First Glance: “Death on the Nile”

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Kenneth Branagh steps back into the shoes of Belgian super sleuth Hercule Poirot in “Death on the Nile”. It’s the follow up to “Murder on the Orient Express”, Branagh’s star-studded 2017 adaptation of Agatha Christie’s classic 1934 novel. Once again Branagh directs and Michael Green returns as screenwriter.

This time around Poirot is on vacation in Egypt when he is suddenly thrust into the middle of a murder mystery with a list of suspects as long as the Nile. They include Gal Gadot, Annette Benning, Arnie Hammer, Tom Bateman, Russell Brand, Letitia Wright among others. The first trailer gives an entertaining and stylish glimpse into what Branagh and company have in store for us.

“Death on the Nile” opens October 23rd in theaters. Check out the trailer below and let me know if you’ll be seeing it or taking a pass.

REVIEW: “The 24th” (2020)

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Named for the all-black Twenty-Fourth United States Infantry Regiment, Kevin Willmott’s “The 24th” tells the story of the Houston riot of 1917. On the night of August 23rd members of the 24th, driven by relentless Jim Crow era racism, police harassment, and a bit of misinformation, took arms and marched into Houston. By the end of the night eleven civilians, five policemen, and four soldiers including a Captain in the National Guard had been killed as a result of their mutiny.

Willmott co-writes the story with the film’s star Trai Byers. Their setting is a compelling one. In the summer of 1917 World War I was brewing in Europe while at home black communities were being violently targeted by angry white mobs in several US cities. It was during this tense and racially-charged time that the 24th Infantry Division were sent to guard the construction of Camp Logan, three miles outside of the city of Houston. The camp was to train white soldiers before they were deployed to France. The 24th went there with similar aspirations of serving their country but ran head-first into hate and persecution.

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Photo Courtesy of Vertical Entertainment

Much of the movie’s uneven first half plays like a series of racially volatile encounters. Several of them are effective on their own and they do a good job conveying the ugliness of the setting. But there isn’t much connecting one scene to another. The biggest casualty in the earlier scenes is the character building. It takes a while before any of the 24th actually develop individually. When some of the players finally do, the story gets a much-needed boost.

Byars gets the meatiest role playing William Boston, a highly educated and idealistic young soldier hungry to join the war effort. He instantly clashes with his cynical first sergeant (Mykelti Williamson) who is quick to judge Boston’s buoyancy as a sign of weakness. At the same time he and other members of the 24th routinely encounter prejudice from the camp’s white soldiers. So Boston is caught in the middle, forced to prove himself to the bigoted white officers and to his jealous fellow black servicemen. And his friendship with his sympathetic white commanding officer (a fairly wooden Thomas Haden Church) doesn’t win him any fans.

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Photo Courtesy of Vertical Entertainment

This is the film’s most compelling dynamic and it leads up to the inevitable mutiny and march into Houston. The lid blows off as the men of the 24th are pushed to the point where the line between right and wrong are blurred at best, completely rubbed out at its worst. It’s an ugly and violent final act – a complex melding of righteous indignation and cold-blooded murder. In some scenes Willmott attempts to dull the edge of the killings. But he also makes it uncomfortable to watch and he captures the pure, pained emotions of the soldiers. “Ain’t nobody innocent here soldier,” the sergeant rationalizes. “Not them, not us, nobody.” It’s a really difficult line to walk.

As the movie ended I was left with a feeling of sadness and conflict (although I’m not sure if that was the film’s intent). Willmott and Byers do a nice job boiling up the anger in not only the oppressed 24th but also any fair-minded viewer. And while they effectively show how unconscionable treatment can push people to unconscionable actions, the film’s judgements are pretty muted. Unfortunately the movie’s dependence on archetypes shortchanges several of its characters. And some story angles don’t get the attention they need. Take Boston’s romance with a local girl named Marie (Aja Naomi King). It’s genuinely sweet yet wedged in and underwritten. Those are the kinds of things that strip “The 24th” of certain personal connections it needed to truly stand out. Still, I’m glad I watched it and it’s a story that needs to be told. “The 24th” is now available on VOD.

VERDICT – 3 STARS

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First Glance: “Enola Holmes”

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This morning Netflix dropped a new trailer for their upcoming mystery movie “Enola Holmes”. Shamefully I didn’t know that “Enola Holmes” was a popular young adult novel series from American author Nancy Springer. The film adaptation was originally planned for a big screen release, but following the COVID-19 theater closings Netflix acquired the distribution rights from Legendary Entertainment.

“Stranger Things” star Millie Bobby Brown plays Enola, the younger sister of the renowned Sherlock Holmes (Henry Cavill). When Enola discovers her mother (played by the always welcomed Helena Bonham-Carter) is missing, she sets out to find her, honing her own keen super-sleuth skills along the way. The trailer shows off a delightfully playful vibe and I kinda love the silly fourth wall breaking. This is an infectiously fun first look.

“Enola Holmes” premieres September 23rd only on Netflix. Check out the trailer below and let me know if you’ll be seeing it or taking a pass.

REVIEW: “The One and Only Ivan” (2020)

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Talking animal movies aren’t usually my cup of tea. Maybe it’s because I’m in my late 40’s which puts me about 40 years older than the target audience. Yet I can still appreciate movies like “The One and Only Ivan”, a sweet and gentle family film with plenty of heart. It’s a movie with a very old-school Disney vibe which is good for the reasons mentioned above. But it also means we get a pretty formulaic story that doesn’t hold back on the occasional cheese.

Bryan Cranston plays Mack, the ringmaster of a big top animal show located inside of a dried-up shopping mall. The show is headlined by a silverback gorilla named Ivan (soulfully voiced by Sam Rockwell) who Mack adopted as a baby after he was saved from poachers. Other animal acts include a wise pachyderm Stella (Angelina Jolie), a neurotic seal (Mike White), a prissy poodle (Helen Mirren), a rooster with stellar hand-claw coordination (Chaka Khan), and a rabbit who drives a toy firetruck (Ron Funches). And there’s also Ivan’s best friend, a stray dog (Danny DeVito) who sneaks into his pal’s cage at night.

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Photo Courtesy of Disney

This is one of those movies where the animals speak to each other in fluent English which the humans never hear. That’s actually not a gripe. Like others before her, director Thea Sharrock does a good job selling it and we viewers have seen enough of these type films to understand the rules. The animals are given a wide range of personalities. Most are fun while a couple border on caricature. And only a handful get meaningful screen time. The others are easy to forget about, only occasionally popping up when the movie needs a group scene.

With the mall steadily losing business to the bigger and more modern Galleria, Mack’s audience size dwindles. Realizing he’s a few sparse crowds away from shutting down, Mack brings in a precocious baby elephant named Ruby (Brooklynn Prince). She becomes the show’s new headliner creating a tinge of jealousy in Ivan. But a young human girl named Julia (Ariana Greenblatt), the daughter of Mack’s handyman, helps Ivan to see himself in Ruby. He determines to help Ruby have the freedom he lost when he was her age.

One of the film’s strengths is found in the human element. Cranston’s Max is hardly a villain. He’s a lonely fellow who genuinely loves his animals despite being impervious to the effects of their captivity. It adds a much more interesting dynamic than if Mack were a hateful, physically abusive brute. That character type has been done many times before.

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Photo Courtesy of Disney

Other strengths include the excellent GGI and even better voice work that bring the animal characters to life. There is such a soothing, easy-going quality to Rockwell’s voice while Jolie speaks with a sage-like elegance. DeVito’s playful banter is a nice fit while young Prince conveys an irresistible sweetness. They all work together with visual effects supervisor Nick Davis and his team of animators who seamlessly handle the integration of computer-generated characters into a live-action space. We’ve seen it done before, but rarely better than here.

Unfortunately the film isn’t without its flaws. Writer Mike White’s adaptation of K. A. Applegate’s children’s novel starts strong and does a nice job developing its main characters. But the story shows signs of stress especially as it threatens to turn into an animal version of “The Great Escape”. White (thankfully) dials it back and points towards a potentially better finish. Instead we end up with a rushed and on-the-nose final act that’s partially saved by a bittersweet ending which (either intentionally or not) is both happy and heartbreaking. I like interpreting it that way. It makes “The One and Only Ivan” a little more than a run-of-the-mill family drama.

VERDICT – 3 STARS

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DC FanDome: The Best Trailers & Biggest Announcements

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On Saturday DC Comics and Warner Brothers held their first ever DC FanDome, a day-long virtual celebration of everything DC. It featured interviews, panels, game reveals, and new trailers for upcoming projects from their biggest properties. It was a day full of great announcements and unexpected surprises. Before we get to the trailers here are a few of the biggest news bites.

  • Some of the most exciting news came during the panel for the upcoming Flash movie. We learn that Flash’s film will officially launch the DC Multiverse much like his character did in the comics. But it gets better. As star Ezra Miller said, “By opening the door that Flashpoint did in the comics, all of these stories and characters can start to collide.” And they aren’t wasting any time. Turns out Michael Keaton’s Batman from the Tim Burton films actually designs Barry Allen’s new Flash suit (check them out in the cool image below). Not only does the multiverse bring all of the DC movies under the same umbrella, but it offers tremendous crossover opportunities. Talk about exciting potential.

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  • Dwayne “The Rock” Johnson was finally able to share details on his long talked about “Black Adam” movie. Black Adam is such a rich and complex character and it sounds as though the movie will embrace much of that. Plus he gave us some cool teases of the Justice Society and the roles they will be playing. If they get him right, Black Adam could be a game changer.
  • James Gunn revealed the cast for his upcoming refresh of Suicide Squad, and what a MASSIVE cast it is! Returning is Margot Robbie, Joel Kinnaman, Jai Courtney, and Viola Davis. But it’s some of the new faces who give me hope: Idris Elba, Michael Rooker, Nathan Fillion, John Cena. That only scratches the surface. The cast is truly enormous and getting everyone quality time is going to be a huge challenge. I’ll think I’ll stay in skeptical mode for now.

Now let’s get to the really good stuff:

“The Batman” Teaser

Director Matt Reeves finally gave us a first look at “The Batman” and it didn’t disappoint. Talk about leaving a terrific first impression. I love the dark gritty tone, the serial killer/detective vibe, the fresh glimpses we get of some familiar characters including Jeffrey Wright’s Jim Gordon and Zoe Kravitz’s Catwoman. And how about the creepy sadistic teases of Paul Dano’s Riddler? And of course Robert Pattinson who looks great as a deeply damaged Bruce Wayne/Batman finding his way in his early vigilante days. This was a really satisfying teaser especially when combined with the multiverse news. I can’t wait!

“Wonder Woman 1984” Trailer 2

Patty Jenkins ended the “Wonder Woman 1984” panel with exactly what I was hoping for – a brand spanking new trailer. Gal Gadot continues to make this character her own and the trailer gives her plenty of cool moments (she’s so good). Chris Pine gets a few new clips as does Pedro Pascal. But it’s Kristen Wiig’s character who we learn the most about. I like what we’ve seen so far from Wiig but I gotta admit the Cheetah getup near the end of the trailer looks a little iffy. Still, this movie remains high on my must-see list and it was great to get some new looks.

“Justice League” The Snyder Cut

I proudly admit that I like “Justice League” but it definitely had its flaws. Who’s responsible for those flaws is still up for debate, but many believe they are due to Joss Whedon’s re-writes and re-shoots. Whedon took over for Zack Snyder following a terrible family tragedy. Fans knew instantly the film felt off and some time later they began petitioning for the Snyder Cut. Saturday we got our first look at the official Snyder Cut coming next year to HBO Max. The teaser shows a variety of awesome images from the cut playing to Leonard Cohen’s “Hallelujah”. Odd choice of song yet incredibly effective. Apparently it will be four hours long and broken into four “episodes”. But don’t worry, Snyder confirmed it will also be coming out as a full movie. I can’t wait to see the film again, this time in its original vision.

So what were you thoughts on the movie news from DC FanDome? What was your favorite announcement? Let me know your thoughts in the comments section below.

First Glance: “Let Him Go”

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Kevin Costner and Diane lane reunite but this time not as the Earth parents of Superman. Instead they star as a different husband and wife duo in Thomas Bezucha’s upcoming thriller “Let Him Go”. As a huge Costner fan my ears perked up just hearing about his new film. But after seeing the first trailer I’m even more onboard. This isn’t another warm and fuzzy old couple love story.

The film follows a retired sheriff (Costner) and his wife (Lane) who are still mourning the death of their son. The two set out to rescue their grandson from his abusive stepdad who lives with his twisted off-the-grid family. The clan is ran by a wicked family matriarch (played by none other than Leslie Manville) and she isn’t giving up the boy without a fight. I love the cast and I love the concept.

“Let Him Go” is set for a November 6th theatrical release. Check out the trailer below and let me know if you’ll be seeing it or taking a pass.