I’m not sure if any 2016 movie has drawn a more complex range of discussion than Nate Parker’s “The Birth of a Nation”. Right out of Sundance, many instantly christened it the next Best Picture Oscar winner and a direct answer to the #OscarsSoWhite controversy. Some have placed the entire weight of the Hollywood diversity cause … Continue reading
REVIEW: “Love & Friendship”
You could almost say Jane Austen adaptations make up their own small, intimate movie genre. Obviously you have the gushy, sudsy dramas such as “Sense and Sensibility” and “Pride and Prejudice” which together have been adapted nearly twenty times in film and television. You could also include the wide range of movies that found their … Continue reading
2016 BlindSpot Series: “Cléo from 5 to 7”
One of most influential movements in cinema came in the form of the French New Wave. Visionary filmmakers like Truffaut, Godard, and Chabrol sought to shatter the formulas and artifices that dominated mainstream movies. These brilliant auteurs redefined the art of cinema while also developing their own distinct styles and unique techniques. Nestled comfortably … Continue reading
REVIEW: “Hunt for the Wilderpeople”
Taika Waititi has had his hand in many unique projects, but it was his hysterical vampire mockumentary “What We Do in the Shadows” that made me a fan. The film’s wacky mix of absurd and subtle humor was refreshing especially within its formulaic and gimmick-ridden genre. His follow up is the equally hysterical and equally … Continue reading
REVIEW: “The Magnificent Seven” (2016)
It’s no surprise that Denzel Washington and director Antoine Fuqua would work together again on a new project. They certainly struck gold with the popular and the acclaimed “Training Day”. But I have to admit I was a bit surprised at their latest creative endeavor. I’m not sure why though. After all this is the … Continue reading
REVIEW: “Bonjour Tristesse”
While writing an upcoming blog piece I was compelled to revisit the morally murky waters of “Bonjour Tristesse”. Otto Preminger’s crafty 1958 British-American drama was based on the popular novel by Françoise Sagan. At the time the film danced precariously close to the edge of early cinema standards, causing censors plenty of headaches and heartburn. In … Continue reading