(CLICK HERE to read my full essay on the Arkansas Democrat-Gazette) For movie fans, awards season should be fun. It’s the time when we get to focus on movies, specifically those considered by many to be the best from the previous year. It’s when regional critics groups around the country dole out their lists of … Continue reading
REVIEW: “Clean” (2022)
(CLICK HERE to read my full review in the Arkansas Democrat-Gazette) Adrien Brody plays a garbage man with an ax to grind in director Paul Solet’s dour and abrasive crime drama “Clean”. Co-written and co-produced by Brody, “Clean” has a lot in common with other movies of its kind. You have the quiet and brooding … Continue reading
REVIEW: “Moonfall” (2022)
(CLICK HERE to read my full review in the Arkansas Democrat-Gazette) Roland Emmerich and the phrase “global cinematic destruction” go together like peanut butter and jelly. A quick gander at his Wikipedia page will give you a good idea of the 66-year-old German-born filmmaker’s penchant for blowing up our world. He’s done it with aliens … Continue reading
Sundance Review: “Emergency” (2022)
One of the last (and as it turns out most well received) movies I saw at this year’s Sundance Film Festival was Carey Williams’ “Emergency”, a feature film adaptation of a short film that Williams debuted at Sundance back in 2018. The movie introduces itself as a college buddy comedy, but it slowly takes a … Continue reading
Sundance Review: “You Won’t Be Alone” (2022)
Yet another debut feature that premiered at this year’s Sundance Film Festival was “You Won’t Be Alone” from Goran Stolevski. The Australian-Macedonian writer-director has over 25 short films to his credit, and here he brings a unique and fresh twist to the familiar witch story. His folk horror concept is intriguing. His visual style is … Continue reading
First Glance: “After Yang” (2022)
If you have followed my Sundance 2022 coverage you probably already know that I was a huge fan of “After Yang”, the new film from Kogonada. In many ways it’s the perfect followup to the filmmaker’s 2017 feature film debut, “Columbus”. Both films are thoughtful and moving meditations and both feature Kogonada’s easy narrative rhythm … Continue reading