The huge entity that is San Diego Comic-Con came and went like a flash but not before dropping several movie trailers worth talking about. Superheroes and monsters made up the bulk of the conversation. Some of them were pretty exciting, one specific one not so much. Below are the biggest trailers from SDCC 2018. Give them a look and tell me what you think.

I’m Sold

“Godzilla: King of the Monsters”

https://youtu.be/wVDtmouV9kM

This thing looks wild. It’s the third film in Warner Brothers’ MonsterVerse and a sequel to the 2014 Gareth Edwards film. With quick but stunning images of Mothra, Ghidorah, and the King himself, it looks to be a super ambitious undertaking. I can’t wait to see it.

“Glass”

https://youtu.be/95ghQs5AmNk

I hope by now everyone has seen “Split” and the really cool curveball M. Night Shyamalan threw at us. I never saw it coming. Now we get our first look at “Glass”, the crazy, unexpected result and it looks great. Fingers crossed that M. Knight can pull this off.

Very Interested, Want To See More

“Aquaman”

https://youtu.be/WDkg3h8PCVU

Warner Brothers and DC really need this one to work. So far I’m onboard. Jason Momoa has a big, beefy charm and it goes a long way in selling the “Aquaman” trailer. The world itself looks intriguing and the story has genuine potential. Lots of CGI and armored sharks have me slightly concerned, but so far so good.

No Thanks!

“Shazam!”

https://youtu.be/go6GEIrcvFY

The rumblings of a “Shazam!” movie have been around for a while and we finally got a glimpse. It looks like they are all-in on making this a goofy spoof which doesn’t bode well for fans of the character’s long history. That aside, comedy can work. But that brings up a second problem – what we see isn’t that funny. Hopefully a second trailer can leave a better impression.

I do love Oscar season, but my excitement level for this year’s big show was as low as it has been in decades. One reason is because there was practically no suspense going in. ‘Predictable’ was unquestionably the theme of the night. It also doesn’t help that most of the guaranteed big winners wouldn’t even crack my Top 5 for their categories.

Nonetheless I pushed forward and watched Hollywood’s biggest event. After all it is a tradition at my house. Could I have been wrong? Could the Academy surprise me by going their own way and making the night interesting? Well, NO. For the most part they fell right in line with the other major awards shows. Funny how that works, isn’t it? Nonetheless here are a few random thoughts.

• Interestingly there wasn’t a runaway winner this year. Well, unless you count “The Shape of Water” which won four Oscars. “Dunkirk” won three and a couple of others grabbed two statues.
• And speaking of “The Shape of Water”, it took home the big prize of Best Picture. Of the three obvious frontrunners it had the fewest flaws but not by much. It’s hardly a movie I’ll remember from 2017. But Guillermo del Toro’s slight fantasy romance packed a heavy-handed messaging which the Academy could easily get behind.
• And to go along with it, del Toro won for Best Director. Literally no surprise but I would have loved to have seen a Christopher Nolan upset win. But ‘surprise’ and ‘intrigue’ weren’t part of the Academy’s game plan.

• Here’s something cool and interesting: Del Toro’s win marks the fourth time in the last five years that a Mexican has won the Best Director Oscar!
• The head-scratching Best Supporting Actor category saw Sam Rockwell win for giving a Sam Rockwell performance. He wouldn’t have even made my nomination list but c’mon, you gotta like Sam.
• I love Gal Gadot and it was great seeing her at the show. I’m thrilled she was asked to present since she certainly wasn’t there because the Academy gave “Wonder Woman” any awards attention.
• Jimmy Kimmel was pretty bland. A few laughs but quite a few dry spells. He could have shaved off a few minutes from his act and it would have been fine.
• I mean did we really need a group of us ordinary folks once again being surprised by beautiful movie stars? Sure it’s kinda funny, but for a show pushing four hours…
• That said, I would be pretty giddy if Gal Gadot, Lupita Nyong’o, Emily Blunt, and Mark Hamill walked into my theater. Just being honest.

• The ‘In Memoriam’ segment was just brutal.
• Almost as brutal as the musical performances from the Best Original Song nominees. 😬
• Speaking of the ‘In Memoriam’ video, where the crap was Tobe Hooper and Powers Boothe??? The Academy needs to explain themselves.
• Have I mentioned how much I love Daniel Day-Lewis. A very humble, unassuming presence. The camera only showed him twice, but both times he seemed quite nervous of the attention. That’s rare to see in those settings.
• Allison Janney wins Supporting Actress for “I, Tonya”. Predictable, expected, no suspense.
• Great seeing “Dunkirk” win three technical awards. Doesn’t quite make up for the shameful ignoring of it elsewhere in the show. But was anyone surprised?
• Jordan Peele and “Get Out” wins the Oscar for Best Original Screenplay. Apparently the Academy can overlook some pretty big flaws if you have the right social commentary. And most of those flaws can be traced right back Peele’s screenplay.
• While I wasn’t a fan of Peele’s screenplay, he did make some history. He is the first African American to ever win in that category. Let that fact sink in for a second.
• Notice how they place Meryl Streep in the very front row of every Oscars ceremony? Prime seating for maximum attention.

• Frances McDormand won Best Actress just as she has with every other major award she has been nominated for. Again, isn’t it convenient how all of these groups seem to fall in line with each other? Her speech was manic, scattered and livelier than most of the broadcast. Loved her nod to hubbie Joel Coen.
• McDormand’s parting two words “Inclusion, Rider” turned quite a few heads. It’s a shame we are in a place where that would even be needed. At the same time it’s potential effect on creativity is curious and a tad concerning.
• And why not stay on the subject of predictability. Gary Oldman won Best Actor for “Darkest Hour”. I was rooting for Daniel Day-Lewis, but it’s impossible not to see Oldman as deserving.
• It was a wonderful seeing both Eva Marie Saint and Rita Moreno on stage. It’s nice to see the Academy recognizing stars young and old.
• “Academy Award winner Roger Deakins”. Talk about something long overdue. It was so good to see Deakins not only finally get an Oscar, but win for some truly brilliant work in “Blade Runner 2049”.
• While I’m not onboard the Timothée Chalamet hype train, I did love the enthusiasm he showed the entire night. There’s no doubt he loved being there.

• So is Jodie Foster super short or is Jennifer Lawrence super tall? Maybe both?
• Wasn’t it kinda weird seeing Kobe Bryant win and get an ovation in light of the #MeToo era? 🤔
• There was a lot of Academy lip service about “Lady Bird” but Greta Gerwig’s delightful coming-of-age dramedy was completely shut out. Such a shame. Gerwig, Ronan, Metcalf – I would have cheered if any of them had won.
• As expected the entire broadcast was laced with politics but it all lacked bite. Most of it felt flat and self-indulgent, much like the entire 90th Academy Awards. Here’s hoping for a better show next year.

So I’m with a lot of others, this year’s Oscars was a slog. Remove any suspense and it tends to go that way. Overall a very D+ kind of show. 

I usually just throw out some random thoughts after Hollywood’s big show, but I decided I would join several of my blogging pals and give some meaningless predictions for this year’s Academy Awards. You could say this is an attempt to get myself excited for Sunday’s extravaganza. I’m usually hopping up and down, but my lack of enthusiasm for many of this year’s nominees and the overall lack of any suspense has me a bit….blah.

Nonetheless here we go:

BEST PICTURE

WHO WILL WIN: “Three Billboards”

WHO SHOULD WIN: “Dunkirk”

DARK HOUSE: “Get Out”

The smart money says this is a race between “Three Billboards” and “The Shape of Water”. I’m not high of Guillermo del Toro’s visually beautiful but narratively clunky love story. But I thoroughly disliked “Three Billboards” and it’s aimless, morally contradictory story. It’s been winning a lot and it will probably win again. But don’t count out the profoundly mediocre “Get Out”. Both it and “The Shape of Water” seem to have enough political messaging to cover up their significant storytelling issues. At least in the Academy’s eyes.

As for Nolan, let’s face it. Apparently he simply doesn’t make the kind of movies the Academy gives its big awards to. The brilliance of “Dunkirk” has been all but forgotten by voters.

BEST ACTOR

WHO WILL WIN: Gary Oldman (“Darkest Hour”)

WHO SHOULD WIN: Daniel Day-Lewis (“Phantom Thread”)

DARK HORSE: None (it’s in the bag)

I loved Oldman’s performance as Winston Churchill and I won’t cry if he wins. And while I liked Denzel’s performance more than most people, Day-Lewis swept me away (once again). If he wins it won’t be a “Bon voyage” award. He deserves it. But don’t worry Oldman fans. Gary has this one locked up.

BEST ACTRESS

WHO WILL WIN: Frances McDormand (“Three Billboards”)

WHO SHOULD WIN: Saoirse Ronan (“Lady Bird”

DARK HORSE: None (definitely in the bag)

McDormand was fine in “Three Billboards” despite McDonagh’s queasy writing, but I don’t quite get the adoration. For my money Ronan gave yet another fabulous performance so true in every word and expression. She won’t win (neither will anyone else). This is McDormand’s all the way.

BEST SUPPORTING ACTOR

WHO WILL WIN: Sam Rockwell (“Three Billboards”)

WHO SHOULD WIN: Willam Dafoe (“The Florida Project”)

DARK HORSE: None (once again…)

Rockwell has won this at every turn which leaves any intrigue all but nonexistent. Again, Rockwell is fine playing a Sam Rockwell character but it’s far from a Oscar-winning performance. None of the nominated made my Top 5 for the category, but of those nominated I would go with Dafoe’s stellar work in “The Florida Project”. But he hasn’t a chance in the world.

BEST SUPPORTING ACTRESS

WHO WILL WIN: Allison Janney (“I, Tonya”)

WHO SHOULD WIN: Laurie Metcalf (“Lady Bird”)

DARK HORSE: None…zzzzzzzz

See my comments in the previous category. Janney has won everything and will win here. Metcalf will have to be content with a nomination but her intensely authentic performance deserves the statue. Love seeing Manville and Blige nominated. I would put them both ahead of Janney, but they have no shot.

BEST DIRECTOR

WHO WILL WIN: Guillermo del Toro (“The Shape of Water”)

WHO SHOULD WIN: Christopher Nolan (“Dunkirk”)

DARK HOUSE: Jordan Peele (“Get Out”)

Again, Nolan apparently doesn’t make movies the Academy loves. As proof, this is the first time he has EVER been nominated in this category. I’d love to say he would grab an upset win here by del Toro seems to be the frontrunner. I guess directing one-half of a movie well is enough to get a statue.

BEST ADAPTED SCREENPLAY

WHO WILL WIN: “Call Me By Your Name”

WHO SHOULD WIN: “Molly’s Game”

DARK HORSE: “Mudbound”

I don’t really think “Mudbound” has a shot but I wanted to mention it somewhere. It certainly deserves consideration. But Aaron Sorkin’s “Molly’s Game” is still tops for me. “Logan” is a neat surprise, but if we’re honest it’s no Oscar-worthy script.

BEST ORIGINAL SCREENPLAY

WHO WILL WIN: “Three Billboards”

WHO SHOULD WIN: “Lady Bird”

DARK HORSE: “Get Out”

The very idea that Martin McDonagh will win a screenplay award for “Three Billboards” blows my mind. Most of what I despised about the film can be traced back to the screenplay. Yet it will win. Only slightly less mind blowing would be a “Get Out” victory. Don’t count it out. Of those nominated, I’ll be rooting for “Lady Bird”.

BEST ORIGINAL SCORE:

WHO WILL WIN: “The Shape of Water”

WHO SHOULD WIN: “Phantom Thread”

DARK HORSE: None

Not much intrigue here either. Desplat’s sweet waltzy score will win and I won’t be sad. It’s one of the best parts of the film and that isn’t a slight. I prefer Greenwood’s beautiful and elegant work, but either one is deserving.

BEST CINEMATOGRAPHY

WHO WILL WIN: “Blade Runner 2049”

WHO SHOULD WIN: “Blade Runner 2049”

DARK HORSE: “Dunkirk”

Will we all finally get to celebrate a long overdue Roger Deakins Oscar win? I think we will. It’s shameful that the brilliant cinematographer has never won. And as much as I love “Dunkirk” and “Mudbound”, his work in “BR2049” was the cream of the crop. And this won’t be some token win.

BEST VISUAL EFFECTS

WHO WILL WIN: “War for the Planet of the Apes”

WHO SHOULD WIN: “Blade Runner 2049”

I will applaud either of these winners. But when it comes to all-around visual effects and how they effect the movie as a whole, I’m cheering for “Blade Runner 2049”.

RANDOM PREDICTIONS

• BEST COSTUME DESIGN: “Phantom Thread”
• BEST ANIMATED FEATURE: “Coco”
• BEST FOREIGN LANGUAGE FILM: “The Square”
• BEST ORIGINAL SONG: “This Is Me” (“The Greatest Showman”)
• BEST DOCUMENTARY FEATURE: “Faces Places”
• BEST FILM EDITING: “Dunkirk”
• BEST MAKEUP: “Darkest Hour”
• BEST SOUND MIXING: “Dunkirk”
• BEST SOUND EDITING: “Dunkirk”

I’ll be doing some live-tweeting on Sunday night. See you there!

The amount of money spent on Super Bowl advertisements is notorious. Products pay millions of dollars for 30 seconds to one minute of commercial time. Movie studious are no different. I have a blast watching for new movie reveals and this year’s stock was pretty strong. Here are my five favorites:

#5 – “Jurassic World: Fallen Kingdom”

Why is this even on the list? Because it is a substantial step up from the first trailer. In fact, it actually has me a little interested in what Universal has in store for us. The previous film was pretty forgettable (and sometimes down-right laughable). This well-made teaser offers a little optimism for the next installment.

#4 – “Solo: A Star War Story”

My skepticism over this idea is still pretty high, but I would be lying if I didn’t admit to a little excitement over the images we get in the Super Bowl teaser. I love the look of the film (what we can see) and it appears there may be a pretty good concept behind it all. But our first look at Ehrenreich’s Solo compared to Harrison Ford’s from “A New Hope”…let’s just say connecting those two may be a challenge.

#3 – “A Quiet Place”

What started off as a cool horror movie concept has grown into a film I’m genuinely excited for. John Krasinski directs, co-writes, and stars alongside real-life wife Emily Blunt. It also features Millicent Simmonds who was wonderful in 2017’s “Wonderstruck”. The Super Bowl teaser is soaking with tension and it will be interesting to see if the movie can deliver on such potential.

#2 – “The Cloverfield Paradox”

Well played Netflix. Well played. “The Cloverfield Paradox” gets a spot this high just for the sheer audacity of it all. The teaser was a surprise and looked cool in and of itself, but when it was revealed that it would premiere on Netflix immediately after the game, well who saw that coming? It was an incredibly gutsy move and something completely new for the motion picture business.

#1 – “Mission Impossible: Fallout”

I’ll admit it. I’m a big fan of Christopher McQuarrie’s take on the “Mission Impossible” series. The Super Bowl teaser highlighted many of the reasons why. It looks like the full cast is back including Rebecca Ferguson who was amazing in “Rogue Nation”. New addition Henry Cavill and his killer mustache gets a proper introduction and it looks like he’ll be a key player. And then we learn it’s all a teaser for the full trailer which is even better. Needless to say I can’t wait for July 27th.

So which movie teasers were your? Please share you favorites and no-so-favorites in the comments section below.

Last year was my second full year of doing this Blind Spot thing and it was a ton of fun. It compelled me to watch some films I should have already seen and to dive into classics that others have spoken so highly of. Unfortunately my cinematic journey was derailed during the Fall months. But now it’s a new year which means a new Blind Spot list. Here are the movies I’ll be seeing or seeing in their entirety for the first time in 2018

JANUARY – “Stranger Than Paradise” (REVIEW)

FEBRUARY – “Love in the Afternoon” (REVIEW)

MARCH – “My Night at Maud’s” (REVIEW)

APRIL – “Shane”

MAY – “The King of Comedy” (REVIEW)

JUNE – “The Man Who Shot Liberty Valance”

JULY – “Tender Mercies”

AUGUST – “Eraserhead”

SEPTEMBER – “The Producers”

OCTOBER – “”Picnic at Hanging Rock”

NOVEMBER – “Harold and Maude”

DECEMBER – “Through a Glass Darkly”

So what do you think of this year’s list?