Category Archives: Movie Reviews – R

REVIEW: “Roman Holiday”

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Classic Movie Spotlight

roman_holidayI don’t mean to be repetitive. But at the risk of sounding like a broken record, they just don’t make romantic comedies like this anymore. This 1953 classic from director William Wyler is a beautiful blueprint for a genre that seems to struggle with making quality movies these days. “Roman Holiday” brings together the always good Gregory Peck and the adorable Audrey Hepburn in a film that could almost be considered a fairy tale story. But while the film embraces some of the elements that make a good romantic comedy, it dodges a few of the conventions which have become all too familiar.

“Roman Holiday” was the star-making role for a young Audrey Hepburn. After appearing in several smaller roles this was a bigger performance that caught the world’s attention. A lot of that attention is because of Gregory Peck. Peck was instrumental in getting Hepburn’s name out there after realizing she was going to be big. Interestingly enough Peck wasn’t Wyler’s first choice. The director first sought after Cary Grant but Grant turned it down after reading the script. Peck once said that anytime he received a comedy script he knew Grant must have turned it down first. Well I don’t think anyone is griping about how things turned out. Peck and Hepburn have a charming chemistry as they explore the unique relationship between their characters.

The story for “Roman Holiday” was written by Dalton Trumbo but it was credited to Ian McClellan Hunter. Trumbo was one of the Hollywood Ten and was blacklisted for his communist ties and failure to cooperate with Congress. It was during that time that he penned the story. To make things even more interesting, “Roman Holiday” won the Academy Award for Best Story (as the category was known at the time). Hunter would accept the award but it was Trumbo who earned it. Only in 2011 was full credit given to Trumbo was his work on the film.

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His story follows Ann (Hepburn), a princess of an unmentioned country who is on a European tour stop in Rome. Ann is young and adventurous and she wants to experience the life outside of her closed in ornate walls. She’s tired of the strict itineraries and stuffy hobnobbing so one night she lets out her frustrations. The royal family doctor gives her a sedative to calm her down but before it can kick in, she sneaks out of the embassy to experience the sites and sounds of Rome. An American reporter named Joe Bradley (Peck) stumbles across Ann sound asleep next to a fountain. He doesn’t recognize her at first but after a comical series of events he learns her identity and sees her as a big story that could eventually land him back in New York.

Joe doesn’t let Ann know that he recognizes her and Ann tries to keep her identity secret. He calls a photographer friend of his Irving Radovich (Eddie Albert) to secretly capture some photographs of Ann for their big story while the three of them spend a playful day exploring Rome. Of course Joe begins to have feelings for Ann. I mean who wouldn’t? This is Audrey Hepburn were talking about. He’s faced with the decision of caring for her or cashing in his feelings for a big payday. It’s such a wonderful story filled with good humor and a lovely romance. Hepburn and Peck light up Rome with Albert playing the tag-along who gets in some good laughs.

“Roman Holiday” was shot in Rome, something that you didn’t see a lot of during that time. Unlike now where on location shoots are the norm, then it was a pretty special thing to have such an extensive shoot especially I’m a city like Rome. It was a brilliant decision. The city and all its beauty is on display throughout the film and Wyler treats Rome like one of the film’s characters. But it’s a supporting character. The city shows itself often but always as a support for the bigger love story. There are several magical scenes with Ann and Joe at some of the city’s major locations. One of my favorites is a playful moment at The Mouth of Truth monument. Peck pretends as if his arm is stuck in the mouth of the monument and he lets out a scream. Hepburn new nothing of this little gag. Only Peck and Wyler were in on it. It genuinely startled Hepburn who let out a loud scream of her own. It was completely spontaneous and Wyler was able to capture it therefore requiring only one take.

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“Roman Holiday” ended up with 10 Academy Award nominations. I mentioned Trumbo’s win but that wasn’t the biggest story. Audrey Hepburn, a relatively unknown actress at the time, would take home the Best Actress Oscar. This catapulted her into the spotlight and opened the door for her to star in several of my favorite classic films. Peck was right with his appraisal of the young beauty and she was always appreciative. They remained close friends for the rest of their lives. Their admiration for each other and their friendship translated into their performances and they give us a truly memorable screen couple.

I still love “Roman Holiday”. It’s a beautifully filmed movie that tells a wonderful story through some top-notch performances. The Rome locations provide such a pleasing sense of place and even in black and white Wyler gives you a very real feel for the city’s allure and vibrancy. It’s also one of those movies with several scenes that you’ll never forget. It’s easy to get lost in “Roman Holiday” and as an avid movie watcher that’s what I want. I want to be swept away by an interesting story about interesting characters. And in a romantic comedy I want to care about what I’m seeing. I want the story to be smart, the humor to be sharp, and the romance genuine. We get all of this and more in “Roman Holiday” which is one reason this great film has stood the test of time.

VERDICT – 4.5 STARS

THE END

“The Raven” – 2 STARS

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THE RAVEN POSTER

Have you ever had a movie that you didn’t really respond to but you had a hard time pinpointing why? This is the case with me after watching the 2012 period thriller “The Raven”. This is a movie that intrigued me from the start although I did keep it at an arm’s length. While the components for a unique crime thriller seemed to be there, I still never felt myself drawn to hurry up and see it. So as you can see, my fence straddling with “The Raven” started early. Well now I have seen this widely slammed movie. Is it as bad as the vast majority of critics made it out to be? I don’t think so. But unfortunately it’s missing some major pieces that are vital in making this kind of movie work.

In case you don’t know the story, it’s set in 19th century Baltimore, Maryland. A brutal and grisly double murder puts the police on the trail of a serial killer who patterns his crimes after the short stories of Edgar Allan Poe. Lead Detective Fields (Luke Evans) at first suspects the eccentric Poe (John Cusack) but eventually calls on him to help in the investigation. It’s a cat and mouse game as the two sift through the clues left at every new and horrible crime scene, each tied in to Poe’s writings.

The stakes are raised for Poe after his fiancé Emily (Alice Eve) is kidnapped and used as a pawn by the killer. Now this is a direction the story takes that should give the movie some emotional kick but that’s not the case at all. Poe and Emily’s relationship is cold and lifeless. They try to throw in some tension with Emily’s father (Brendan Gleeson) who despises Poe, but that does little to liven things up. Emily’s capture does lead to some of the movies most intense moments. But the underplayed romance between her and Poe strips the movie of a genuine and much needed sense of urgency.

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I guess that leads into where my real problems lie with “The Raven”. It moves at a sharp pace. It captures the dark and moody tone that it’s going for. The crime scenes are perfectly unsettling. But in the end so much of the story feels manufactured. The relationships feel manufactured. The urgency feels manufactured. Even the ending feels manufactured (and a bit unsatisfying as well). But perhaps the biggest sin this movie commits is its overall lack of suspense. It’s hard to call a thriller a success if it lacks suspense. “The Raven” desperately tries to muster some but I don’t ever remember feeling it at any point in the movie.

I think “The Raven” is a movie that has some good ideas, but it doesn’t do much with them. It’s not a sloppy or lazy picture. But it also fails to step outside the bounds of conventionality, something that the material afforded them the chance to do. Now it’s decent enough to keep you in your seat, but it never does anything to put you on the edge of it. Again, I guess that’s where my biggest problem lies. There’s nothing suspenseful that grabs you and keeps you glued to the screen. That’s what I want from a thriller and I just didn’t get enough of it here.

REVIEW: “Red Dawn” (2012)

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Red Dawn

I have no problem saying I was a big fan of 1984’s Red Dawn. And whether it’s the nostalgia, the good action, the interesting storyline, the movie still holds up for me today. Now I grant you the politics are outdated and the cheese may not appeal to newer audiences as it does for many of us who grew up during those days. But I still find it to be a rousing good time despite its occasional silliness. That appreciation for the original film combined with what I saw from the first trailers had me concerned about the 2012 remake. Hollywood doesn’t have the best track record when it comes to remakes and let me just say that this new Red Dawn will do nothing to change that.

Now if you’re unfamiliar with the original story that’s ok. The new version only incorporates the general idea and a few of the names. Most everything else is new but certainly not better. The film starts by introducing Jed Eckert (Chris Hemsworth), a Marine on leave in his hometown of Spokane Washington. We also meet his brother Matt (Josh Peck), a high school football quarterback who doesn’t have the best relationship with his older brother. The movie also chunks in a few more introductions including Matt’s girlfriend Erica (Isabel Lucas), one of Jed’s old schoolmates Toni (Adrianne Palicki), and the boys’ father Tom Eckert (Brett Cullen). All are awakened one morning by an all out military assault on their town. Now don’t even try to use your brain to figure out how the enemy got that many planes, ground forces, and Humvees in the area undetected. The explaination is laughable. In fact, it’s best just to turn your brain off at the opening scene. I mean it seems like the filmmakers certainly did when they were putting together this crappy concoction of errors.

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This Red Dawn attempts to modernize the politics and the characters while telling the same basic story. Instead of Cuba and Russia from the 1984 film, this time North Korea is the occupying force that attacks the United States with a little help from Russia although how they’re associated is never adequately explained. In fact all we get is news footage during the opening credits which supposedly sets the deteriorating political climate of the world. Aside from that, the invading army is nothing more than a nameless, faceless force showing nothing in terms of motivation or incentive. They just supply our group of young heroes with people to kill. Their arrival causes chaos in the city but Jed, Matt and a few of their friends are able to escape up into the mountains. From there they form into a group of rebels that wages guerrilla war against their occupiers.

I know this sounds silly but the original movie actually did this quite well. It took a small group of scared young people, fleshed them out, and over several seasons turned them into pesky guerrilla fighters mainly focused on survival. This film takes an uninteresting group with practically no personality, zips them into combat, and soon has them carrying out complex missions in the middle of occupied Spokane. No training and very little trial and error. And in this film the North Korean army has to be the worst occupying force ever in the history of cinema. Jed and company are able to waltz right into town at their leisure, detonate C4 explosives wherever the wish, and walk right out of town with their AK47’s tucked under their jackets. And this is just for starters. Throughout the movie you’ll find huge gaps in logic, glaring plot holes, and numerous moments where all you can do is bury your face in your hands.

If I wasted time singling out every stupid moment and ridiculous inconsistency this review would go on forever. Instead let’s just give discredit where discredit is due. Carl Ellsworth and Jeremy Passmore’s script is bad. NOTHING that they’ve added, from the new character twists to the annoying profanity, is an improvement or even on par with the original Red Dawn. It’s one of the most amateurish and laughably bad scripts you’ll find and that’s unforgivable considering it’s a remake of a movie that I felt was well written and highly entertaining. This mess is anything but that.

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And then there’s the dialogue and the performances. I was astonished at some of the ridiculous lines crossing the lips of the actors in this movie. Several times I just sat there with my jaw dropped trying to figure out how some of these scenes could have made the final cut. Whether it’s the pseudo-toughness of the kids or the rare moments where they’re trying to show emotion, the film is littered with corny and brainless dialogue. The most laughably bad scenes come with the arrival of Jeffrey Dean Morgan and his two fellow Marines. Their embarrassing attempts at macho military talk left me speechless, particularly Matt Gerald. I swear he may have given one of the worst and most cringe-inducing performances I’ve ever seen. You’ll literally root for his character to be killed just to ease the assault on your ears.

Ok, enough of this. I could say so much more about this movie but I’m already sick of talking about it. In summary, Red Dawn is an unmitigated disaster from start to finish. About the only positives I can come up with are the explosions look good and Chris Hemsworth is decent. But even he is eventually buried by his poorly written character and the shallowness of his lines. Red Dawn ends up being another incompetent remake that shouldn’t even exist. It has virtually nothing in common with the original and it shreds everything that the first film did so well. I can’t see anyone who even slightly appreciated the 1984 film to find anything worthwhile in this remake. But then again I can’t see anyone who appreciates good movies to find anything worthwhile either. It’s that bad!

VERDICT – 1 STAR

For a much better version, please check out my review of the original Red Dawn (1984) .

“RUSHMORE” – 4.5 STARS

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Whenever you’re watching a Wes Anderson movie, there’s no denying that you’re watching a Wes Anderson movie. The writer and director has made a number of films that feature profound uniqueness that set them apart. His quirky humor is unique in itself but Anderson is also known for his own visual style and presentation, his clever use of music, and familiar reoccurring themes that you can’t help but notice. In 1998, Anderson released “Rushmore”, his second feature film and one of his many collaborations with old friend and co-writer Owen Wilson. “Rushmore” is a perfect introduction to Anderson and his special brand of humor. And while the movie – just like all of Anderson’s pictures – won’t appeal to everyone, I found it to be an infectious comedy from start to finish.

“Rushmore” was the film that launched Wes Anderson’s career. He and Wilson began working on the story a few years prior to the release of his first film “Bottle Rocket”. The two took memories and experiences from their childhoods to form the foundation of this truly hilarious story which also flirts with some darker underlying themes. The movie also launched the career of Jason Schwartzman who plays Max Fischer, an eccentric and egocentric 15 year-old student at Rushmore Academy. Max is a underachiever in the classroom but is by far the most extracurricular student in the school. He’s the leader of school groups ranging from the French Club and the Debate Team to the Calligraphy Club, the Rushmore Beekeepers, and a goofy dodgeball club called Bombardment Society. It turns out Rushmore is his life but he finds himself in jeopardy of expulsion due to his horrible grades.

Max develops an unusual friendship with a wealthy but disenchanted business man named Herman Blume played by Bill Murray. Murray is fantastic and he delivers some of the story’s more straightforward laughs but he also adds lots of humor through his straight-faced, deadpan performance. Blume is a miserable fellow not at all happy with his life. But despite his troubles, particularly with his whacked out kids, he’s drawn to Max, so much so that he offers him a job and funds some of Max’s outlandish school “projects”.

But Max and Herman’s friendship takes a hit when they both end up falling in love with the same woman, Ms. Cross (Olivia Williams), a 1st grade teacher at Rushmore. Ms. Cross becomes aware of Max’s infatuation with her and tries to head it off. But Max is impervious to the truth that she is too old for him. It’s here that the movie is really intriguing. Their “relationship” leads to some really funny moments in the picture. But on the flip side, it’s here that we do get hints of a darker more troubling component to the story. There were several scenes where the internal struggle within Max felt real and in turn made him into a really sympathetic character. But Anderson would then draw out a good laugh from the most unexpected place. So it’s safe to say that “Rushmore” had the uncanny ability to make me laugh out loud in one scene and then feel uncomfortable in the very next one. In other words, there’s much more going on underneath the surface.

Anderson also employs several visual gimmicks that I’ve noticed in the handful of his other films that I’ve seen. Some people don’t really respond to his approach but I thoroughly enjoy it. He never frames an ugly shot and while some of “Rushmore” quick snippets may seem jarring to some, I think they brand the film with a quirkiness that I love. Helping out “Rushmore’s” presentation is the interesting choices of music including a selection of 60’s pop songs that feel surprisingly at home even though there doesn’t seem to be a single connection to the story. But again (at the risk of sounding like a broken record), this is typical for a Wes Anderson picture.

True comedy is subjective and that is never more obvious than with “Rushmore”. Many people wrestle with Anderson’s unique sense of humor and visual flair. But I found myself laughing all through this movie and the style of storytelling really helped the quirky humor. The cast is superb and it’s easy to see why Schwartzman took off from here and why this helped rejuvenate Bill Murray’s career. “Rushmore” is a genuinely funny movie laced with some darker undertones that will cause you to laugh and squirm during the same scene. Considering the majority of modern comedies, that’s something I can really appreciate.

REVIEW: “Red Dawn” (1984)

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I’m not sure if there was any movie in the 80’s that I watched more than “Red Dawn”. How my VHS copy was able to withstand the multiple viewings during my teen years is beyond me. This 1984 war film from director John Milius is a unique, almost “what if” story anchored in 1980s world politics. With the trailer of the upcoming remake already released, I felt it was the perfect time revisit what was one of my favorite movies of its decade. “Red Dawn” was a popular movie that stirred lots of conversations particularly for those craving something political to harp on. It was also criticized for its violence which at that time was considered heavy. In fact, the movie has the distinction of being the first film to receive a PG-13 rating from the MPAA.

But how is the movie itself? Even more interesting, how does “Red Dawn” hold up after all these years? I thought a cool way to help me determine this would be to watch it with my son and see how he responded after his first viewing. It was pretty telling to see him have a similar reaction to the one I had over 25 years ago. For my son, it was an exciting action movie. For me, it’s still a really good film built around good characters that holds up exceptionally well. For those looking, there are certainly things to nitpick. But I find the film’s few weaknesses easy to overlook considering how well conceived and well structured the movie is. And even after all these years I found myself excited when I was supposed to be excited and emotional when I was supposed to be emotional. For me it still pulls the right strings.

“Red Dawn” begins with one of my personal favorite openings of any movie. It doesn’t waste time and gets right into the meat of the story. In the small town of Calumet, Colorado, Jed Eckert (Patrick Swayze) drops his younger brother Matt (a sane and stable Charlie Sheen) and friend Aardvark (Doug Toby) off at school. It’s just another normal September morning. But later during history class, their teacher notices a large group of paratroopers landing outside. He walks out to see what’s going on and is shot dead as the students watch from inside. The paratroopers then open fire on the school as kids scramble to get away. Jed drives up amid the chaos and picks up Matt and Aardvark along with Robert (C. Thomas Howell), Daryl (Darren Dalton), and Danny (Brad Savage). The boys tear through town and then head for the mountains to hide out.

One of the most compelling things about the story is that these are just kids. We’re constantly reminded that we aren’t dealing with trained soldiers but kids who are suffering through fear, panic, and eventually loss. In fact, after seeing the new trailer, one of my biggest concerns about the upcoming remake is that the kids come across as a cool special ops-like team. But a big part of what propels the original is their fear – fear of their circumstances, fear of losing their families, fear of death. But they are forced to overcome their fears and when the harsh reality of this new war-torn country shows itself to them, they’re forced to grow up fast.

As the movie unfolds, the kids have to fight back. There’s no deeply strategic military influence to their actions. It’s strictly guerilla warfare against what we find out are Russian and Cuban forces. They take on the moniker “Wolverines”, named after the school’s sports mascot, and begin complicating things for the enemy army by attacking caravans, freeing prisoners, and sabotaging strategic checkpoints. The action is very well done and it progresses from bows and arrows and hunting rifles to mounted machine guns and RPGs. But what’s really impressive is how the group progresses. The way it’s presented, I had no trouble believing that these kids had adapted as the stakes got higher. Sure, some of the shouts of “Wolverines” are cheesy, but the action is thrilling and it’s truly pertinent to the story.

The boys end up taking on the two granddaughters of a local rancher, Erica (Lea Thompson) and Toni (Jennifer Grey). At first there is some tension between the girls and the guys but soon they’re fighting right alongside of each other. They also are joined by a United States Air Force pilot (Powers Boothe) whose plane is shot down in their area. He gives them a better understanding of the gravity of the war as well as some much-needed experience that pushes their “operation” a little further. These characters mix in well and it doesn’t take long before you actually feel invested in them as well. They each have their place in the story and I still found myself caring for them especially when things begin to go bad for the group.

The entire idea behind “Red Dawn” can certainly be viewed as preposterous. But there is still a grounded and sincerely human element to the film that doesn’t feel a bit outlandish. Again, the politics of the 80’s and the international tensions of the time plays a key part in setting up the story and understanding them will definitely make the movie feel more real. But overall this is an action picture. It takes an intriguing story built around an interesting concept and some good chemistry and creates a movie that feels very 80’s-ish while also still holding up today. I’m still skeptical about the remake, but I have no qualm with calling the original “Red Dawn” a really good movie.

VERDICT – 4.5 STARS

4-5-stars

REVIEW: “The Red Balloon”

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Classic Movie SpotlightRED BALLOON“The Red Balloon” is a 1956 short film written, produced, and directed by French filmmaker Albert Lamorisse. It was filmed in and takes place in the Belleville neighborhood in Paris and follows a little boy who discovers a bright red, helium filled balloon. The film is simple but it’s one of the most tender and enchanting pictures you’ll have the pleasure of watching. At only 34 minutes long, it manages to pack more heart and authenticity into it’s running time than most feature-length movies of today.

Young Pascal (played by Lamorisse’s son Pascal) discovers a beautiful red balloon on his way to school one morning. He proudly walks along the streets of Paris with his new balloon while encountering a wide assortment of people, some friendly and some not so friendly. But over time we begin to believe the balloon has a mind of its own and a wonderful relationship develops between it and Pascal. It’s hard to believe but Lamorisse manages to make the balloon a true character in the film and we have no problems investing in this little boy’s attraction to and love for his red balloon.

We the audience basically just sit back and watch this young boy. There is almost no dialogue throughout the film, only a beautiful and appropriate score used at just the right times. But dialogue isn’t needed. The visual narrative is perfectly structured and paced and there’s not one thing that more dialogue could add that would improve on what we’re given. Young Pascal’s expressions, the beauty of Paris – even in this working class area, the amazing handling of the balloon, and the incredible camera work all contribute to grabbing us and wrapping us up in the wonderfully visual story.

“The Red Balloon” has received a lot of praise and rightly so. In fact, it’s one of the few short films to ever win a major Academy Award category (Best Original Screenplay). I was completely engaged throughout this short picture. And even during the couple of times where I felt I was missing what Lamorisse was saying, I was still wrapped up. “The Red Balloon” is a magical meditation on the innocence of a child’s imagination meeting the harshness of reality. But there’s more to it than just that and for my money, it’s one of those rare movies that is impossible to dislike. If you haven’t seen it, take 34 minutes and experience it. It’s worth the time.

VERDICT – 4.5 STARS