution with High Dynamic Range for the very first time. Directed by Andrew Davis and anchored by two thrilling performances from Harrison Ford and Tommy Lee Jones, “The Fugitive” received widespread acclaim which culminated in 7 Academy Award nominations including a Best Supporting Actor win for Jones. This terrific new restoration is a great way to celebrate the film’s 30th anniversary.

This 4K Ultra HD edition of “The Fugitive” comes with a digital copy of the film and releases on November 21st. See below for a full synopsis and release information.

About the Film:

Year: 1993

Runtime: 130 Minutes

Director: Andrew Davis

Screenwriter: Jeb Stuart and David Twohy

Story By: David Twohy

Cast: Harrison Ford, Tommy Lee Jones, Sela Ward, Joe Pantoliano, Andreas Katsulas, Jeroen Krabbé, Daniel Roebuck, Tom Wood, Julianne Moore, Jane Lynch, L. Scott Caldwell, Ron Dean

Rating: PG-13 for a Murder and Other Action Sequences in an Adventure Setting

The Fugitive” stars Academy Award nominee Harrison Ford as Dr. Richard Kimble and Tommy Lee Jones as Deputy U.S. Marshall Sam Gerard. The film also stars Sela Ward, Joe Pantoliano, Andreas Katsulas, and Jeroen Krabbé. The film is based the television series “The Fugitive” which was created by Roy Huggins and ran from 1963 to 1967. The film was produced by Arnold Koppelson.

Special Features:

The Fugitive Ultra HD Blu-ray disc contains the following previously released special features:

  • Introduction by Andrew Davis and Harrison Ford
  • Commentary by Andrew Davis and Tommy Lee Jones
  • “The Fugitive: Thrill of the Chase”
  • “On the Run with the Fugitive”
  • “Derailed: Anatomy of a Train Wreck”
  • Theatrical Trailer

REVIEW: “May December” (2023)

I really didn’t know what to expect heading into “May December”, the new film from Todd Haynes that’s ever so loosely based on the headline-making Mary Kay Letourneau scandal. For those unfamiliar, in 1997 the 34-year-old Letourneau was arrested and convicted on two counts of felony second-degree child rape for having sexual relations with her 12-year-old student, Vili Fualaau. While serving her seven and a half year sentence, Letourneau gave birth to two daughters with Fualaau. Once released she and Fualaau married.

So what would a filmmaker like Haynes do with such a lurid and queasy story of sexual abuse? Did he need to choose this very specific material, which will undoubtedly hit painfully close to home for many, just so he can examine ideas such as identity, perception, and mass media culture? It’s a question I feel unfit to answer. But let me say there’s more to his movie than any surface-level reading might reveal. And it’s the genius inclusion of one crucial character (played by a sublime Natalie Portman) that allows Haynes the opportunity to examine and critique his film’s troubling central relationship among a handful other things.

In screenwriter Samy Burch’s story the offense is the same but a few details have changed. Gracie (Julianne Moore) had a sexual affair with a 7th grade boy named Joe (played as an adult by Charles Melton). She was 36 and he was 13. Their shockingly salacious story dominated the news outlets and tabloids. Now some twenty-plus years later, it has mostly faded from the public consciousness. Since then the couple and their three children, one already in college and two on the way, have lived deceptively normal lives in the comfort of their cozy Savannah estate.

Image Courtesy of Netflix

But their story is about to be revived thanks to an upcoming independent film based on the scandal. Elizabeth Berry (Portman), a well known television actress with Juilliard credentials, is set to play Gracie and has been invited to the couple’s home to help prepare for her role. Gracie and Joe hope their input can help shape how they’re portrayed in the movie. Elizabeth’s motives are somewhat murkier despite her thoughtful and empathetic veneer.

Elizabeth arrives as Gracie and Joe are hosting a neighborhood garden party. It’s all smiles and laughter with the lone exception being a package of feces left at their front door (Joe is quick to point out that such demonstrations of disgust don’t happen as often as they once did). Almost immediately, with pencil and notepad firmly in hand, Elizabeth begins observing and absorbing every detail of Gracie’s life.

At first Gracie and Elizabeth have a mutually respectful rapport. But the more Elizabeth digs the more cracks she finds in Gracie’s domestic facade. She begins interviewing those close to Gracie (or once close) including her ex-husband (D.W. Moffett) and her estranged son from her first marriage (Cory Michael Smith). It’s all meant to help Elizabeth slither deeper into Gracie’s skin. After all, it’s all about enhancing her performance, right?

Image Courtesy of Netflix

As for Gracie, the sanctioned intrusion into their lives proves to be more trying than she anticipated. She puts on a good show, inviting Elizabeth to dinner, sharing old memories (of her choosing), even showing how she fixes her hair and applies her makeup. But alongside Elizabeth, we pick up on subtle clues that tell a different story. Clues like Gracie’s poorly concealed insecurities; her bursting into tears over the smallest things; her passive-aggressiveness mothering of her husband whose demeanor and body language hints at a wounded child buried inside a 36-year-old man’s body.

In reality both women are performing. The reasons behind Gracie’s act are obvious. But it’s Elizabeth who is the most beguiling, especially once Haynes slyly turns his critical eye towards her. Elizabeth is building her own character, partly from the information she has gathered but also from her own obsessive compulsion. She turns into a destabilizing force but also a sexual deviant. We see the latter in the way she relishes the lustful gaze of a teenage boy, in the suggestive way she describes shooting sex scenes to a high school drama class, and most of all in her subtle self-satisfying come-ons to a confused and vulnerable Joe.

I could go on and on about this fascinating feature that’s destined to be divisive yet certain to be analyzed for years. It’s a film that plays in moral gray areas while a pitch-black cloud perpetually looms above it. It’s discomforting but with unexpected dashes of wry humor that are often accompanied by the delightfully intrusion piano chords of Michel Legrand’s theme from “The Go-Between”. There are a few on-the-nose metaphors and some puzzling omissions. For example, is there even a mention of Gracie’s years in prison? Still, there’s so much to mine out of this crafty and complex Todd Haynes concoction. “May December” releases November 17th in theaters and on Netflix.

VERDICT – 4 STARS

GIVEAWAY: Enter to Win an EXCLUSIVE 4K Ultra HD Steelbook of “The Equalizer 3”

Denzel Washington’s “The Equalizer 3” releases on home video today and I’m thrilled to announce an exciting free giveaway. A special 4K Ultra HD Steelbook edition of “The Equalizer 3” will be available exclusively at Best Buy. It features the film in stunning 4K Ultra HD and also comes packed with Blu-ray and digital copies of the film. This new steelbook looks amazing and they’re sure to go fast. But don’t worry…

I’ll be giving away a copy of this exclusive “The Equalizer 3” steelbook to one lucky winner courtesy of Sony Pictures Home Entertainment.

The rules to enter are easy. Simply tell me your favorite Denzel Washington movie in the comments section below and you’ll be entered. Be sure to *INCLUDE YOUR NAME* and follow me on Twitter/X, check back here, or include a way to contact you (email address, etc.) in case you win. One name will be randomly drawn from all the entries on November 17th and the winner will be announced and can claim their prize.

Head to the comments now and tell me your favorite Denzel Washington movie and you’ll have a chance to win.

First Glance: “Rebel Moon”

Zack Snyder’s sprawling, highly original, big budget space opera “Rebel Moon” gave us a nice teaser trailer a couple of months back. This past weekend Snyder and Netflix released their first full trailer for the first film in what is set to be an epic two-parter. This new look at “Part One: A Child of Fire” sees the director and co-writer telling a story uniquely his own. I for one can’t wait to see what he has imagined and created.

The film stars Sofia Boutella as the fiercely driven Kora who rallies together a team of warriors from across the galaxy to take on the powerful and oppressive Imperium and its tyrannical ruler Regent Balisarius (Fra Fee). This action-heavy first chapter looks to be full of cool characters, exciting locations, and plenty of eye-popping set pieces. It also features an intriguing supporting cast that includes Charlie Hunnam, Djimon Hounsou, Michiel Huisman, Staz Nair, Doona Bae, Ray Fisher, Jena Malone, Ed Skrein, and the voicework of Anthony Hopkins.

“Rebel Moon – Part One: A Child of Fire” releases December 15th on Netflix. Check out the trailer below and let me know if you’ll be seeing it or taking a pass.