If there is ever a movie in 2020 with his heart in the right place it’s “Sno Babies”. This small budget indie aggressively and unflinchingly takes on the ravages of drug addiction and recovery. And the film doesn’t just talk about its subject. Portions of all profits from production to rentals to soundtrack sales goes … Continue reading
REVIEW: “The Devil All the Time” (2020)
A star-studded cast drives director Antonio Campos’ period crime thriller “The Devil All the Time”. His film is an adaptation of Donald Ray Pollack’s 2011 novel about a contrasting yet inextricably linked group of people in rural Ohio and West Virginia. The movie’s scope is broad (probably too broad), and you may need a notepad … Continue reading
YOUR VOICES: On Movie Theaters Reopening
Your Voices is a simple concept created to encourage conversation and opinions between movie lovers. It works like this: I throw out a certain topic. After that I’ll make my case or share my opinions. Then it’s time for Your Voices. Head to the comments section and let me and your fellow moviegoers know your … Continue reading
REVIEW: “The Nest” (2020)
Back in 2011 writer-director Sean Durkin made a splash with his feature film debut “Martha Marcy May Marlene”. The small budget psychological drama not only introduced a fresh new filmmaker, but it was the eye-opening first film for Elizabeth Olsen. “Martha” wow’d most critics with its handling of mental trauma and cult life. Yet to … Continue reading
First Glance: “The Father”
Oscar winners Anthony Hopkins and Olivia Coleman head the upcoming family drama “The Father” from director and co-writer Florian Zeller. It had its world premiere in January at the Sundance Film Festival and the initial reviews have been strong. One quote that stood out to me came from The Hollywood Reporter’s Todd McCarthy who called … Continue reading
REVIEW: “The Personal History of David Copperfield” (2020)
A Charles Dickens timeless classic gets a shiny modern update with Armando Iannucci’s “The Personal History of David Copperfield”. The 1850 novel is no stranger to the big and small screen, having been adapted at least thirteen times prior to this latest vision. Iannucci directs, co-writes, and produces a spirited update that unquestionably reveres Dickens’ … Continue reading