The very idea that a Conjuring universe exists makes me smile. Not because it’s some groundbreaking cinematic accomplishment. But because it’s a tightly focused, modestly budgeted, interconnected horror franchise built around two fantastic central movies. The spin-off films have been hit-or-miss but at least they have offered some interesting layers to the franchise as a … Continue reading
First Glance: “Charlie’s Angels”
Add this one to the ever-growing list of Hollywood reboots/remakes that no one asked for. I certainly never expected to see “Charlie’s Angels” back on the big screen following the two ridiculously bad movies from the early 2000s. Yet here we are with a new cast, new director, but (judging from the first trailer) much … Continue reading
REVIEW: “Fast Color” (2019)
Each year there is a movie that comes out of nowhere and absolutely knocks my socks off. Most of the time it’s a smaller film worthy of more press and deserving of a much bigger audience. So far no 2019 movie fits that description better than “Fast Color”. The film is directed by Julia Hart … Continue reading
REVIEW: “Murder Mystery”
One of the greatest compliments I can give “Murder Mystery” is that it is considerably more tolerable than most of the dreck Adam Sandler churns out. That may not sound flattering (and to be honest it isn’t), but when you’ve grown accustomed to Sandler films being insufferable slogs, ‘tolerable’ is a pretty big step in … Continue reading
First Glance: “The Peanut Butter Falcon”
I’ll be surprised if there is another 2019 movie with a more unique title than “The Peanut Butter Falcon”. This road-trip drama from co-directors and co-writers Tyler Nilson and Michael Schwartz premiered at South By Southwest and was picked up by Roadside Attractions. The film follows a young man with Down Syndrome (played by newcomer … Continue reading
REVIEW: “The Kid” (2019)
Vincent D’Onofrio’s “The Kid” is a fresh venture across some well-traveled cinematic territory. Over the years we’ve seen the legend of Billy the Kid explored through numerous movies and television shows. D’Onofrio doesn’t so much retell William H. Bonney’s story as he does intersect with it. “The Kid” puts its main focus on a young … Continue reading