This is one of those cases where a movie had me with the trailer. Despite the question marks of Shia LaBeouf and Dakota Johnson or the potential for sappy and overwrought sentimentality, there was something about the way “The Peanut Butter Falcon” presented itself that instantly grabbed me. Oh, and the name is pretty catchy … Continue reading
REVIEW: “Angel Has Fallen” (2019)
Ever heard of the phrase ‘a glutton for punishment’? Of course you have. But just in case, Oxford defines it as “a person who is always eager to undertake hard or unpleasant tasks“. Tasks like, I don’t know, watching Gerard Butler movies? By that definition I’m a walking example of ‘a glutton for punishment’. I … Continue reading
First Glance: “The King”
I’ll be honest, I’m still not fully onboard the Timothée Chalamet hype train. He’s a lot like Jennifer Lawrence, a young star who suddenly became the toast of Hollywood and the awards circuits. Don’t get me wrong, like Lawrence he has a ton of talent and it will be fun watching him grow as an … Continue reading
Blind Spot Review: “Shane” (1953)
On the surface “Shane” may appear to be routine Western genre fare. A mysterious stranger with a lightning fast draw helps a family harassed by a gang of unsavory types. But beneath its seemingly simple exterior is a movie that prods us to look beyond the familiar. “Shane” was directed and produced by George Stevens … Continue reading
First Glance: “Antlers”
The new supernatural horror film “Antlers” is sure to draw most people’s attention by having Guillermo del Toro’s name attached. Me, I’m more excited to see Scott Cooper directing it. Cooper’s last film “Hostiles” was an underrated and surprisingly deep western. The new trailer for “Antlers” shows him going in a MUCH different direction. The … Continue reading
REVIEW: “Death Proof”
Quentin Tarantino’s weirdly audacious “Death Proof” is yet another example of the acclaimed filmmaker recapturing a slice of cinema history. This time he sets his sights on the old grindhouse theater experience. “Death Proof” released in theaters in 2007 as one-half of a schlocky B-movie twin-billing (Robert Rodriguez’s “Planet Terror” was the other film). This … Continue reading