It’s really good to see Jessica Alba back doing a movie, even if it is something as underwhelming and forgettable as “Trigger Warning”. This pulpy action thriller from Netflix is her first film since 2019’s barely seen “Killers Anonymous”. I’ve always felt Alba was an underrated actress although making that case can be challenging considering … Continue reading
REVIEW: “Daddio” (2024)
Written and directed by Christy Hall, the terribly titled “Daddio” is built upon the simplest of concepts – two people in a car talking. That’s the movie from start to finish. It’s a self-imposed limitation that keeps things intimate and focused while allowing the two stars (Dakota Johnson and Sean Penn) to be the centerpieces. … Continue reading
REVIEW: “Horizon: An American Saga – Chapter 1” (2024)
Expecting a proudly classical, old-fashioned Western to be anything other than polarizing in our modern movie climate is a bit naive. And I say that as someone who didn’t initially consider the landscape when reading the first wave of reactions to “Horizon: An American Saga – Chapter 1” – the first big screen installment in … Continue reading
REVIEW: “A Family Affair” (2024)
Joey King, Nicole Kidman, and Zac Efron play the three leads in “A Family Affair”, a somewhat romantic comedy from director Richard LaGravenese. Written by Carrie Solomon, this light and frothy Netflix Original follows some well-traveled rom-com routes while squeezing everything it can out of its star power. The results are a film that starts … Continue reading
First Glance: “Red One”
The idea of J.K. Simmons playing Santa Claus is easily the biggest draw of “Red One”, an upcoming holiday film from director Jake Kasdan. With a massive budget of reportedly nearly $300 million, the Christmas-themed action-adventure comedy has its sights set on being a full-blown franchise. But after seeing its recently released first trailer, I’m … Continue reading
First Glance: “Nosferatu”
The wickedly interesting cinematic vision of filmmaker Robert Eggers is without question distinctly and uniquely his own. His three feature films have ran the gamut between incredible (“The Witch”) to disappointing (“The Lighthouse”) to something in between (“The Northman”). Regardless, each film displayed an alluring visual and narrative style unlike anything else out there today. … Continue reading