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5 PHENOMENALLY AWFUL SUPERHERO MOVIES

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In honor of this Friday’s release of “The Avengers”, I’m spending the week looking at comic book/ superhero movies. Yesterday we listed 5 Phenomenal Superhero Movies. Well, just like every other genre, you have good movies and you have some real stinkers. Today I’m listing 5 Phenomenally Awful Superhero Movies. As with yesterday’s list, this one stays within the comic book arena. The main difference is that these films simply got it all wrong. Unfortunately there were plenty to pick between and I found it a little difficult narrowing it down to five. Nonetheless here they are. As always I wouldn’t call this the definitive list, but there’s no denying that these 5 superhero movies are most certainly not phenomenal!

#5 – “X-MEN: THE LAST STAND” (2006)

It’s a shame that a franchise that started so good could fall so far in such a short time. “X-Men: The Last Stand” was the third X-Men movie and by far the worst. Bryan Singer, the director of the first two films, left and Brent Ratner took over. But the biggest problem was with the story. The ridiculous liberties that were taken with the team were simply unforgivable. The series went from being about a superhero team to being a Wolverine and Jean Grey love story. The special effects are really good and the production value is fine. But X3 turned the series on its head. “X-Men: The Last Stand” severed its ties to its comic book roots and proved to be a franchise killer.

#4 – “JONAH HEX” (2010)

Talk about a great example of a missed opportunity. Jonah Hex has more than enough wonderful source material to make a great movie. Why on earth did the movie stray so far off course? “Jonah Hex” is an absurd and often times incoherent mess than only gives the audience brief glimpses into what makes the character great. What’s even worse is that Josh Brolin is perfect as Jonah Hex. The makeup combined with Brolin’s portrayal is right on target. Unfortunately the material is so ridiculous and lame that it’s impossible to enjoy what he’s doing on-screen. Then you have the casting of Megan Fox who offers up one cringe-worthy line after another. Even the often times reliable John Malkovich is like fingernails on a chalk board. “Jonah Hex” is one of the most poorly written movies I have ever seen and even at only 81 minutes, it drags on forever.

#3- “THE SPIRIT” (2008)

Acclaimed comic book and graphic novel writer Frank Miller wrote and directed “The Spirit” and I have to say he should stick to books. “The Spirit” is an absolute mess right from the start. The movie is a lifeless and emotionless film that is a good example of style over substance. Miller’s over-the-top style works visually but the material is so flat and grating. Miller’s self-indulgence make some scenes seem to go on forever and it’s truly a laborious task to make it through the picture. The actors drudge along never developing a single character worth caring about. It’s almost as if Miller simply forgot the difference between print media and cinema. Whatever the reason, “The Spirit” is a movie that I pray I never have to see again.

#2- “CATWOMAN” (2004)

I’m not alone in calling “Catwoman” a terrible movie. It’s one of those rare movies that I honestly wasn’t able to make it through. I struggled with leaving it off this list simply because I never finished it. But then I asked myself WHY I never finished it? Oh yes, because it was absolutely horrible. Loaded with ludicrous and cheesy dialogue and a paper-thin story, “Catwoman” takes a great DC Comics character and butchers her all for the sake of putting Halle Berry in a cat suit. Both Berry and Sharon Stone are laughably bad and the material is no better. The direction, the special effects, the character development, all of it is subpar and the result is a disaster that some have said derailed Berry’s once promising career. If you’ve seen “Catwoman” (or if you’ve tried to see it), you know exactly why it’s on this list.

#1- “BATMAN AND ROBIN” (1997)

The first Batman movie franchise wasn’t the best. The first film starring Michael Keeton and Jack Nicholson was a lot of fun but after that it slowly started going downhill. The series hit rock bottom with Joel Schumacher’s abhorrent “Batman and Robin”. Schumacher’s film was a catastrophe and was the ultimate death knell for the franchise. Nothing in “Batman and Robin” works. It takes such a flippant and arrogant approach to Batman and his universe. It’s never as funny or as clever as it thinks it is and Schumacher seems more interested in clowning around than making a quality film. George Clooney is a fine actor but he was a terrible Batman and Arnold Schwarzenegger’s Mr. Freeze is one of the worst characters in film history. I have a laundry list of faults associated with “Batman and Robin”. Maybe it’s my affection for the source material, but it doesn’t take much to see that this is a poorly made movie on almost every level. It’s absurdity is off the charts and it’s lazy, unfunny attempts at humor never let up. I hate “Batman and Robin” and there is a reason why it’s accused of killing the Batman series.

So there they are. Do you agree or disagree with my list. See something I may have left off? Please share you comments below.

REVIEW: “O Brother, Where Art Thou?”

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No one does off-the-wall, quirky comedy like Joel and Ethan Coen and “O Brother, Where Art Thou?” is another example of that. The brothers have written and directed a wide variety of movies including crime dramas, gangster pictures, and even a remake of a John Wayne western classic. But the Coens always find their way back to their unique and peculiar brand of humor. “O Brother, Where Art Thou?” was released in 2000 and features so much of the Coen’s signature style and presentation.

The movie is a depression-era film set in rural Mississippi. It follows Ulysses Everett McGill (George Clooney), Pete Hogwallup (John Turturro), and Delmar O’Donnell (Tim Blake Nelson), three prisoners who escape and set out to recover a “treasure” that Everett hid after knocking off an armored car. The three come across a blind man who begins prophesying about their quest saying that they will find a fortune but not the one they seek. Pay close attention to this early scene because it does come back into play later on in the film. They take off on an adventure where they encounter backwoods relatives, a crazy sheriff, George “Babyface” Nelson, seductive river sirens, the Ku Klux Klan, and more.

This is a movie that’s truly more about the journey than the destination. There are several familiar subtext and certainly an interesting ending that deals with a couple of common Coen themes. But it’s getting to that ending that offers the most enjoyment. Also, many Coen brothers films focus on specific regions of the country as well as incorporate clever usages of language. “O Brother, Where Art Thou?” is no different. The recreation of rural Mississippi during the 1930’s is fabulous. The three travel through period-perfect small towns, swampy yet beautiful bayous, and lush green forests. The film has an amazingly authentic look to it. The heightened accents and deep south lingo help give it more of a southern tang but also injects the movie with some of it funniest moments. The brothers’ almost poetic butchering of language is such fun and is just as regionally centered as several of their other films such as “Raising Arizona”, “Fargo”, and “No Country for Old Men”.

Music plays a big role in “O Brother, Where Art Thou?”. The film is filled with bluegrass, folk music, country gospel, and southern blues. One of the movies funnier turns is when the boys unwittingly create and record a smash hit song that becomes the hottest thing in the state. The song, titled “Man of Constant Sorrow”, won several awards including a Grammy. The music is spot on and adds so much to the picture. It’s clearly intended to be an important part of the storytelling and it really works regardless of whether you like that type of music or not.

The performances are strong throughout the film. Clooney really shows off his comedic side and perfectly subjects himself to the material. Nelson is great as a naive simpleton who you can’t help but love and Coen regular John Turturro is also quite good. We also get Coen favorites John Goodman as a loony one-eyed Bible salesman and Holly Hunter as Penny, Everett’s ex-wife. Ray McKinnon, one of my favorite character actors in the industry, has a small but fun role as a campaign manager and Penny’s “bona fide suitor”. Chris Thomas King, Charles Durning, Wayne Duvall, and Lee Weaver also give really good performances. The Coen’s are particular when it comes to casting and this film, like so many others, shows the benefits of that.

I’ve only scratched the surface of “O Brother, Where Art Thou?”. The movie also takes humorous looks at subjects ranging from southern politics to racism. It’s sharp dialogue and wacky antics may not appeal to everyone and they do occasionally feel a little overdone. But it’s still a remarkably well-crafted and well-written film, exactly what you would expect from Joel and Ethen Coen. The film is made with the same impressive stylistic technique that we’ve seen in other Coen films yet it creates its own unique look and feel. There’s a lot going on under the surface and the movie offers plenty of laughs. Unlike most of today’s comedies, “O Brother, Where Art Thou?” actually delivers.

VERDICT – 4.5 STARS

5 PHENOMENAL MODERN DAY ACTORS

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One thing that we movie fans can be happy about is the large number of great actors in the business today. When putting together this list of five great modern-day actors I couldn’t help but feel bad about leaving guys off who certainly deserve to be on. But such is a testament to the great amount of talent out there. It’s hard to balance incredible individual performances with bodies of work, but I’ve tried to factor in both. So as hard as it was, here they are. As always, I wouldn’t call this the definitive list. But there’s no denying that these 5 modern-day actors are absolutely phenomenal.

#5 – CHRISTIAN BALE

Bale has come a long way from being the young 14-year old boy in “Empire of the Sun”. At 38 years of age he has amassed an impressive resume of performances that range from straight-forward action pictures to gritty, emotional dramas. After “Empire of the Sun”, Bale received a lot of attention for his role as a serial killer in 1999’s “American Psycho”. From there he established himself as a quality action movie star in films like “Reign of Fire” and “Equilibrium”. In 2005 his career skyrocketed after being cast as Bruce Wayne in “Batman Begins”, director Christopher Nolan’s fantastic reboot of the Batman series. The role opened up doors for Bale to work with some great directors such as Terrence Malick in “The New World” and Werner Herzog in “Rescue Dawn”. After working with Nolan again in “The Prestige”, he worked opposite Russell Crowe in the underappreciated remake “3:10 to Yuma”. That led to Bale’s biggest film yet, “The Dark Knight”, the second installment in Nolan’s Batman trilogy. After two more action pictures, Bale starred in David O. Russell’s “The Fighter” a movie that earned him his first Academy Award for Best Supporting Actor. Bale is set to star in the final Batman movie of the Dark Knight trilogy this year and I can’t wait to see what else.

#4 – GEORGE CLOONEY

Clooney started his career in television and first gained notoriety on the show E.R. But it was Quintin Tarentino and Robert Rodriguez who brought Clooney to the attention of moviegoers in the vampire action flick “From Dusk to Dawn”. After roles in the mediocre romantic comedy “One Fine Day” and the equally mediocre  action thriller “The Peacemaker”, Clooney starred in a film that could have ended many careers, Joel Schumaker’s horrible “Batman and Robin”.  But Clooney’s career began to take form thanks to some well-received roles in films such as “Three Kings”, “Solaris”, and his first collaboration with the Coen Brothers “O’ Brother Where Art Thou?”. “O’ Brother” showed Clooney wasn’t afraid to show his fantastic sense of humor. He would later star is such fun and quirky films as “Leatherheads”, “The Fantastic Mr. Fox”, “Burn After Reading”, and “The Men Who Stare at Goats”. But Clooney also established himself as a force behind the camera in the heavy, political-driven “Good Night and Good Luck”. He also saw himself garnering more critical acclaim that catapulted him into superstardom. He won the Best Supporting Actor Oscar for his role in 2005’s “Syriana”. He was nominated for Best Actor Oscars in the wonderful films “Michael Clayton”, “Up in the Air”, and “The Descendents”. Clooney is a bona-fide Hollywood superstar but it’s one of the rare cases where it’s for good reason. He’s a powerful actor who can command the screen and you can expect a quality performance every time.

#3 – LEONARDO DICAPRIO

DiCaprio has been making quality films since he was a kid. In fact it was only recently that I saw him as the brilliant adult actor that he has become. He first captured attention for his remarkable performance as a mentally challenged boy in 1993’s “What’s Eating Gilbert Grape”. He was nominated for the Best Supporting Actor Oscar and it was here that DiCaprio was recognized as much more than just a child actor. He starred in several other films but it may have been James Cameron’s “Titantic” that really put his name on the map. After working with Steven Spielberg and Tom Hanks in “Catch Me If You Can”, DiCaprio starred in a film that would launch a fantastic actor/director relationship. “The Gangs of New York” marked his first film with Director Martin Scorsese. The duo followed it with “The Aviator” and “The Departed” each earning DiCaprio critical praise. He would receive his third Oscar nomination for “Blood Diamond” and then teamed up again with Kate Winslet in “Revolutionary Road”. He then got back with Scorsese to make the underrated psychological thriller “Shutter Island” which was followed by the starring role in Christopher Nolan’s phenomenal “Inception”. 2012 looks to be an even better year for DiCaprio. He has two intriguing films coming out, “The Great Gatsby” and Quintin Tarantino’s “Django Unchained”. What’s amazing is that DiCaprio is still only 37-years old. It’s fun to imagine what he still has in store for us.

#2 – DANIEL DAY-LEWIS

Daniel Day-Lewis would probably be #1 on this list if he had a bigger body of work to talk about. On the flip side of that, his limited body of work contains some of the greatest performances in modern cinema. Day-Lewis isn’t an actor who constantly stays busy and he’s very selective in choosing his roles.  Another reason Day-Lewis is so good as that he immerses himself into each role. He’s known to stay in his character both on and off-screen throughout the entire shoot and his comfort levels with his characters are evident. Day-Lewis started his acting career in theatre and television but quickly gained attention on the big screen. His most recognized early film work was in 1985’s “A Room with a View”. But it was 1989’s “My Left Foot” that really brought him critical acclaim and eventually the Academy Award for Best Actor. In 1992 he starred in Michael Mann’s amazing adaptation of “The Last of the Mohicans”. Quality performances followed in movies such as “The Age of Innocence”, “The Boxer”, and “In the Name of the Father”, a film that earned another Best Actor Oscar nomination. After taking a few years off, Day-Lewis returned for his memorable performance in Martin Scorsese’s “Gangs of New York”, a performance that earned him yet another Best Actor Oscar nomination. But it was his work in 2007’s “There Will Be Blood” that won just about every acting award available including his second Best Actor Oscar. His performance as Daniel Plainview is mesmerizing and I have no problem calling it one of my favorite performances in movie history. Up next for Day-Lewis is the role of Abraham Lincoln in Steven Spielberg’s “Lincoln”. I can only imagine what Day-Lewis will bring to the character and he’s one actor I can’t miss.

#1 – RUSSELL CROWE

Russell Crowe could be seen as a rugged “man’s man” actor. He’s starred in an assortment of gritty period films and crime dramas. But Crowe has also showed a sharp range and an intense dedication to putting everything into his characters. Crowe is a far cry from the “pretty boy” image that many actors embrace. He brings a natural and authentic quality to his performances and that’s a big reason why he’s able to excel in such a wide variety of movies. His acting career started in Australia but he soon shifted to American films. He starred as the villain opposite Denzel Washington in the goofy sci-fi action flick “Virtuosity”. But the quality of his films quickly rose with “L.A. Confidential”, a critical success that gave Crowe’s career a boost. After several smaller roles, Crowe starred alongside Al Pacino in Michael Mann’s “The Insider”. He received high marks for his performance and even received his first Oscar nomination. But it was his work in 2000’s “Gladiator” that brought him to the forefront of motion pictures. He won the Best Actor Oscar in what is one of my personal favorite films. The following year Crowe starred in “A Beautiful Mind”, a remarkable movie that was drastically different from “Gladiator”. He received another Best Actor Oscar nomination for his performance that he should have won. In 2003 he starred in “Master and Commander: The Far Side of the World”, a gripping historical epic that didn’t garner him an Oscar nomination but it certainly should have. Crowe’s range was again made evident through a run of high quality movies including the boxing film “Cinderella Man” , a fantastic western “3:10 to Yuma”, a crime drama “American Gangster”, a spy picture “Body of Lies”, and a political thriller “State of Play”. In 2010 Crowe made his fifth film with director Ridley Scott, “Robin Hood”. And while I found it to be a another strong film from Crowe, it was received with mixed reviews. Crowe is currently working on two films, “Broken City” and “Superman: Man of Steel”. At age 47, Crowe still has a lot of good movies to make. He’s a natural talent that can carry the movie and whenever I see his name attached, I’m automatically interested.

See an actor that I missed. Disagree with my choices? Leave a comment and share your five favorite modern-day actors.

Oscar – The morning after…

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Well it has come and gone. The 2012 Oscars seemed to get here in a hurry and be done just as quick. As usual for the more recent Oscars, there were few surprises. Most of the “Big 6” went as I predicted and the only real surprises were with the technical awards. But overall it was a fun night. Here’s a few thoughts…

Billy Crystal hosted the 2012 show after the Eddie Murphy debacle (or should I say the Brett Ratner debacle) and he did a solid job. Unlike last year’s odd and sometimes uncomfortable hosting from James Franco and Anne Hathaway, this was more grounded but still quite funny. Crystal used several tried-and-true antics such as the song detailing the Best Picture Nominees and the “What they’re thinking” segment. I found them and several of Crystal’s adaptive one-liners to be very funny. Several of the presenters provided some good laughs including Will Ferrell and Zach Galifianakis, Emma Stone, Chris Rock (I was surprised, too), and of course Robert Downey, Jr. Oh, and c’mon Academy! Am I the only one who thinks that Downey, Jr. would be the funniest Oscars host of all time? Sign him up.

“Hugo” ended the night with five Oscars. It was awarded for its technical achievements and it’s hard for me to argue with that. “A Seperation” won for Best Foreign Language film which was followed by a rather unusual acceptance speech from director Asghar Farhadi. “The Descendants” won Best Adapted Screenplay and I was thrilled that “Midnight in Paris” won for Best Original Screenplay. Of course Woody Allen wasn’t there but did we ever expect him to be?

The supporting categories went exactly as expected. Octavia Spencer (The Help) and Christopher Plummer (Beginners) had already been christened the winners well before the ceremony began and that’s exactly how things played out. Spencer gave one of the most genuine and emotional acceptance speeches of the night and Plummer became the oldest Oscar winner ever. It was good seeing Nick Nolte recognized with a nomination even though I’m not sure he knew where he was last night.

Meryl Streep won Best Actress for her performance in “The Iron Lady”. That category had turned into a two person race and I really felt that Viola Davis had a good chance to win. But Streep was awarded for a performance that certainly outweighed the rather mundane and mixed reviewed movie. The Oscar media had tried their best to sell the whole Clooney (“The Descendants”) versus Pitt (“Moneyball”) Best Actor race. But as I expected (and hoped), Jean Dujardin won the Oscar for his wonderful performance in “The Artist”. Working with several more handicaps than the other nominees, Dujardin nailed his performance and deserved the award. His acceptance speech and subsequent dance showed his enthusiasm and I found myself applauding from my recliner.

The night only got better for “The Artist”. Michael Hazanavicius won the Best Director Oscar which is almost always a sign of which film will win Best Picture. Last night was no different. Hazanavicius’ gutsy project won Best Picture and I have no problem with it. While I was personally rooting for “The Tree of Life”, this was a case where the Academy got it right. “The Artist” was a nostalgic but touching film that felt plucked right out of the silent movie era. I loved seeing it win.

So while it was a fairly predictable night, it was a good night. The stars played dress-up and movie fans witnessed new films and new performances added to that Valhalla of motion picture history. I went 5 for 6 in the “Big 6” categories so that speaks to the shows lack of suspense. But there were some genuinely funny moments and some good movies received their due.

TOP 5 BEST LEAD ACTOR PERFORMANCES OF 2011

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TOP 5 BEST LEAD ACTOR PERFORMANCES OF 2011

When I look back on 2011, it will be a year where the performances actually outshined the finished films. While several movies became favorites of mine, it was the wide range of high quality acting work that really impressed me. Since we have talked about the ladies, let’s get to my top 5 male leading performances for 2011. Again, it was hard to leave a couple of names off this list, but this is one solid group of actors.

#5 – Owen Wilson (Midnight in Paris)

I’m as surprised at this as anyone else. I’m not the biggest Owen Wilson fan. I’ve often times found him over the top and just too goofy for my taste. But while we get hints of the Owen Wilson we’ve seen in past movies, in “Midnight in Paris” he seems more controlled and tempered while still being genuinely funny. I really liked Gil Pender and appreciated how Wilson brings him to life. Woody Allen’s influence can certainly be seen, but Wilson makes the character his own and sells him beautifully.

#4 – George Clooney (The Descendants)

I wasn’t as crazy about Alexander Payne’s “The Descendants” as most people, but there’s no denying the brilliant work from George Clooney in the lead role. Clooney honestly makes everyone else who shares a scene with him better. He doesn’t dominate the scenes or call unmerited attention to what he’s doing. It’s a very real and organic performance and one that definitely deserves the attention it has received.

#3 – Mel Gibson (The Beaver)

I was a bit surprised to see Mel Gibson shunned this awards season. Hollywood and the Academy are extremely selective in terms of forgiveness regardless of how much hypocrisy their selectivity exposes. I’m not trying to be a Gibson sympathizer, but his performance in “The Beaver” is not only one of the best performances of the year, but some of the best work of his career. Obviously Gibson knows what it means to be a damaged man but to see it played out with such authenticity on screen was truly stirring. More people should give “The Beaver” a chance. If you do, Gibson’s performance can’t help but be appreciated.

#2 – Jean Dujardin (The Artist)

From the first moment you see Jean Dujardin on screen in “The Artist”, you know you’re seeing something special. His precision and detail in bringing a silent movie character to life goes well past nostalgia. He brought more life to his George Valentin character with the handicap of no voice work than nearly every other performance of 2011. He certainly pays homage to a bygone era of filmmaking. But he also conveys the humor and drama from his character in a way that blew my mind. A truly brilliant performance.

#1 – Michael Shannon (Take Shelter)

Even with such great acting as I’ve already mentioned, no one effected me more than Michael Shannon in “Take Shelter”. He undoubtedly delivers one of the most painfully tragic performances I’ve seen in years. His depiction of mental illness is unique in that his character sees what’s coming. He has seen it in his mother and his biggest concern is on how it will effect his own family. It’s a crushing and emotional performance that was head-amd-shoulders above anything else I saw in 2011. It’s such a shame that he has gone overlooked.

Agree or disagree? Please leave a comment or share your top 5 of 2011.

The 2012 Oscar Nominees Announced…

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The 2012 Academy Award nominations have been announced and, just as expected, there is plenty to talk about. This year’s list features several snubs, several surprises, and several Academy misfires. But then again, isn’t that what we’ve come to expect? And isn’t that just one of the things that makes the Oscar conversation that much better? Here is the list of the nominees for “The Big 5” categories. My prediction (not my personal favorite) will be in bold print but as always, it’s subject to change. There will be a lots of interviews and promotions over the next few weeks but here is how I think things will turn out:

Actress In A Supporting Role

THE NOMINEES:

Bérénice Bejo (The Artist)
Jessica Chastain (The Help)
Melissa McCarthy (Bridesmaids)
Janet McTeer (Albert Nobbs)
Octavia Spencer (The Help)

I know we all like mystery and surprises when it comes to Oscar night but I don’t see there being any here. Octavia Spencer has dominated this category in the pre-Oscar awards shows and I don’t see this as being any different. Of this group I would have a hard time voting against her. I felt Jessica Chastain had the best female supporting performance of the year but it wasn’t for “The Help”. Her work in “The Tree of Life” was better but her very best work was in the underappreciated film “Take Shelter”. That was the best female supporting performance. But for Oscar night, expect it to be Octavia Spencer.

Actor In A Supporting Role

THE NOMINEES:

Kenneth Branagh (My Week with Marilyn)
Jonah Hill (Moneyball)
Nick Nolte (Warrior)
Christopher Plummer (Beginners)
Max von Sydow (Extremely Loud & Incredibly Close)

I LOVED seeing Nick Nolte get a nod for his work in “Warrior”. It was my favorite male supporting performance of the year and it was the best work Nolte has done in years. Unfortunately Plummer has this category all but locked. Everything has pointed to Plummer and there is nothing about this list of nominees that would make me think otherwise. That being said, I’ll still be rooting for Nolte.

Actress In A Leading Role

THE NOMINEES:

Glenn Close (Albert Nobbs)
Viola Davis (The Help)
Rooney Mara (The Girl with the Dragon Tattoo)
Meryl Streep (The Iron Lady)
Michelle Williams (My Week with Marilyn)

This is one of the most intriguing categories of the night. Meryl Streep has gotten all of the pre-Oscar awards show buzz but don’t count out Viola Davis. Many are trying to hype up the two person race but I think for good reason. Streep may be hurt by the fact that “The Iron Lady” is a very sub par movie and while “The Help” had its flaws, it’s a better picture. My personal favorite performance of the year was from Juliette Binoche for “Certified Copy” but out of this group I would prefer Davis. But my gut tells me Streep is the favorite.

Actor In A Leading Role

THE NOMINEES:

Demián Bichir (A Better Life)
George Clooney (The Descendants)
Jean Dujardin (The Artist)
Gary Oldman (Tinker Tailor Soldier Spy)
Brad Pitt (Moneyball)

Once again my personal favorite of the year is left out. I thought Michael Shannon was nothing short of brilliant for “Take Shelter” but there are some really strong performances in this group. I love seeing Bichir nominated but he has no shot. Oldman was fantastic but he has no chance. Brad Pitt gave the second best performance of his career and his second best performance of the year in “Moneyball” but he won’t win. It all comes down to Clooney and Dujardin. While Shannon was my favorite male performance of the year, Dujardin was a close second. Clooney was fantastic even though “The Descendants” wasn’t as polished as many think. Of this group I would love to see Dujardin take home the gold. But I think Clooney carried his movie and has enough charm in Hollywood to win on Oscar night.

Best Picture

THE NOMINEES:

The Artist (Thomas Langmann, Producer)
The Descendants (Jim Burke, Alexander Payne and Jim Taylor, Producers)
Extremely Loud & Incredibly Close (Scott Rudin, Producer)
The Help (Brunson Green, Chris Columbus and Michael Barnathan, Producers)
Hugo (Graham King and Martin Scorsese, Producers)
Midnight in Paris (Letty Aronson and Stephen Tenenbaum, Producers)
Moneyball (Michael De Luca, Rachael Horovitz and Brad Pitt, Producers)
The Tree of Life (Nominees to be determined)
War Horse (Steven Spielberg and Kathleen Kennedy, Producers)

My favorite film of 2011 was “The Tree of Life” but “The Artist” was right behind it. Michel Hazanavicius creates a gorgeous film from start to finish and I think it will win on Oscar night. But it’s not a done deal just yet. “The Descendants” is high on many lists and has a good shot at winning. While I loved many of the other movies (specifically “Midnight in Paris”, “Hugo”, “Moneyball”, and of course “The Tree of Life”), this is a two-horse race and at the end of the day I feel “The Artist” will win Best Picture and I’m fine with that.